Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.592541 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Individual part. 6 pages. David McKeown #6366355. Published by David McKeown (A0.592541). It’s Been a Long Long Time is arranged as a solo for one Soprano Recorder with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Piano,Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.898117 Composed by Willem de Fesch (1687-1761). Arranged by Douglas Brooks-Davies (1942-). Baroque,Concert. Individual part. 19 pages. Douglas Brooks-Davies #6287455. Published by Douglas Brooks-Davies (A0.898117). One of the Op 4 Sonatas (1725) and originally for violin, this Sonata In G has become a favourite with recorder players, though not easy to obtain. This edition contains (1) soprano recorder part, with editorial trills and mordents, plus a written out ornamented cadence to the penultimate bar of the opening Largo; (2) keyboard part with figured bass; (3) bass continuo (cello, viola da gamba, or bassoon).  All tempo markings are editorial; the keyboard realisation is editorial and can, of course, be modified at will, as can ornamentation of the recorder part.  NOTE: a limitation of my notation software has necessitated using hash for the figured bass sharp sign, and for the figured natural, I have used hash cancelled with a slash. A lovely, approachable Sonata.