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Violin Solo - Level 3 - Digital Download SKU: A0.1348921 Composed by Giuseppe Colombi. Arranged by Zoltan Paulinyi. Baroque,Early Music. 12 pages. Zoltan Paulinyi #933656. Published by Zoltan Paulinyi (A0.1348921). Among the Giuseppe Colombi’s (Modena, 1635-1694) facsimiles consulted at the Italian Estensi Library, there are 6 pieces in 3 types of scordatura for solo violin. Dr Zoltan Paulinyi's edition is ready for performance because it fixes dozens of mistakes in the manuscript: accidentals, notes, repetitions. The manuscripts facsimiles are also printed in this edition.(In Portuguese). Dentre os fac-símiles de Giuseppe Colombi (Modena, 1635-1694) consultados na biblioteca italiana Estensi, destacam-se 6 peças em 3 tipos de scordatura para violino solo. Esta edição de Dr. Zoltan Paulinyi está pronta para apresentação porque corrige dezenas de imprecisões do manuscrito (acidentes, notas e repetições). O fac-símile dos manuscritos encontra-se anexado nesta edição.
6 Scordature per violino solo (XVII century). Dr Paulinyi's edition revised for performance.
Violon

$5.00 4.68 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.727268 Composed by Silesian folk song (1677). Arranged by Carol Troutman Wiggins. Christian,Christmas,Religious,Sacred,Traditional. 4 pages. Carol Troutman Wiggins #3423327. Published by Carol Troutman Wiggins (A0.727268). The Crusader's Hymn (Violin & Piano Duet)The Crusader's Hymn is also known as Fairest Lord Jesus and Beautiful Savior. This beautiful, flowing duet is great for the Easter season, Christmas, or General Worship. The tune is originally a Silesian folk song (1677), and the song and the German text were printed for the first time in 1842 by August Heinrich Hoffmann von Fallersleben and Ernst Richter, named Schönster Herr Jesu (Most Beautiful Lord Jesus). Written for violin, but may easily be used for any C solo instrument. Easy violin part, great for beginners Late Intermediate level accompaniment Excellent for preludes, offertories, or solos/duets Some original material laced with the traditional hymn Chords included for additional instruments, if desired May be used with any C instrument Text includedPiano Accompaiment/Rehearsal track available on this site.Piano Accompaniment/Rehearsal Track available on this site.
The Crusader's Hymn (Violin & Piano Duet)
Violon

$9.99 9.34 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.875124 Composed by Frederick Maker. Arranged by Dr Jerry Nelson. Christian,Jazz,Sacred. 6 pages. Jerry Nelson #3873835. Published by Jerry Nelson (A0.875124). Oo, Luscious. Imaginative harmonies easing into a subtle rhythm.  Only slightly jazzy.  Simple enough to be manageable by most any player, these arrangements move you step-by-step from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432389).  Congrats!  You found the Gold Mine!  Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name).   VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Opt. Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 3.  (Time 3:25)  
Dear Lord and Father of Mankind (Arrangements Level 1-3 for VIOLA + Written Acc)
Violon

$4.99 4.67 € Violon PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.875123 Composed by Frederick Maker. Arranged by Dr Jerry Nelson. Christian,Jazz,Sacred. 6 pages. Jerry Nelson #3873837. Published by Jerry Nelson (A0.875123). Oo, Luscious. Imaginative harmonies easing into a subtle rhythm.  Only slightly jazzy.  Simple enough to be manageable by most any player, these arrangements move you step-by-step from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432389).  Congrats!  You found the Gold Mine!  Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name and maybe a Title or a Genre.VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 3.  (Time 3:25)  
Dear Lord and Father of Mankind (Arrangements Level 1-3 for VIOLIN + Written Acc)
Violon

$4.99 4.67 € Violon PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.824038 Composed by TK Tim Murray. Concert,Romantic Period,Standards. 1 pages. TK (Tim) Murray #4786731. Published by TK (Tim) Murray (A0.824038). This stylistic 2nd Violin part will bring fresh life into old repertoire. Ideal for a teacher to play along with their student or for 2 students to play together in performance. Also perfect for Groups of mixed level students.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
Dittersdorf - German Dance - 2nd. Violin Part - Suzuki Bk.5
Violon

$4.95 4.63 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1018916 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064791. Published by Benjamin Sajo (A0.1018916). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
Violon

$3.50 3.27 € Violon PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjamin Sajo (A0.1018914). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
Violon

$3.50 3.27 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon

$3.50 3.27 € Violon PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon

$3.50 3.27 € Violon PDF SheetMusicPlus

Violin Solo - Digital Download SKU: A0.508783 By Clara Nunez and Sivuca. By Maria Da Gloria Pordeus Gadelha and Severino Dias De Oliveira. Arranged by Leo Silva. Latin,Multicultural,World. 2 pages. Published by MP Sheet Music (A0.508783). “Feira de Mangaio†foi gravada inicialmente pelo próprio Sivuca, posteriormente incorporada ao repertório de Clara Nunes no LP “Esperançaâ€, de 1979. Este foi um dos grandes sucessos da cantora. Feira de Mangaio foi composto em Nova Iorque. E mais, para os puristas ficarem horrorizados, a letra da canção de Glorinha Gadelha foi finalizada num McDonald's da Sétima Avenida. “Feira de Mangaio†was initially recorded by Sivuca himself, later incorporated into Clara Nunes' repertoire in the 1979 LP “Esperançaâ€. This was one of the singer's greatest hits. Feira de Mangaio was composed in New York. What's more, to the horror of purists, the lyrics to Glorinha Gadelha's song were finished at a McDonald's on Seventh Avenue.
Feira De Mangaio
Violon
Clara Nunez and Sivuca
$5.05 4.72 € Violon PDF SheetMusicPlus






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