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Violin Solo - Level 2 - Digital Download

SKU: A0.1427563

Composed by American Fiddle Tune. Arranged by arranged by Sandy McIntire. Contest,Country,Festival,Folk,Traditional. 5 pages. Sandy McIntire #1008298. Published by Sandy McIntire (A0.1427563).

Liberty Off the Corn Liquor Still is a southern old-time fiddle tune. The tune is crooked with an unusual bowing pattern that makes it a ‘foot stomping’ favorite. Explanations for what it means for a tune to be crooked, bowing patterns, chords and music symbols used are provided on the score. This arrangement is an Easy Intermediate Violin Solo. It is suitable for fiddles, mandolins, and penny whistles. Highly recommended for performing in contests and festivals.

Liberty Off the Corn Liquor Still
Violon

$4.99 4.74 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download

SKU: A0.953769

Composed by Jennie Lou Klim. Contemporary,Instructional,Standards. 7 pages. Jennie Lou Klim #2946031. Published by Jennie Lou Klim (A0.953769).

 1.  Hippity Hoppity Harmonics   2.  The Happy Whistler  3.  The Musical  Gymnast  In each of these three tunes, the student plays several different harmonics. Each song  needs to be played slowly at first to discover where the harmonic is located, and to grasp  the rhythmic and bowing patterns.  As an educator, Jennie Lou Klim has written numerous method books for violin, viola, cello,  and bass; begun string programs in public school systems; directed summer string camps;  and conducted workshops with beginning, as well as established strings teachers.  The selected harmonic tunes are from Book V of the One Step At A Time series.        .

Three Tunes with Harmonics, for Violin and Piano
Violon

$3.99 3.79 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download

SKU: A0.697648

Composed by American Folk Song. Arranged by Sandy McIntire. 20th Century,Country,Folk,Instructional,Traditional. 5 pages. Sandy McIntire #6236177. Published by Sandy McIntire (A0.697648).

Wabash Cannonball is an American folk song that celebrates the scenic beauty and predicaments of the Great Rock Island train route. Roy Acuff of the Grand Ole Opry and Pete Seeger, among others, popularized the tune in the 20th Century. The Indiana University Marching Sycamores and Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band use it as a theme song.

This old-time arrangement for Intermediate fiddle and violin features a train whistle (with instructions for how to play it) and chords. It is included in McIntire's series, Mountain Mommas Fiddle Tunes. Other tunes in the series include Whiskey Before Breakfast, West Fork Gals, Kitchen Girl, and The Big Rock Candy Mountain.

Wabash Cannonball
Violon

$5.50 5.22 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download

SKU: A0.586810

Composed by Traditional. Arranged by David McKeown. Celtic,Holiday,Standards,World. 31 pages. David McKeown #3004853. Published by David McKeown (A0.586810).

Irish Dance Music Vol.2 is a new edition, arranged and edited for Violin or Fiddle by Dave McKeown. Irish Dance Music Vol.2 contains a selection of 50 jigs, reels, hornpipes, polkas, planxties and slides that are regularly played in sessions and in concert by Irish musicians across the world. This collection provides a fresh and diverse introduction to the Irish dance music tradition. The sample recording is of two tunes played on Flute and Low Whistle.  

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1

Irish Dance Music Vol.2 for Violin; 50 Jigs, Reels, Hornpipes and more....
Violon

$6.99 6.64 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download

SKU: A0.1018937

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3.32 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download

SKU: A0.1018936

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3.32 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download

SKU: A0.731389

By Edwin Sung. By Edwin Sung. Celtic,Holiday,Irish,Jazz,Pop,Wedding. 4 pages. Edwin Sung #6736241. Published by Edwin Sung (A0.731389).

What will happy if you mix Irish and Scottish Ceili(dh)s together, with the help of some jazzy chord progressions and drum tracks in the background? A Celtic Fusion!

This piece begins with a slow-paced 12/8 jig, with the support of soothing ambience and tin whistle in the background, before venturing into a quicker tempo, making it a reel. Midway through the music, the tonality changes and the bagpipes join in the fun!

This music is fit for any occasions, in particular celebrations at St Patrick's Day / St Andrew's Day, and ceili(dh) events!

Backing tracks are available, either by using the MP3 audio attached to this catalogue item (with the violin performance) or here, without the violin (shared via Microsoft OneDrive): https://1drv.ms/u/s!ApAjMjElHIoBjlgJ5PRO-ZEi0WY8.

The Celtic Fusion for Violin (w/ Backing Track audio)
Violon
Edwin Sung
$2.99 2.84 € Violon PDF SheetMusicPlus






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