Violin Solo - Level 4 - Digital Download SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945). This is a three movement pantonal work for unaccompanied solo violin.  Each movement has it's own personality and character.  The first begins freely and expressively in the beginning and builds momentum to a somewhat sporadic series of various motivic manipulations, ending in an aggressive, accelerating repetition of the motif, which can be heard in various places of the following two movements.  The second movement, somewhat more quirky, is meant to provoke a sense of temporary confusion and disorientation.  The pizzicato open G in the first few measures is the disorienting element, interrupting the melody every few beats.  The rest of the piece gradually becomes more and more playful before slowing down as if unsure what lies ahead.The third movement is the shortest of the three.  It begins very eerily and slightly chilling with a downward glissando on artificial and natural harmonics.  It almost seems as if a character in a story is lost in an unfamiliar place, trying to find the way home.  As the movement progresses, it builds in expression and intensity the way a light in the distance becomes closer as one walks closer to it.  From this climax, to the end, it becomes gradually softer and slower, mimicking the burning embers of a dying fire, reminiscing of warmth and comfort.

Violin Solo - Digital Download SKU: A0.785047 Composed by Dorothy van Joolen Barth. Standards,World. 2 pages. Dorothy van Joolen Barth #5789639. Published by Dorothy van Joolen Barth (A0.785047). New music for an ancient dance! This evocative slow belly dance tune is composed for solo violin and can be accompanied by an improvising drummer familiar with belly dance rhythms. Raqs Julia is composed as a veil dance in the classic American cabaret belly dance rumba bolero style and is named in honor of a prominent Southern California dancer and costume designer. This music will also be enjoyed by violinists interested in exploring world music genres. Looking to play more original music for belly dance? Check out my other compositions: (1) Muse Dance: Original Belly Dance Music; (2) Songs from Euterpe, an anthology which includes the Muse Dance tunes; (3) Theodora, a lively beledi tune; (4) Full Bloom Beledi; (5) Gemma, a veil dance; (6) Leah, a veil dance; (7) Laleh, another veil dance; and (8) Raqs Rebecca, a lively dance in 4/4, beledi, with short taqsim.  About the composer: Dorothy van Joolen Barth is a violinist and recorder player. Born in Amsterdam, she now resides and performs in California. She has arranged six volumes of Celtic traditional music for two instruments and has composed three volumes of original music. She studied and performed oriental dance for several decades, which inspired her to compose this original music. Interest by dancers and musicians in these compositions will encourage her to create more!

By Phil Berthoud. For Fiddle. Celtic/Irish. 32 pages. Published by Mel Bay Publications - Digital Sheet Music

Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070273 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Full Performance. Duration 939. Visionary Quest Records #6100947. Published by Visionary Quest Records (A0.1070273). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra. Influenced by Samuel Barber, Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release.Digital Download = 30 Pages Level = Intermediate Duration = 15:38 minutesMusic Score Tutorial Video - http://bit.ly/Pathetique_StringOrchestra_YouTubeSpecial Thanks to photographer Rene Asmussen for Sheet Music photo.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070274 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Full Performance. Duration 936. Visionary Quest Records #6102067. Published by Visionary Quest Records (A0.1070274). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra and string sextet. Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Pathétique (for String Sextet) conveys its own intimate yet powerful sense of deep emotionality.Special Thanks to photographer Rene Asmussen for Sheet Music photo.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comHttps://www.visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

60 Traditional Pieces for Violin. Schott World Music. Downloadable. Schott Music - Digital #Q577533. Published by Schott Music - Digital

Violin Solo - Level 5 - Digital Download SKU: A0.980415 Composed by Gary Noland. 20th Century,Concert,Contemporary. 13 pages. Freeland Publications #3236555. Published by Freeland Publications (A0.980415). Violin Part to Waltz Fantasy for violin & piano Op. 87. Score is available separately for purchase. for Duration: ca. 15-20 minutes. Review of performance (Aaron Berenbach, Northwest Reverb): Like an André Rieu opium dream, Noland's waltz slowly emerged from a morass of sound, solidified into a lush, decadent, Viennese waltz before dissolving and reforming again and again. Like Bernstein, Noland made great use of the familiar, in this case the easily recognized waltz form, but made it personal, unique, and extremely interesting in his interpretation. Link to performance:https://www.youtube.com/watch?v=7LnKAl3nVPs Link to MIDI rendition:https://www.youtube.com/watch?v=UjhBVazquM8 .

Violin - Digital Download SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 8. Schott Music - Digital #Q47525. Published by Schott Music - Digital (S9.Q47525). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Violin - Digital Download SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 12. Schott Music - Digital #Q47527. Published by Schott Music - Digital (S9.Q47527). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Violin - Digital Download SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 10. Schott Music - Digital #Q47526. Published by Schott Music - Digital (S9.Q47526). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Violin - Digital Download SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 7. Schott Music - Digital #Q47524. Published by Schott Music - Digital (S9.Q47524). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Violin - Digital Download SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 11. Schott Music - Digital #Q47528. Published by Schott Music - Digital (S9.Q47528). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Americana. Solo Part. 9 pages. Published by Mark O'Connor Musik International

Violin Solo - Level 2 - Digital Download SKU: A0.545409 Composed by Cindy Blevins. Instructional. 45 pages. Cindy Blevins #5990201. Published by Cindy Blevins (A0.545409). Please note: sometimes the music samples shown on SMP have issues with musical symbols. Your music will look perfect when you download it. The audio sample is an excerpt from No. 7. It was digitally produced. These 10 violin studies are relatively easy and fun to play. They are not just groups of notes put together. They can mostly be played in first position. There are some bowing and fingering indications where needed. Your download includes the violin studies  and the piano scores.*If you are purchasing this eBook on Sheet Music Plus, you can visit my website to download the free set of play-along mp3s. Visit blevinsmusic.com and find Violin Studies on the navigation menu. This is Book Three of three books of 10 easy, melodic studies. Book One is Item No. S0.839815.   Book Two is Item No. S0.839821.These studies are progressive in nature. Book Three is the most advanced of the three, but still in the easy category. Each study can be played alone, with an accompanist or with the optional piano play-along tracks. The mp3s were recorded in strict time, for ease of playing along. If you play the pieces alone or with a live accompanist, feel free to give them your own interpretations. These studies help you practice your bowing, your rhythm, your note reading, fingering and scale evenness. Playing with the optional accompaniments helps you hear intonation and gives you experience playing in an ensemble, whether your partner is a live accompanist or just your mp3 player.  There are two mp3s available for each study:  1. A piano play-along track in a slower tempo;  2. The same piano play-along track, but more up-tempo, for when you have learned a piece, or want to challenge yourself. Each study includes a piano cue at the beginning, so you know when to start playing if you’re playing with a play-along track or with a pianist. There are tempo guides on each study. These are for those using the play-along recordings. They match the slower tempo and more up-tempo versions of the play-along recordings. You can ignore these tempo guides if you’re not playing with the mp3s. The studies also include a suggested tempo range. Every study can be played faster or slower than indicated, at the discretion of the player.  My website: www.blevinsmusic.com