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Violin Solo - Level 5 - Digital Download

SKU: A0.1018936

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenā€“his 250th birthday is this yearā€“but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally theyā€™re falling apart. The title is inspired by a quote thatā€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iā€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youā€™re authentically a hot mess. And whatā€™s more of a musical hot mess than a fugue?

There are two realities to this piece. Iā€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [ā€¦] Itā€™s as if someone were beating you with a stick and saying, ā€˜Your business is rejoicing, your business is rejoicing,ā€™ and you rise, shaky, and go marching off, muttering ā€˜Our business is rejoicing, our business is rejoicing.ā€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iā€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedā€“out of a literal need to surviveā€“pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3.36 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download

SKU: A0.1018937

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenā€“his 250th birthday is this yearā€“but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally theyā€™re falling apart. The title is inspired by a quote thatā€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iā€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youā€™re authentically a hot mess. And whatā€™s more of a musical hot mess than a fugue?

There are two realities to this piece. Iā€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [ā€¦] Itā€™s as if someone were beating you with a stick and saying, ā€˜Your business is rejoicing, your business is rejoicing,ā€™ and you rise, shaky, and go marching off, muttering ā€˜Our business is rejoicing, our business is rejoicing.ā€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iā€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedā€“out of a literal need to surviveā€“pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3.36 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download

SKU: A0.1290937

Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Published by Rocco Di Pietro (A0.1290937).

The Genealogy of the ā€œBeingā€ Pieces

Being
On a poem by Georges Bataille called ā€œGodā€ in which Bataille states that ā€œif God knew
he was God he would cease to be God. Therefore God is a-theist, profoundly so.ā€ For
SATB mixed chorus, a capella. (Los Angeles, CA. 2004).
Being Mirror
The Bataille text is hidden with only a few fragments left due to the general
impossibleness of choral ensembles worldwide. For menā€™s chorus and chamber
ensemble. (Palo Alto, CA. 2014).
Prayer
As the third movement of the cello symphony The Art of Imaginal Listening. Batailleā€™s
text is renounced, the chorus reduced to syllables. For womenā€™s chorus and orchestra.
(Clarence Center, N.Y. 2014).
Lost Prayer
Since the text cannot be revealed, the Prayer is lost. The choral element is renounced
completely. For string orchestra or string quintet. (Clarence Center, N.Y. 2016).
Lost Prayer2
Expanding on all the possible choral and instrumental timbres, the cycle continues for
wind instruments. For concert wind band. (Columbus, OH. 2019).
Being3
The last work in the cycle for a solo player, completes the project ending in agnosis. For
solo violin. (Columbus, OH. 2021).

BEING3 (2021) for solo violin
Violon

$12.00 11.53 € Violon PDF SheetMusicPlus

Alto Voice,Bass Voice,Cello,Choir,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Digital Download

SKU: A0.1317730

Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 19 pages. Connie Boss #906411. Published by Connie Boss (A0.1317730).

This version of Ave Maria has the same beautiful melody as the original. The lyrics, while maintaining the well-known Ave Maria words, also have some English translation along with Christmas Lyrics. It talks about the angel giving Mary the message from God that she will bear his son and needs to journey to Bethlehem. The melody is for a soloist if desired and then SATB quartet or choir parts that give beautiful harmonies off and on throughout the song. There is a very prettyĀ  optional instrument part that can be played on flute, violin or cello - parts included. It's worth a listen.Ā 

Any requests or questions, email cdboss@cvalley.net. For an accompaniment, please email me with proof of purchase.Ā 

Lyrics:
Ave Maria, I am an angel sent from God

Maria, here is Godā€™s message

Maria, you will bear Godā€™s son

Ave, Ave, Hail to the Lord

The Lord is with thee

Blessed are you among women

For you were born without sin

And blessed be the fruit of thy womb

Of thy womb Jesus Christ

Ave Mariaā€¦..

Ā 

Ave Maria, mother of God

Maria, do not be afraid

Maria, God has chosen you

Ave, Ave Maria, the time has come

You will make a journey to Bethlehem

Where you will deliver Godā€™s own son

And you will name your son Jesus

Your son will save the world from sin

Ave, Mariaā€¦ā€¦ā€¦.

Ave Maria Christmas Verson Solo SATB flute or violin or cello and piano
Violon

$7.99 7.67 € Violon PDF SheetMusicPlus

SATB Chorus, opt. Violin - Digital Download

SKU: C6.833079

Composed by George Beverly Shea. Arranged by Marianne Forman. General, Lent, Christian. MP3. Celebrating Grace - Digital #833079. Published by Celebrating Grace - Digital (C6.833079).

New life has been breathed into this classical gospel song through the arranging skills of Marianne Forman. A creative and reverent piano accompaniment propels the piece forward. Womenā€™s voices start the piece in a lovely unison, followed by a four-part refrain. Menā€™s voices sing the second stanza, followed by an optional a cappella 3rd stanza filled with rich part-writing. The energetic refrain returns, and the piece concludes with all voices in unison for a stunning ending. An optional violin part is included.

I'd Rather Have Jesus (Tenor Rehearsal MP3)
Violon

$2.99 2.87 € Violon PDF SheetMusicPlus






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