Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 4 - Digital Download SKU: A0.1022537 Composed by Ryan J. Williams. 20th Century. Score and parts. 12 pages. CWJ Music House Publications #6326397. Published by CWJ Music House Publications (A0.1022537). This short, lively piece will give a tuba quartet a chance to have some fun with intricate parts that play back and forth with a light, dance feel.  Bowser's Trip creates a good challenge to work together to perform split rhythms, but in the end creates a great texture that will surely please the audience as much as the performer.

Brass Ensemble - Level 4 - Digital Download SKU: A0.555522 By Hank Williams Jr. By Andy Razaf, Harry Brooks, and Thomas Fats Waller. Arranged by Keith Loftis. Jazz,Standards. Score and parts. 12 pages. Keith Loftis #165142. Published by Keith Loftis (A0.555522). This light-hearted arrangement for brass quintet provides a spotlight on the low brass at the beginning and develops to include the rest of the ensemble with a variety of rhythmic and harmonic textures. It culminates in a quasi-Dixieland style and is sure to generate smiles and toes to tapping.

Brass Ensemble - Level 5 - Digital Download SKU: A0.913632 Composed by James Marshall. 20th Century,Multicultural,World. Score and parts. 82 pages. James Marshall Music #6384341. Published by James Marshall Music (A0.913632). Septet for Brass is one of the earliest compositions of this composer. It echoes the sentiments of the  Cold War late 1960s in its bold, brass gestures of confidence and elan. Set in traditional three movement form, the opening Allegro heralds the return to decorum following the upheaval of the decade. The secondary theme is reminiscent of the English lyricism of Vaughn Williams. This sentiment returned to the pen of this composer in recent years in compositions commissioned by London clarinetist Alison Eales. This score originally from 1969 was edited during the Pandemic of 2020-2021. Andante is a lamenting chorale played by the Tuba  laced by haunting melismas suggesting the drawn out moods in the music of Shostakovich. The final Rondo is spirited with a theme in 9/8 (3/4 + 3/8) with subsequent sections of mix meter and pulsating textures. Instrumentation is 2 Trumpets in C, 2 Horns in F, 2 Trombones and Tuba.

Brass Ensemble - Digital Download SKU: A0.782800 Composed by Robert Williams (1817). Arranged by Nicholas Palmer. Christian,Easter,Sacred. Score and parts. 14 pages. Nicholas D Palmer #3456357. Published by Nicholas D Palmer (A0.782800). This is a festive arrangement for brass and timpani, with optional soprano descant.  This arrangement includes an introduction and three settings of the tune.  Llanfair is commonly set to the Easter text Christ the Lord is ris'n today and the Ascension text Hail the day that sees him rise.  The organist/pianist can use the standard harmonization of this tune along with every setting.  It is also possible to use a second brass choir to play the first setting as the foundation accompaniment, with the other settings played on top of the first.