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Instrumental Duet Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Instrumental Duet,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.858474 Composed by G. F. Handel. Arranged by Stephen Bulat. Baroque,Easter,Graduation,Sacred,Wedding. Score and parts. 3 pages. Stephen Bulat Publishing #5288903. Published by Stephen Bulat Publishing (A0.858474). George Frideric Handel's classical masterpiece arranged for treble and bass clef duo. Ideal for violin/cello duo, flute/bassoon duo or any two instruments that read in treble and bass clef. Rehearsal markings are included throughout to facilitate an easy roadmap for musicians to follow. Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book. As well feel free to visit our website at www.stephenbulat.com.
Arrival Of The Queen Of Sheba (Handel) - violin/cello duo or other treble clef/bass clef instruments
Violon

$2.49 2.16 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.844591 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 3 pages. Phil Beaman #3928137. Published by Phil Beaman (A0.844591). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda.  It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments. Has double stops in the intro and coda.3 pages, 1:45 minutesTemporary piano recording of instrument part
Polka Russe-Czerny-Violin Solo
Violon

$3.99 3.47 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.786868 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. 5 pages. Beka Wilson #6628889. Published by Beka Wilson (A0.786868). This arrangement of In the Bleak Midwinter for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 2.5 minutes (suggested 70 bpm)Level: intermediate for most instruments (no lever changes for harp)5 pages (includes score and separate solo part)This arrangement is available as a solo for piano, harp, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
In the Bleak Midwinter--violin solo
Violon

$6.99 6.07 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 4 pages. Beka Wilson #6253759. Published by Beka Wilson (A0.786551). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
When I Survey the Wondrous Cross--violin solo
Violon

$6.99 6.07 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro típico, then Chôro típico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced. 
Choros No 1
Violon

$7.99 6.94 € Violon PDF SheetMusicPlus






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