Violin Solo - Level 2 - Digital Download SKU: A0.1280815 By Mariah Carey. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged by Leo Silva. Pop. 2 pages. MP Sheet Music #872156. Published by MP Sheet Music (A0.1280815). I'll Be There is the first single released from the Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.The song was recorded by The Jackson 5 and released by Motown Records on August 28, 1970. Produced by the songwriters, I'll Be There was The Jackson 5's fourth number-one hit in a row (after I Want You Back in 1969, ABC and The Love You Save earlier in 1970), making them the first group to have their first four singles reach number one and the first black male group with four consecutive number-one pop hits. I'll Be There is also notable as the most successful single released by Motown during its Detroit era (1959–72). In 2011, the song was inducted into the Grammy Hall of Fame.

Violin Solo - Level 2 - Digital Download SKU: A0.697565 Composed by American Folk Tune. Arranged by Sandy McIntire. Country,Film/TV,Folk,Instructional,Traditional. 3 pages. Sandy McIntire #5209787. Published by Sandy McIntire (A0.697565). Big Rock Candy Mountain is arranged here as an Early Intermediate fiddle tune. This all time favorite folk tune can be dated back to the 1890s. It was recorded in 1928 by Harry McClintock and popularized in the 1930s by Woody Guthrie and in the 1960s by Pete Seeger. It is included in McIntire's series, Mountain Mommas Fiddle Tunes. Other tunes in the series include Whiskey Before Breakfast, West Fork Gals, and Kitchen Girl, all available at this web site.

Violin Solo - Level 5 - Digital Download SKU: A0.980415 Composed by Gary Noland. 20th Century,Concert,Contemporary. 13 pages. Freeland Publications #3236555. Published by Freeland Publications (A0.980415). Violin Part to Waltz Fantasy for violin & piano Op. 87. Score is available separately for purchase. for Duration: ca. 15-20 minutes. Review of performance (Aaron Berenbach, Northwest Reverb): Like an André Rieu opium dream, Noland's waltz slowly emerged from a morass of sound, solidified into a lush, decadent, Viennese waltz before dissolving and reforming again and again. Like Bernstein, Noland made great use of the familiar, in this case the easily recognized waltz form, but made it personal, unique, and extremely interesting in his interpretation. Link to performance:https://www.youtube.com/watch?v=7LnKAl3nVPs Link to MIDI rendition:https://www.youtube.com/watch?v=UjhBVazquM8 .