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Violin Solo - Level 3 - Digital Download SKU: A0.546453 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. 2 pages. MP Sheet Music #156473. Published by MP Sheet Music (A0.546453). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
Theme From "new York, New York"
Violon
Frank Sinatra
$4.99 4.32 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3.03 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1102995 By Dua Lipa. By Clarence Coffee Jr., Dua Lipa, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #706321. Published by Sarah Cellobat Chaffee (A0.1102995). Released in October of 2020 by English singer Dua Lipa, Levitating was the lead single from the artist's album Future Nostalgia; a fitting title, since the song feels like both a fresh new take on pop music and a fun and funky throwback! Reaching number 2 on the Billboard charts and receiving widespread critical and popular acclaim, the song ended up being named the number one song of 2021 -- so you can't go wrong having this one in your gig books! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to get your audience dancing. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. Rated advanced-intermediate, mainly for some tricky rhythms here and there; this chart will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Levitating
Violon
Dua Lipa
$7.99 6.92 € Violon PDF SheetMusicPlus

Violin Solo - Level 1 - Digital Download SKU: A0.1196045 Composed by E Y Harburg, George David Weiss, Harold Arlen, and Robert Thiele. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Standards,Wedding. 3 pages. Fabio Eduardo #795221. Published by Fabio Eduardo (A0.1196045). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadSomewhere Over the Rainbow/What a Wonderful World (also known as Over the Rainbow/What a Wonderful World) is a medley of Over the Rainbow and What a Wonderful World, recorded by Hawaiian singer Israel Kamakawiwoʻole. First released on the 1990 album Ka ʻAnoʻi, an acoustic rendition of the medley became notable after its release on his 1993 album Facing Future.
Somewhere Over The Rainbow/what A Wonderful World
Violon

$4.99 4.32 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.953828 Composed by Haydn Reeder. 20th Century,Concert,Contemporary,Standards. 5 pages. Haydn Reeder #3436229. Published by Haydn Reeder (A0.953828). Molto espressivo is a short piece for violin and piano suitable for advanced intermediate students and of course, professionals.  The following program note is also in the score:In general this music teeters on the edge of chromatic tonality, occasionally taking flight into areas of atonality. The main melodic idea is presented at various points in different rhythmic guises.  There is plenty of opportunity for the players, particularly the violinist, to be expressive.  Although the piece stands alone, in the future it may be situated within a larger work or set of pieces.
Molto espressivo, for violin and piano
Violon

$4.00 3.46 € Violon PDF SheetMusicPlus






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