Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.

Violin Solo - Level 4 - Digital Download SKU: A0.1102995 By Dua Lipa. By Clarence Coffee Jr., Dua Lipa, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #706321. Published by Sarah Cellobat Chaffee (A0.1102995). Released in October of 2020 by English singer Dua Lipa, Levitating was the lead single from the artist's album Future Nostalgia; a fitting title, since the song feels like both a fresh new take on pop music and a fun and funky throwback! Reaching number 2 on the Billboard charts and receiving widespread critical and popular acclaim, the song ended up being named the number one song of 2021 -- so you can't go wrong having this one in your gig books! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to get your audience dancing. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. Rated advanced-intermediate, mainly for some tricky rhythms here and there; this chart will be learnable for students and sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Violin Solo - Level 1 - Digital Download SKU: A0.587798 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. 8 pages. David McKeown #4978265. Published by David McKeown (A0.587798). 20 Really Easy Christmas Carols for Violin is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner Violinists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than D at the bottom of the Treble ClefThe carols are in alphabetical order and are as follows;·     Away in a Manger·     Deck the Halls·     Ding Dong Merrily on High·     The First Nowell·     God Rest ye Merry Gentleman·     Good Christian Men Rejoice·     Good King Wenceslas·     Hark, the Herald Angels Sing·     The Holly and the Ivy·     I Saw Three Ships·     In the Bleak Midwinter·     It Came upon a Midnight Clear·     O Cone All Ye Faithful·     O Come, O Come Emmanuel·     O Little Town of Bethlehem·     Once in Royal David’s City·     Silent Night·     We Three Kings·     While Shepherds Watched·     We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Violin Solo - Level 5 - Digital Download SKU: A0.1028165 Composed by Graeme Culpepper. Contemporary. 4 pages. Graeme Culpepper #3690745. Published by Graeme Culpepper (A0.1028165). Toccata aims to showcase the performer’s virtuosity in a numerous amount of ways. The piece opens with a sixthteenth note pattern that is the core of the work, and expands upon the pattern implementing various harmonic changes throughout. In the middle of the piece a theme is presented in 4/4 time which gives way to high scalar runs which is interrupted by the beginning pattern and repeated over again. After this, there is a return of the beginning idea, which is taken through several different keys until arriving in G minor. At the end of the piece the theme from the middle is presented in its full glory, and in 3/4. The piece closes with a G minor chord being built from the bottom up and added portamento before the final chord.