Violin Solo - Digital Download SKU: A0.1088257 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Joeri de Graaf. Pop. 2 pages. Joeri de Graaf Muziekproducties #692508. Published by Joeri de Graaf Muziekproducties (A0.1088257). An accurate transcription of the first violin part of the song Call Me Maybe by Carly Rae Jepsen.

Violin solo - Grade 3 - Digital Download SKU: DX.161113 Composed by Isaac Watts. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #161113. Published by David E. Smith - Digital Sheet Music (DX.161113). A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.

Violin Solo - Level 2 - Digital Download SKU: A0.909640 Composed by Oskar Rieding. Arranged by Christopher A. Sforza. 20th Century,Romantic Period,Standards. 75 pages. Christopher A. Sforza #6655699. Published by Christopher A. Sforza (A0.909640). The Concerto in b minor by Oskar Rieding is a well-known and often studied piece for beginning violin players of all ages.  This three-movement work originally for solo violin and piano is a wonderful introduction into more mature and advanced violin literature. This arrangement for four violins is crafted as true chamber music without the need of piano accompaniment. Two versions are included: Version A keeps the original solo violin part completely in the first violin, while the other parts accompany.  Version B disperses the solo material throughout all four parts, making each equally balanced melodically, harmonically, and in difficulty.

Violin Solo - Level 2 - Digital Download SKU: A0.1237579 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contest,Disco,Festival,Latin,Multicultural,Pop,World. 1 pages. Musikeo #833095. Published by Musikeo (A0.1237579). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.

Violin Solo - Level 4 - Digital Download SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. 47 pages. String Play for All #1087663. Published by String Play for All (A0.1512713). It has long been accepted practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is a good reason for studying the odd-numbered positions first. The body of the instrument and the crook of the neck provide solid reference points for finding these positions. Hamonically, first, third, and fifth position outline the triad, the foundation of Western tonal music. The fingering of fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With the new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire fingerboard has become essential.LIke the relationship in fingering between first and third position, the same relationship can be found between second and sixth and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Shifting exercises between the even positions are also provided. We hope teachers and students will find this material useful.

Violin Solo - Level 1 - Digital Download SKU: A0.1105737 Composed by Wendy Loder. Arranged by Wendy Loder, ASCAP. Classical,Instructional,Traditional. 6 pages. LarkAngel Productions #708960. Published by LarkAngel Productions (A0.1105737). These bowing exercises are so helpful for absolute beginners, to learn the basic techniques (and art!) of starting & stopping rhythmically using half and whole bows. More bow divisions and rhythms are introduced, using open strings A-D-G-E. Then basic 5-note scales on E using the different placement of whole & half-steps. The following pages have fingering charts/tablatures to correlate note names on the violin with treble clef written underneath, and a suggested practice exercise. The charts are great to have as reference to help learn the letter names that match with the fingering numbers in first position.

Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro típico, then Chôro típico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced. 

Violin Solo - Digital Download SKU: A0.508776 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. 2 pages. Published by MP Sheet Music (A0.508776). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).

Violin Solo - Level 1 - Digital Download SKU: A0.1193055 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. 2 pages. Fabio Eduardo #792509. Published by Fabio Eduardo (A0.1193055). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Violin Solo - Level 2 - Digital Download SKU: A0.1191770 Composed by Carlos Eduardo Lyra Barbosa. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. 2 pages. Fabio Eduardo #791275. Published by Fabio Eduardo (A0.1191770). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Violin Solo - Level 1 - Digital Download SKU: A0.1193043 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. 2 pages. Fabio Eduardo #792497. Published by Fabio Eduardo (A0.1193043). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.