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Violin Solo - Level 4 - Digital Download SKU: A0.1273265 By Alicia Keys. By Alicia Augello Cook. Arranged by Aaron Bennett. Film/TV,Pop,Soul,Wedding. 2 pages. StringfulScores.com #865414. Published by StringfulScores.com (A0.1273265). Alicia Keys’ timeless hit If I Ain't Got You, as heard on Netflix’s brand new season 3 of BRIDGERTON (Queen Charlotte: A Bridgerton Story), arranged for solo Violin by Aaron Bennett. This arrangement follows the structure and key of the original song and provides optional piano cues between the main vocal sections. This song is also available for String Quartet, String Trio (opt. Vln.2/Vla), String Duo and Piano Trio. View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist!BRIDGERTON arrangements by Aaron Bennett also available:- If I Ain't Got You (Alicia Keys) - String Quartet/Trio/Duo/Piano Trio- I Will Always Love You (Whitney Houston) - String Quartet/Trio/Duo- Nobody Gets Me (SZA) - String Quartet/Trio- Deja Vu (Beyonce ft. Jay-Z) - String Quartet- Wrecking Ball (Miley Cyrus) - String Quartet/Trio/Duo- Sign of the Times (Harry Styles) - String Quartet/Trio- What About Us (P!nk) - String Quartet/Trio- Dancing On My Own (Robyn) - String Duo- Material Girl (Madonna) - String Duo/Piano Trio- Wildest Dreams (Taylor Swift) - String Duo- Thank U, Next (Ariana Grande) - String Duo- Girls Like You (Maroon 5) - String Duo- In My Blood (Shawn Mendes) - String Duo- Bridgerton Theme (Kris Bowers) - String Duo (Vln/Vc, Vln/Vla & Vln Duo)/Piano TrioFor more arrangements by Aaron Bennett, visit: StringfulScores.com 
If I Ain't Got You
Violon
Alicia Keys
$4.99 4.28 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1273283 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. 3 pages. Milanov #865433. Published by Milanov (A0.1273283). What Was I Made For? From Barbie by Billie Eilish for violin. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
What Was I Made For?
Violon
Billie Eilish
$5.99 5.14 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1273282 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. 3 pages. Milanov #865432. Published by Milanov (A0.1273282). What Was I Made For? From Barbie by Billie Eilish for violin. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
What Was I Made For?
Violon
Billie Eilish
$5.99 5.14 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1304259 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. 2 pages. Rodrigo Faleiros #893568. Published by Rodrigo Faleiros (A0.1304259). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our violin solo arrangement. This rendition maintains the essence of the original while ensuring accessibility for players of all levels. This sheet music contains chord symbols. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
In the Hall of the Mountain King (for violin solo)
Violon

$2.99 2.57 € Violon PDF SheetMusicPlus


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