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Violin Solo - Level 3 - Digital Download SKU: A0.875098 Composed by English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. 12 pages. Jerry Nelson #3873625. Published by Jerry Nelson (A0.875098). Opening with a gentle, contemplative mood, this arrangement slips nicely into a gentle JAZZ groove. You're gonna love it!  This arrangement moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the dramatic Orchestral Accompaniment Track (#SO.441843)  -   4:02Share your find with your friends!  Jerry Nelson now presents his finest Christmas arrangements in a variety of styles. Hear them all start-to-finish.  Search Jerry Nelson Christmas (plus the name of your instrument).   Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track!
What Child Is This?-v2 (Arrangements Level 3-5 for VIOLIN + Written Acc)
Violon

$4.99 4.26 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1264576 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. 2 pages. Glauco Fernandes #857403. Published by Glauco Fernandes (A0.1264576). Violin Solo Sheet Music: What Was I Made For - Billie Eilish Elevate your musical skills with our exclusive violin solo sheet music for the song What Was I Made For by the talented singer Billie Eilish. This captivating song is part of the soundtrack of the 2023 Barbie movie and is perfect for beginner to intermediate violinists or anyone who enjoys the music.âœ”ï¸ Perfect for solo performances: Whether you're practicing in solitude or performing for an audience, our violin solo sheet music for What Was I Made For is a perfect choice. With its beautiful melodies and expressive passages, you can create a captivating and emotive performance.âœ”ï¸ Suitable for violinists of all levels: Our sheet music is designed to be accessible for violinists at various skill levels. Whether you're a beginner or an intermediate player, you can master this beautiful piece and impress with your performance.âœ”ï¸ From the Barbie movie soundtrack: What Was I Made For is one of the tracks from the soundtrack of the 2023 Barbie movie. With our sheet music, you can play this enchanting song and be part of the magic of the film through your violin.âœ”ï¸ Explore Billie Eilish's talent: Billie Eilish is known for her unique style and captivating music. With our violin solo sheet music for What Was I Made For, you can immerse yourself in Billie Eilish's musical world and bring her music to life through the expressive sound of the violin.âœ”ï¸ Professional quality: Our sheet music is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation on the violin.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the What Was I Made For violin solo sheet music. This allows you to start practicing and performing this emotionally captivating piece right away.Elevate your musical abilities and create memorable moments with the violin solo sheet music for What Was I Made For by the talented Billie Eilish. Take this opportunity to immerse yourself in the music of one of the most acclaimed artists of our time. Start playing What Was I Made For today and let the expressive sound of the violin bring Billie Eilish's melodies to life.
What Was I Made For?
Violon
Billie Eilish
$4.99 4.26 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1264572 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. 2 pages. Glauco Fernandes #857402. Published by Glauco Fernandes (A0.1264572). Violin Solo Sheet Music with Chords: What Was I Made For - Billie Eilish Elevate your musical skills with our exclusive violin solo sheet music with chords for the song What Was I Made For by the talented singer Billie Eilish. This captivating song is part of the soundtrack of the 2023 Barbie movie and is perfect for beginner to intermediate violinists or anyone who enjoys the music.âœ”ï¸ Perfect for solo performances: Whether you're practicing in solitude or performing for an audience, our violin solo sheet music for What Was I Made For is a perfect choice. With its beautiful melodies and expressive passages, you can create a captivating and emotive performance.âœ”ï¸ Suitable for violinists of all levels: Our sheet music is designed to be accessible for violinists at various skill levels. Whether you're a beginner or an intermediate player, you can master this beautiful piece and impress with your performance.âœ”ï¸ From the Barbie movie soundtrack: What Was I Made For is one of the tracks from the soundtrack of the 2023 Barbie movie. With our sheet music, you can play this enchanting song and be part of the magic of the film through your violin.âœ”ï¸ Explore Billie Eilish's talent: Billie Eilish is known for her unique style and captivating music. With our violin solo sheet music for What Was I Made For, you can immerse yourself in Billie Eilish's musical world and bring her music to life through the expressive sound of the violin.âœ”ï¸ Professional quality: Our sheet music is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation on the violin.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the What Was I Made For violin solo sheet music with chords. This allows you to start practicing and performing this emotionally captivating piece right away.Elevate your musical abilities and create memorable moments with the violin solo sheet music with chords for What Was I Made For by the talented Billie Eilish. Take this opportunity to immerse yourself in the music of one of the most acclaimed artists of our time. Start playing What Was I Made For today and let the expressive sound of the violin bring Billie Eilish's melodies to life.
What Was I Made For?
Violon
Billie Eilish
$4.99 4.26 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.874937 Composed by English Folk Melody. Arranged by Dr Jerry Nelson. Blues,Christmas,Jazz. 12 pages. Jerry Nelson #3677119. Published by Jerry Nelson (A0.874937). This arrangement is identical to What Child Is This.  You'll love how the rubato breaks into a great JAZZ feel. It moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System.  Bonus:  A written Accompaniment is included, plus Chord Chart for live rhythm. Or, purchase the captivating Accompaniment Track  (#SO.422483).  4:03Jerry Nelson now presents his finest Christmas arrangements in a variety of styles – Jazz, Symphonic, Classical. Hear them all start-to-finish.  Search Jerry Nelson Christmas Violin (or most other wind / string instruments).  Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement and Track! 
Greensleeves (Arrangements Level 3-5 for VIOLIN + Written Acc)
Violon

$4.99 4.26 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon

$3.50 2.99 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon

$3.50 2.99 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 2.99 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 2.99 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
The Westwood Harmonic Summer Dance
Violon

$5.00 4.27 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.1087523 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Contest,Festival,Jazz,Multicultural,Wedding,World. 4 pages. Music-Scores.com #691732. Published by Music-Scores.com (A0.1087523). Shenandoah could have been a song of a fur trader who was in love with the daughter of a Native American chief named Shenandoah. Some people say it was a logging song. It later became a sea shanty, being the perfect tempo to sing whilst hauling in the anchor. This version is improvisational and should be seen as a starting point, just to fire the imagination and play whatever comes to mind. For Solo Violin. About 2 minutes, 30 seconds. Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
Shenandoah - Solo Violin
Violon

$6.95 5.93 € Violon PDF SheetMusicPlus






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