Violin Solo - Level 3 - Digital Download SKU: A0.1196707 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. 4 pages. Samuel Sequeira #795870. Published by Samuel Sequeira (A0.1196707). When I Get There - Pink - Violin Play it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This solo violin arrangement of When I Get There by Pink features the key of D Major and captures the emotional depth of the song. The violin part has been expertly crafted to include the vocal melody while also incorporating beautiful violin techniques, making it a joy to play for intermediate and advanced players. The absence of piano accompaniment puts the focus solely on the violin's ability to evoke the emotions of the song, providing a beautiful and engaging musical experience. Whether you're a violinist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this solo violin arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!

Violin Solo - Level 3 - Digital Download SKU: A0.1196711 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. 4 pages. Samuel Sequeira #795874. Published by Samuel Sequeira (A0.1196711). When I Get There - Pink - ViolinPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for violin with chords features the key of D Major and captures the emotional depth of the song. The violin part has been expertly crafted to include the vocal melody while also incorporating beautiful violin techniques, making it a joy to play for intermediate and advanced players. The guitar chords provide a deeper understanding of the underlying harmony, creating a beautiful and engaging musical experience. Whether you're a violinist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this violin arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!

Violin Solo - Level 3 - Digital Download SKU: A0.588384 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. 3 pages. David McKeown #5319413. Published by David McKeown (A0.588384). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Violin.  Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 4 pages. Beka Wilson #6253759. Published by Beka Wilson (A0.786551). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.

Violin Solo - Level 3 - Digital Download SKU: A0.1279307 Composed by Henry Purcell. Arranged by B. C. Dockery. Baroque,Classical,Opera. 1 pages. Ben Dockery #870800. Published by Ben Dockery (A0.1279307). From Henry Purcell's opera Dido and Aeneas, this is When I am laid in earth arranged for solo violin. Great for lessons, recitals, and performances of all kinds. Intermediate level.

Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 2 - Digital Download SKU: A0.875172 Composed by Composer Unknown. Arranged by Dr Jerry Nelson. Christian,Gospel. 11 pages. Jerry Nelson #3874019. Published by Jerry Nelson (A0.875172). A century-old song that became an instant hit when rediscovered. Using word-painting and vivid imagery, it dramatically portrays the splendors of heaven and face-to-face with Jesus Himself.Progress rapidly using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432411).  Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and Audio Demo.Congrats!  You found the Gold Mine!  Whether you play winds or strings or '88 keys' â€“ you discovered awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4.  (Time 6:10)  

Violin Solo - Level 1 - Digital Download SKU: A0.1446386 Composed by English Folk Song. Arranged by Sandy McIntire. Celtic,Contest,Festival,Folk,Instructional,Irish,Multicultural,World. 3 pages. Sandy McIntire #1026194. Published by Sandy McIntire (A0.1446386). The Girl I Left Behind Me is an English folk song from the Elizabethan era derived from a traditional Irish melody and said to have been played when soldiers left for war or as sailors set sail. Today, it is a popular tune often played in the U.S. at old-time jams, dances and festivals.  A basic version is arranged here as an Easy/Beginner Violin Solo, also appropropriate for mandolin.  It an excellent choice for students to play for fun or for performance in recitals.

Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Williams (Socan) #3093633. Published by Garth M. Williams (Socan) (A0.837262). A Winter's Lament was written during our western Canada winter of 2015.  Although British Columbia boasts that it has a very favourable climate with little snow, it also tends, at times, to be very grey and wet during the winter months.  With that in mind, I wrote this fiddles ballad which records, in the opening, my thoughts about the bright, warm, spring and fall months which we have just left.  The middle section however, tends to be somewhat melancholic surrounded by the greyness of our winter, but it, in turn, is followed by a recipe of what lies ahead when winter actually departs; spring with its new beginning.  This is an exceptional piece for fiddler's around the world.

Violin Solo - Level 2 - Digital Download SKU: A0.816601 Composed by William H. Monk. Arranged by Cydney Olson Van Duker. Christian,Contemporary,Sacred. 6 pages. Cydney Olson Van Duker #4795881. Published by Cydney Olson Van Duker (A0.816601). This is one of my favorite hymns. I have arranged it as a violin duet, or, a cello duet, or, a violin and cello duet. Each variation is a separate purchase. I've kept the string parts pretty simple. I just hate it when I can't easily find the melody when listening to a favorite hymn. Don't you?? The piano part is definitely intermediate level. Please don't freak out when you see all those sharps. It's only for a few measures. You can do it! This piece is appropriate for any worship service. I hope you enjoy it.