Violin Solo - Level 3 - Digital Download

SKU: A0.1348921

Composed by Giuseppe Colombi. Arranged by Zoltan Paulinyi. Baroque,Early Music. 12 pages. Zoltan Paulinyi #933656. Published by Zoltan Paulinyi (A0.1348921).

Among the Giuseppe Colombi’s (Modena, 1635-1694) facsimiles consulted at the Italian Estensi Library, there are 6 pieces in 3 types of scordatura for solo violin. Dr Zoltan Paulinyi's edition is ready for performance because it fixes dozens of mistakes in the manuscript: accidentals, notes, repetitions. The manuscripts facsimiles are also printed in this edition.

(In Portuguese). Dentre os fac-símiles de Giuseppe Colombi (Modena, 1635-1694) consultados na biblioteca italiana Estensi, destacam-se 6 peças em 3 tipos de scordatura para violino solo. Esta edição de Dr. Zoltan Paulinyi está pronta para apresentação porque corrige dezenas de imprecisões do manuscrito (acidentes, notas e repetições). O fac-símile dos manuscritos encontra-se anexado nesta edição.

Composed by William B. Bradbury. Arranged by James Michael Stevens. Christian, Spiritual, Sacred, Lent, Funeral. Sheet Music Single. 6 pages. Published by James M Stevens Music ASCAP (S0.138149). - Sheet Music Single - Christian,Spiritual,Sacred,Lent,Funeral - James M Stevens Music ASCAP

Violin Solo - Level 2 - Digital Download

SKU: A0.1263839

Composed by Rudesindo Soutelo. Arranged by Solo Violin. 21st Century,Children,Classical,Contemporary. 15 pages. Publisher by Rudesindo Soutelo #856751. Published by Publisher by Rudesindo Soutelo (A0.1263839).

A Alva Vidal Capóm
Alva (2006, revised in 2023) for Solo Violin [ca. 15']
  1. Alvorecer / Dawn
  2. Leitura / Reading
  3. Vagar / Slowly
  4. Apoteose / Apotheosis
Première: 29-IV-2011. CCF Auditorium, Bandung (Indonesia). Int.: Eya Grimonia.

Even the simplest things need a solid internal structure that supports their discourse and transcends it.
 
This work was a birthday present to an 11-year-old girl who was born on the 11th of the month 11, and is built on her onomastic numbers [4, 5, 5] which generate the harmonic and melodic basis together with those of the composer [9, 7], those of her mother [6, 5, 7] and those of her brother [5, 5, 5]. Thus, the first movement, “Dawn�, is structured in 11 sections (it is a gift from the age of 11) of 4+5+5 bars. “Reading� has 9 sections of 4 bars and the melodic-harmonic sequence is formed by the complex [4, 5, 6, 7, 9], so we all find ourselves involved in the reading plot. The third movement, “Slowly�, in 5/4, a reference to the names of the girl and her brother, has 3 sections of 5+5+5 bars; the brother’s turning round endlessly while the girl thinks about the turns that the world takes. The final “Apotheosis�, in the rhythm of 9+7 eighths, has two parts: in the first one there are 3 sections of 6+5+7 (the mother) opening the way to the 3 sections of the second part which represent the effervescence in the dawn of life (4+5+5).

The most beautiful expression of mathematics, the language of the most intimate emotions, the essence of our own existence is in the music.

--oOo--

Até mesmo as coisas mais simples precisam duma sólida estrutura interna que sustente o seu discurso e o transcenda.

Esta obra foi prenda de anos a uma menina de 11 anos que nasceu no dia 11 do mês 11, e está construída sobre os seus números onomásticos [4, 5, 5] que geram a base harmónica e melódica em conjunto com os do compositor [9, 7], os da sua mãe [6, 5, 7] e os do seu irmão [5, 5, 5]. Assim, o primeiro andamento, “Alvorejar�, está estruturado em 11 secções (é prenda dos 11 anos) de 4+5+5 compassos. “Leitura� tem 9 secções de 4 compassos e a sequência melódico-harmónica está conformada pelo complexo [4, 5, 6, 7, 9], assim, todos nos vemos envolvidos na trama leitora. O terceiro andamento, “Vagar�, em 5/4, referência aos nomes da menina e do seu irmão, tem 3 secções de 5+5+5 compassos; os do irmão a dar voltas sem fim enquanto a menina pensa nas voltas que dá o mundo. A “Apoteose� final, no ritmo de 9+7 oitavos, tem duas partes: na primeira há 3 secções de 6+5+7 (a mãe) abrindo o caminho às 3 secções da segunda parte que representam a efervescência na alva da vida (4+5+5).

A expressão mais formosa da matemática, a linguagem das emoções mais íntimas, a essência da nossa própria existência está na música.

ISWC: T-045.522.028-6
ISMN: 979-0-707704-14-1.

Violin Solo - Level 5 - Digital Download

SKU: A0.1441949

Composed by Chintamani Rath PhD. 21st Century,Classical,Contemporary,Multicultural,World. 6 pages. Chintamani Rath #1021942. Published by Chintamani Rath (A0.1441949).

Written for solo violin, this 5m 40s piece takes you into introspective realms where your inner voice speaks to you, sometimes softly, sometimes loudly, guiding you through your your thoughts and emotions and always pulsating with living energy. A challenge for the bow arm of the violinist, the work is well suited as a mesmerising encore.