Brass Ensemble - Level 3 - Digital Download SKU: A0.773468 By Sam Smith. By James Napier and Sam Smith. Arranged by Max Stannard. Pop,R & B. Score and parts. 38 pages. Max Stannard Music #3489927. Published by Max Stannard Music (A0.773468). I'm Not the Only One is a song recorded by English singer Sam Smith from his debut studio album, In the Lonely Hour (2014). It has been arranged for traditional British Brass Band and can help this traditional ensemble bring its repertoire up to date. The Flugel Horn is featured as a solo instrument. Duration: 3.50 www.maxstannardmusic.com @MStannardMusic.

Brass Ensemble - Level 3 - Digital Download SKU: A0.947970 By Sam Smith. By James Napier and Sam Smith. Arranged by Doniell Cushman. Pop,R & B. Score and parts. 16 pages. Doniell C Cushman #3913081. Published by Doniell C Cushman (A0.947970). Arranged in full for brass quartet. Includes score and parts in concert Eb Major.

Brass Ensemble - Level 1 - Digital Download SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428999. Published by Kathy Hirche (A0.819927). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-3-0.     Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo  - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F.  Los valores rítmicos usados son: semibreve (nota entera), minim apuntillaría (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los símbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com  La muestra de audio  que se proporciona aquí contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.

Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble - Digital Download SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Published by Sperl Publishing (A0.1024971). This piece, Fables, Fiction and Folklore, is built on a mode and musical figure that can be transposed by a tritone while maintaining every note in the scale.  In other words, whether it’s played in G or C#, the exact same notes are used.  This mirroring of the musical figure is meant to symbolize how we see ourselves.  We look in the mirror and see something that may look like us but is, in fact, as far away from reality as possible. We look past all the good and beautiful things in ourselves and our worlds while only seeing our faults and blemishes. On the other hand, when we look at others, we see idealized versions.  We think about them as if they are fictionalized characters in a story.  Let’s focus on the positive when we look at ourselves and our lives and forgive the imperfections.  We’re the heroes of our personal folktale.