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Violin Solo - Level 1 - Digital Download

SKU: A0.1423788

By Christina Perri. By Oscar Hammerstein and Richard Rodgers. Arranged by Valdir Maia. Broadway,Film/TV,Musical/Show,Traditional,Wedding. 1 pages. Valdir Maia #1005027. Published by Valdir Maia (A0.1423788).

Title: Edelweiss Sheet Music for Solo Violin with Chord Symbols

Description:
Immerse yourself in the enchanting melodies of Edelweiss from the timeless film The Sound of Music with our meticulously crafted sheet music arrangement for solo violin. Perfect for solo performances, our sheet music caters to violinists of all levels, ensuring accessibility and enjoyment. Whether you're preparing for a wedding performance or simply savoring the charm of this cinematic gem, our arrangement offers versatility and elegance.

Key Features:
- Detailed arrangement for solo violin
- Suitable for violinists of all levels
- Includes chord symbols for easy accompaniment
- PDF format for easy access and printing

Elevate your performance with the timeless beauty of Edelweiss. Let the magic of this iconic song grace your rendition with its enduring charm and elegance.

Don't miss out on the opportunity to add the captivating beauty of Edelweiss to your repertoire. Purchase your sheet music now!

Tags: violin solo, solo violin, violin sheet music, chord symbols.

Edelweiss
Violon
Christina Perri
$4.99 4.72 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download

SKU: A0.1018937

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3.31 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download

SKU: A0.1018936

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3.31 € Violon PDF SheetMusicPlus






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