Brass Ensemble - Level 3 - Digital Download SKU: A0.902384 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Victor Magalhães. Contemporary. Score and parts. 14 pages. Victor Magalhaes #6710709. Published by Victor Magalhaes (A0.902384). We Don't Talk About Bruno by Lin-Manuel Miranda (from Encanto)Arranged for Brass Quartet by Victor Magalhães.Contact me:Instagram: @vitumagEmail: victor98magalhaes@hotmail.com

Brass Ensemble - Level 3 - Digital Download SKU: A0.773497 By Oasis. By Noel Gallagher. Arranged by Max Stannard. Rock. Score and parts. 41 pages. Max Stannard Music #4278563. Published by Max Stannard Music (A0.773497). This song was the second UK number single for the Manchester rock band, Oasis. The song took on a renewed meaning following the Manchester Arena bombing in 2017. The song was sung by students of Manchester's Chetham's music school on 23 May, and on 25 May it was spontaneously sung by the crowd gathered for a minute of silence in the city centre. The woman who started the singing told The Guardian, I love Manchester, and Oasis is part of my childhood. Don't Look Back in Anger--that's what this is about: we can't be looking backwards to what happened, we have to look forwards to the future. It was performed by Coldplay's Chris Martin and Jonny Buckland on either side of Ariana Grande at the One Love Manchester concert on 4 June 2017. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic .

Brass Ensemble - Level 2 - Digital Download SKU: A0.786367 Composed by Priscilla J. Owens, William J. Kirkpatrick. Arranged by Beka Wilson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Beka Wilson #4337817. Published by Beka Wilson (A0.786367). This arrangement for trumpet quartet would be perfect for a bold, attention-catching offertory or prelude for a church service, yet it is relatively easy for timid or inexperienced musicians. This piece would also work well as a brass choir. Don't have four trumpets? Don't worry, this piece is compatible with product S0. 523785 (trombone/tuba quartet) and S0. 523789 (horn quartet) for alternate instrumentation. Performance time is approximately 2 minutes. Includes a score and a set of trumpet parts.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767246 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3121591. Published by Lyons Music Services (A0.767246). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. Ch'io t'ami speaks of a man whose lover won't leave him alone or allow him to sleep.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767200 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 21 pages. Lyons Music Services #3074237. Published by Lyons Music Services (A0.767200). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 13th song, Ch'io non t'ami begins as follows: That I do not believe that you are my life and I yours.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Parts supplied:Part 1 in BbPart 2 in BbPart 3 in Eb/FPart 4 in Bb/C(BC)Part 5 in Eb/C(BC)/BbOther parts may be requested free of charge.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767256 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3121639. Published by Lyons Music Services (A0.767256). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. T'amo mia vita - I love you, my life, my dear one - the young man's passions are running high!

By Frank Sinatra. By George Gershwin (1898-1937) and Ira Gershwin. Arranged by Raphael Thöne. 20th Century. Score and parts. 9 pages. Raphael D. Thoene #5801047. Published by Raphael D. Thoene

Brass Ensemble - Digital Download SKU: A0.999424 Composed by Peter Ilyich Tchaikovsky. Arranged by Eric Wilson. Concert,Graduation,Romantic Period,Wedding. Score and parts. 13 pages. Woodrow Edition #5798363. Published by Woodrow Edition (A0.999424). It scares me to think that I arranged this piece as long ago as 1983! It was one of many I made for the Seras Brass Quintet which I helped form while studying at the University of Liverpool. In those days the brass quintet repertoire was limited and, to an impecunious student, expensive. Consequently we made many of our own arrangements and this one became a popular concert item – often used as an encore.We didn’t have Derby mutes (I still don’t!) but we managed to change the straight mute successfully enough. If it’s a problem just cover the bell with the left hand – the main thing is to create a different timbre, after all.

Brass Ensemble - Level 4 - Digital Download SKU: A0.530803 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and parts. 82 pages. Last Resort Music Publishing #6071831. Published by Last Resort Music Publishing (A0.530803). Score - Parts 1-2 in Bb, Part 3-4 in C A Spirited Collection of Holiday Brass Music! This series is designed to be used by a brass quartet and is perfect for recitals, concerts, parties and any chamber music event. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score.  Parts are available separately or may be purchased for specific instrumentation.  The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played!Parts available: 65111 Part 1 Bb Trumpet  65121 Part 2 Bb Trumpet 65122 Part 2 French Horn in F *DD65131 Part 3 Trombone 65132 Part 3 French Horn in F 65141 Part 4 Bass Trombone or Tuba65150 Keyboard or Guitar 65199 Score (Parts 1-2 in Bb, Part 3-4 in C) *DD  *Parts available by digital download onlyTable of ContentsAngels We Have Heard on HighAway in a MangerBreak Forth, O Beauteous, Heavenly LightBring Your Torches, Jeanette, IsabellaCoventry CarolDeck the HallsThe First NoelFor Unto Us a Child is BornGod Rest Ye Merry GentlemenGood King WenceslasGreensleevesHark! The Herald Angels SingThe Holly and the IvyIt Came Upon a Midnight ClearJolly Old St. NicholasJoy to the WorldA La Nanita NanaThe Nutcracker - Chinese Dance, Dance of the Sugar Plum Fairy, March, TrepakO Come, All Ye FaithfulO Little Town of BethlehemSilent NightSing We Now of ChristmasWassail SongWe Three KingsWe Wish You a Merry ChristmasWexford CarolDon't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com

Brass Ensemble - Digital Download SKU: A0.883784 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Phil Lawrence. R & B. Score and parts. 72 pages. Phillip Lawrence #4755867. Published by Phillip Lawrence (A0.883784). I was at college in the late 70’s (RNCM) and the brass dep fave groups were EWF (and Maynard), we formed a band, brass and rhythm section called Brass Injection where the members of the band arranged EWF/Maynard/Blood Sweat and Tears/Steele Dan and the like. (5 tpts, 4 troms, tuba, rhythm section). We colleges giggled, Manchester gigged, and after 4 years we ended up in Ronnie Scott’s. In The Stone seemed to be a must for brass band and difficult dictation and I don’t like to leave things out or simplify. So I’m starting an EWF collection with September and Fantasy to come soon. The semiquaver syncs will take some time to give it the relaxed feel especially in the bass dep. Here’s to the memory of Brass Injection and RNCM days.

Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts. 64 pages. Phillip Lawrence #5287377. Published by Phillip Lawrence (A0.883786). The idea for this arrangement was given to me by an old friend who played in BR Edge Hill band with when we were kids, Christine Humphreys and to do it for bass trombone, the more I looked at it thinking of Eric Burdon’s voice from The Animals with his first verse nearly too low for him to scrape the lower notes and then the later verses near to top of his register suited. The Animals though in A minor, so for BT I dropped it to Ab minor a real shall we say juicy register for bass trombone plus the added attraction of setting it in the lower octave pedal area to show the instrument off. There aren’t may Bass Trom solos in the rep, so now we add one more!An interview with Eric Burdon revealed that he first heard the song at a club in Newcastle, England, where it was performed by Northumberland folk singer Johnny Handle.The Animals were on tour with Chuck Berry and chose him because they wanted to sing something different. The Animals version moves the narrative from the initial point of view of a woman drawn into a life of decline to that of a man whose father is a gambler and a drunk, rather than the adorable person of the previous versions.

Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!

Brass Ensemble - Level 3 - Digital Download SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.