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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).      The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†     This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.      For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.      The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.      There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)      Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)  
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).      James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.      Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.      This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.      There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.      Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
In the Evening by the Moonlight
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767307 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 39 pages. Lyons Music Services #3456329. Published by Lyons Music Services (A0.767307). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring  them down.)The opening of this book is a short (very short) sinfonia followed by a fairly simple song for solo voice with plain accompaniment Tempro la cetra. Because the sinfonia is so short, I have bundled them together. Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 01. Sinfonia and Tempro la cetra a5
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts. Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 13. Perchè Fuggi
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767312 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3458447. Published by Lyons Music Services (A0.767312). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. O viva fiamma has fairly simple harmonies, so I was able to reduce it to 5 parts.O viva fiamma is a duet for two sopranos, The title translates as O living flame and is a passionate - and quite vivid - description of the act of love. All the o - o - o-ing is quite graphic! Good job the words are missing from this version!The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 07. O viva fiamma a5
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3121643. Published by Lyons Music Services (A0.767255). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The penultimate song, again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of jusicious adaptation, a six-voice song becomes a quintet. E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) And so little by little like a butterfly simpleton I'll return to the fire in those false eyes
Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco
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Brass Ensemble - Level 3 - Digital Download SKU: A0.739429 Composed by William Byrd. Arranged by David Catherwood. Contemporary,Multicultural,Renaissance,World. Score and parts. 11 pages. Opus 3 Music #3485909. Published by Opus 3 Music (A0.739429). Brass (or Saxophone) Trio - Earl of Salisbury's Pavanne by William ByrdWritten in 1612 this stately Pavane has interest in all parts which together weave a satisfying harmonic and contrapuntal texture.The score is for Orchestral Trombone section (2 Tenor Trombones and Bass Trombone) but parts are also supplied for Horn in F, Horn or Saxophone in Eb, Baritones/Euphoniums/Trombones/Saxophones in Bb, Bass Tuba/Baritone Saxophone in Eb. This makes various combinations possible, for instance3 Trombones as per score ORHorn, Trombone, TubaEb Alto sax, Bb Tenor, Sax, Eb Baritone SaxEuphonium 1 in Bb, Euphonium 2 in Bb, Bass Tuba in Eb These are only suggestions many other combinations are possible.
Brass (or Saxophone) Trio - Earl of Salisbury's Pavanne by William Byrd arranged David Catherwood
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Brass Ensemble - Level 3 - Digital Download SKU: A0.700463 Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 22 pages. KFS Publishing #4758333. Published by KFS Publishing (A0.700463). Volume ten of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2+ to 4List: There Is A Balm in Gilead, There Is A Fountain, This Is My Father's World, This Is the Day, To God Be the Glory, Trust and Obey, We Gather Together, Were You There, What a Friend We Have in Jesus, What Wondrous Love Is This,  and  When the Roll Is Called Up Yonder
Ten Selected Hymns for the Performing Duet, Vol. 10 - trombone (euphonium) and bass trombone (tuba)
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Brass Ensemble - Level 3 - Digital Download SKU: A0.508318 Arranged by Eric Burger Music. Romantic Period. Score and parts. 7 pages. Eric Burger Music #3680719. Published by Eric Burger Music (A0.508318). View the score with playback at: https://youtu.be/GB46HlhExmg Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information.   If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com   Custom work also available.   If you are unhappy with any of my work, write me directly for a replacement.
March of the Vikings for Trombone or Low Brass Quartet
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$7.00 5.99 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694).     British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century.    While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes.    Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments.     This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
St. Peter (In Christ There Is No East or West)
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767239 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3103791. Published by Lyons Music Services (A0.767239). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.Era l'anima mia It was my soul, taken at last is another song about separating after love-making.
Monteverdi - The Fifth Book of Madrigals (1605) - 3. Era l'anima mia
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767241 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 14 pages. Lyons Music Services #3105987. Published by Lyons Music Services (A0.767241). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.Dorinda, ah dirò - Dorinda, ah I will say mine, If you are not with me when I lose you, and when death comes from me and I did not care then that I could give you life
Monteverdi - The Fifth Book of Madrigals (1605) - 6. Dorinda, ah dirò
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Brass Ensemble - Digital Download SKU: A0.739478 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 7 pages. Opus 3 Music #5030407. Published by Opus 3 Music (A0.739478). This arrangement of the well loved Folk song O Waly, Waly will work equally well for a Brass Quartet accompanying Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for Brass quartets playing at weddings or other functions.When I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Brass Quartet
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$6.50 5.56 € Ensemble de cuivres PDF SheetMusicPlus


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