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Violin Solo - Level 2 - Digital Download SKU: A0.1309092 By Phil Collins. By Phil Collins. Arranged by Leo Silva. 20th Century,Pop. 2 pages. MP Sheet Music #898289. Published by MP Sheet Music (A0.1309092). Against All Odds (Take a Look at Me Now) (ou apenas Against All Odds) é uma música do baterista, cantor e compositor britânico Phil Collins. Foi gravado para a trilha sonora do filme de 1984 com o mesmo nome. É uma poderosa balada em que seu protagonista implora a uma ex-namorada que olhe para mim agora, sabendo que a reconciliação é contra todas as probabilidades, considerando que vale a pena tentar. O single alcançou o 2º lugar no Reino Unido, enquanto alcançou o 1º lugar na Billboard Hot 100 nos Estados UnidosAgainst All Odds também liderou as paradas no Canadá, Irlanda e Noruega.No episódio 339 de This American Life, Break Up, Collins retransmite que a música foi inspirada e escrita logo após o rompimento entre ele e sua primeira esposa. Na entrevista, ele diz que o divórcio o transformou de músico em também letrista.Against All Odds ganhou o Grammy Awards de Melhor Performance Masculina Pop em 1985, foi nomeado para Canção do Ano e para um Oscar e também para um Globo de Ouro na categoria de Melhor Canção Original.
Against All Odds (take A Look At Me Now)
Violon
Phil Collins
$4.99 4.28 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.861926 Composed by Mark O'Connor. 20th Century,Folk,Jazz,Ragtime. 8 pages. Mark O'Connor Musik International #6208029. Published by Mark O'Connor Musik International (A0.861926). M & W Rag (rhythm chart - violin solo) MO147BRhythm Chart (violin solo available)Music by Mark O’Connor4 pages - 5:00 minutes in length M & W Rag composed by Mark O’Connor in 2002 is a long form Ragtime piece. Mr. O’Connor got the idea for the piece while performing with his Hot Swing Trio, preparing material for future recordings and tours. He also was inspired by his good friend and musical colleague Wynton Marsalis, thus the tittle M(ark) & W(ynton’s) Rag. Mr. O’Connor often performed Rags in fiddle contests during his youth, and this genre is well-known in traditional American fiddle music circles. He also feels that this kind of music serves as a precursor to jazz and swing as well, and has been included in the Hot Swing Trio repertoire. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Hot Swing - Live in New York OMAC Records Catalogue Number MO147BCopyright © 2002 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
M & W Rag (rhythm chart - violin solo)
Violon

$4.50 3.86 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.861924 Composed by Mark O'Connor. 20th Century,Folk,Jazz,Ragtime. 9 pages. Mark O'Connor Musik International #6208021. Published by Mark O'Connor Musik International (A0.861924). M & W Rag (violin solo) MO147AViolin Solo (rhythm chart available)Music by Mark O’Connor5 pages - 5:00 minutes in length M & W Rag composed by Mark O’Connor in 2002 is a long form Ragtime piece. Mr. O’Connor got the idea for the piece while performing with his Hot Swing Trio, preparing material for future recordings and tours. He also was inspired by his good friend and musical colleague Wynton Marsalis, thus the tittle M(ark) & W(ynton’s) Rag. Mr. O’Connor often performed Rags in fiddle contests during his youth, and this genre is well-known in traditional American fiddle music circles. He also feels that this kind of music serves as a precursor to jazz and swing as well, and has been included in the Hot Swing Trio repertoire. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Hot Swing - Live in New York OMAC Records Catalogue Number MO147ACopyright © 2002 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
M & W Rag (violin solo)
Violon

$7.50 6.43 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Williams (Socan) #3093633. Published by Garth M. Williams (Socan) (A0.837262). A Winter's Lament was written during our western Canada winter of 2015.  Although British Columbia boasts that it has a very favourable climate with little snow, it also tends, at times, to be very grey and wet during the winter months.  With that in mind, I wrote this fiddles ballad which records, in the opening, my thoughts about the bright, warm, spring and fall months which we have just left.  The middle section however, tends to be somewhat melancholic surrounded by the greyness of our winter, but it, in turn, is followed by a recipe of what lies ahead when winter actually departs; spring with its new beginning.  This is an exceptional piece for fiddler's around the world.
A WINTER'S LAMENT FOR STRING ORCHESTRA
Violon

$20.95 17.96 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.588384 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. 3 pages. David McKeown #5319413. Published by David McKeown (A0.588384). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Violin.  Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
When I'm Sixty-four
Violon
The Beatles
$4.99 4.28 € Violon PDF SheetMusicPlus

Violin Solo - Level 1 - Digital Download SKU: A0.623691 By Ronnie Milsap. By Archie Jordan. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. 1 pages. M das Melodias #232786. Published by M das Melodias (A0.623691). Music score What a Difference You've made in my life for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Very sung gospel music. More played gospel. Praising god. Music of praise to God. Music for group of praise. What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a change you have made in my heart What a change you have made in my heart You replaced all the broken parts Oh, what a change you have made in my heart Love to me was just a word in a song That had been way overused But now I've joined in the singin' 'Cause you've shown me love's true meanin' That's why I wanna spread the news What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a difference you've made in my life (listen to it) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made, yeah What a difference you've made in my life (Difference you've made in my life) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... (Go ahead and sing it) What a difference you've made in my life What a difference you've made in my life You're my sunshin, day and night (Oh yeah, sing it to me) What a difference you've made... What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... What a difference you've made in my life.
What A Difference You've Made In My Life
Violon
Ronnie Milsap
$4.99 4.28 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3 € Violon PDF SheetMusicPlus


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