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Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
Blackadder Theme
Ensemble de cuivres
Howard Goodall
$12.99 11.24 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M CHOPP #4352809. Published by JOSEPH M CHOPP (A0.924437). Most everyone likes cowboy songs, and Ghost Riders in the Sky is one of the most exciting to hear and perform.  This arrangement gives each musician in the brass quintet several solo opportunities and excellent rhythmic challenges.  The lyrics tell the frightful story of a cowboy receiving a sobering warning to change your ways, or else!  (see page two of the music.)Stan Jones was an American songwriter and actor, primarily writing Western music. He is best remembered for writing the legendary (ghost) Riders in the Sky (A Cowboy Legend), which has been called the #1 Western song ever written.Playing time = 2.5 minutesFind SMP arrangements; just search CHOPP for good quintet music.  Music by Bach, Bartok, Billings, Holtz, Mussorgsky, Jewish Folksongs and several 16th Century composers are available at MusicForBrass.com.  Just search CHOPP.jmchopp@hughes.net
(ghost) Riders In The Sky (a Cowboy Legend)
Ensemble de cuivres
Johnny Cash
$12.99 11.24 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
Alexander’s Ragtime Band
Ensemble de cuivres

$9.95 8.61 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.791030 By Billy Williams. By Fred E. Ahlert. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 29 pages. Kevin P Holdgate #4888851. Published by Kevin P Holdgate (A0.791030). Versatile Brass Big Band Solo CollectionI'm Gonna Sit Right Down and Write Myself a Letter is a 1935 popular song with music by Fred E. Ahlert and lyrics by Joe Young. It has been recorded many times, including several recordings by Frank Sinatra, Bing Crosby and a host of other big American stars. It has become a standard of the Great American Songbook. It was popularized by Fats Waller, who recorded it in 1935 at the height of his fameIt is one of several songs from the Harlem Renaissance featured in the Broadway musical Ain't Misbehavin'.American Public Media's business-news program, Marketplace, uses a portion of Fats Waller's version to open its weekly letters-from-listeners segment.This arrangement can be for male vocals or played as a trombone solo in a swing style.
I'm Gonna Sit Right Down And Write Myself A Letter
Ensemble de cuivres
Billy Williams
$19.99 17.3 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.751065 By Joe Dowell. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #6527307. Published by BJE Music (A0.751065). Wooden Heart (Muss i denn lit. Must I then) is a song recorded by Elvis Presley and featured in the 1960 Elvis Presley film G.I. Blues. The song was a hit single for Presley in the UK Singles Chart, reaching No. 1 for six weeks in March and April 1961. Wooden Heart, created by Fred Wise, Ben Weisman, Kay Twomey and German bandleader Bert Kaempfert, was based on a German folk song by Friedrich Silcher, Muss i denn, originating from the Rems Valley in Württemberg, southwest Germany. Wooden Heart features several lines from the original folk song. Marlene Dietrich recorded a version of the song sometime before 1958, pre-dating Presley, in the original German language…[Wikipedia] This is an arrangement for the Brass Band or Brass Ensemble with optional parts for Piano, and Acoustic Bass (Bass Guitar). There are parts for Trombones in BC and TC, and Horns in Eb and F, Euphoniums in TC and BC, Tubas in Eb, Bb, and C. Grade = 3 Duration = 1:45 mins. The audio was recorded with NotePerformer 3. Copyright © 1960 Gladys Music, Inc. Copyright Renewed, Assigned to Chappell & Co., Erika Publishing and Sinless Music All Rights for Erika Publishing Controlled and Administered by BMG Rights Management (US) LLC International Copyright Secured All Rights Reserved
Wooden Heart
Ensemble de cuivres
Joe Dowell
$45.00 38.95 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).     Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.    Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.    This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
Intermezzo (from Six Pieces for Piano, Op. 118)
Ensemble de cuivres

$4.95 4.28 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.808677 Composed by Ludwig van Beethoven (1770-1827). Arranged by F. Leslie Smith. Classical,Holiday,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3226035. Published by Sweetwater Brass Press (A0.808677).      Mysteries surround this popular piece written originally for piano. Composed about 1810, it wasn’t until 1867, forty years after Beethoven died, that Ludwig Nohl found, transcribed and published Für Elise. Alas, the original signed manuscript that Nohl discovered has since disappeared.      One mystery of course, is Who was Elise? While scholarly guesses have identified several women who could or might have been Elise, there is still no definitive proof.     Another mystery: Did Beethoven actually write this piece? The pianist and musicologist Luca Chiantore has suggested that the original Beethoven manuscript, upon which Ludwig Nohl claimed to base his transcription, may never have existed. On the other hand, there are two surviving preliminary sketches for Für Elise in Beethoven’s hand, and the British composer and musicologist Barry Cooper has pointed out that the rough draft closely resembles the published version.     In this brass quintet version, Trumpet 1 and Trumpet 2 handle the melody-i.e., the right hand in the piano score-for much of the piece, both taking turns and playing together. Most of the time Tuba, Horn in F and Trombone do the honors for the left hand. Horn in F does, however, take the melody line occasionally, sometimes with Trumpet 2 playing a harmony line above. The score performance level is marked Advanced, and with all the sixteenth notes, this arrangement may look difficult. But it’s really more Intermediate, with the only really tricky parts coming in sections D and G.
Für Elise
Ensemble de cuivres

$8.00 6.92 € Ensemble de cuivres PDF SheetMusicPlus

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony  for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
Afro-american Symphony
Ensemble de cuivres

$24.99 21.63 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33 pages. Grant Horsley #1013929. Published by Grant Horsley (A0.1433697). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. This piece is in concert C minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at Advanced intermediate level although an intermediate player maybe fine with it. However, the youtube link has the full score for you to assess suitability. It is around 4 mins 30 in length and would be a great addition to a repertoire.Price is for the full score and parts.
"The Hunky Punks" Original for Brass Sextet.
Ensemble de cuivres

$15.00 12.98 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767278 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Services #3218697. Published by Lyons Music Services (A0.767278). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The ninth song (counting the 6 parts of Sestina as one item) is Ohime il bel viso - Alas! The pretty face sees our young man trying to wheedle an encounter out of his lover. Complaining how much her beauty makes him mad with passion. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
Ensemble de cuivres

$4.99 4.32 € Ensemble de cuivres PDF SheetMusicPlus


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