Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 1 - Digital Download SKU: A0.623691 By Ronnie Milsap. By Archie Jordan. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. 1 pages. M das Melodias #232786. Published by M das Melodias (A0.623691). Music score What a Difference You've made in my life for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Very sung gospel music. More played gospel. Praising god. Music of praise to God. Music for group of praise. What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a change you have made in my heart What a change you have made in my heart You replaced all the broken parts Oh, what a change you have made in my heart Love to me was just a word in a song That had been way overused But now I've joined in the singin' 'Cause you've shown me love's true meanin' That's why I wanna spread the news What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a difference you've made in my life (listen to it) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made, yeah What a difference you've made in my life (Difference you've made in my life) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... (Go ahead and sing it) What a difference you've made in my life What a difference you've made in my life You're my sunshin, day and night (Oh yeah, sing it to me) What a difference you've made... What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... What a difference you've made in my life.

Violin Solo - Digital Download SKU: A0.922711 Composed by American Children Song. Arranged by YuSheng Orson Yang. Children,Instructional. 3 pages. Orson Yang Violin & Music #6080329. Published by Orson Yang Violin & Music (A0.922711). Hello everyone, this familiar tune comes from the opera of Rousseau, and was later changed to an American nursery rhyme. For teachers who teach violin beginners, in order to enhance their understanding of the diverse techniques of violin and increase their interest in learning, we can use difficult Paganini works to demonstrate, but if we can use familiar nursery rhymes for children, The display of difficult skills like Paganini-Style will definitely arouse students' interest and desire to learn violin well. This is why I arranged this song. For students who have studied violin for some years and have a solid foundation, the difficulty of this piece is also suitable for you. It can be used as an etude to overcome and master related skills. I believe you can play more vividly and brilliantly than me.        At the beginning of the song, the theme is in A major just like in Suzuki Violin Book I, and then: Variation 1: Use ricochet and left-hand chord techniques Variation 2: Left hand pizzicato and left finger tremolo Variation 3. in minor key to show polyphonic violin playing and harmonics. Variation 4: Bariolage technique and rapid notes. In the Final (Coda) section uses chords and a little ricochet. The ending arpeggio directly quotes the end of Paganini's 24th, enjoy playing! 大家好，這個耳熟能詳的旋律來自å��八世紀大音樂家兼教育家斜槓哲學家 - 盧梭的歌劇作å“�，後來改詞æˆ�為美國童謠。美國鋼ç�´å®¶Cramer也曾在å��ä¹�世紀為此曲寫é�Žé‹¼ç�´è®Šå¥�曲。 å°�教導å°�æ��ç�´åˆ�學者的è€�師來說，為了能增進學生å°�æ–¼æ��ç�´å¤šæ¨£æ€§æŠ€è¡“的了解以å�Šå¢žåŠ å­¸ç¿’興趣，我們雖然å�¯ä»¥ç”¨è‰±é›£çš„帕格尼尼作å“�來示範，ä¸�é�Žè‹¥æ˜¯èƒ½ä»¥å…’童熟悉的童謠，變æˆ�具有Paganini-Style般艱難技巧的展ç�¾ï¼Œä¸€å®šèƒ½è®“學生引起興趣和想è¦�把å°�æ��ç�´å­¸å¥½çš„慾望，這是我為何改編此曲的原因。 å°�於學ç�´å¤šå¹´åŸºç¤Žç´®å¯¦çš„學員來說，這首曲å­�的難易度也是é�©å�ˆæ‚¨çš„，å�¯ä»¥ç•¶ä½œä¸€é¦–練習曲來克æœ�並掌æ�¡ç›¸é—œæŠ€å·§ï¼Œç›¸ä¿¡æ‚¨èƒ½æ¼”å¥�得比我更為生動精采。 本曲一開始以Suzuki Violin Book Içš„A大調演å¥�一次主題，接著: 變å¥�1: é�‹ç”¨æ‹‹å¼“ (ricochet) 與左手和弦技巧 變å¥�2: 左手撥弦與左手指顫音 變å¥�3. 轉平行å°�調展ç�¾è¤‡éŸ³éŸ³æ¨‚和泛音 變å¥�4: 快速æ�›å¼¦å’Œè¶…大跳æ�›æŠŠä½�的技巧 最後的尾è�²ç”¨äº†å’Œå¼¦ä»¥å�Šä¸€é»žæ‹‹å¼“，çµ�æ�Ÿçš„ç�¶éŸ³ç›´æŽ¥å¼•ç”¨Paganini第24首綺想曲的çµ�尾，希望你會喜歡更èª�è­˜å°�æ��ç�´!

Violin Solo - Level 4 - Digital Download SKU: A0.1514913 Composed by Ave Asán. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 30 pages. Editorial Copistas Acuario #1089409. Published by Editorial Copistas Acuario (A0.1514913). Esta pieza esta? inspirada en la Suche Malinche, uno de los personajes de “El Gu?egu?ense o Macho Rato?n”, obra de teatro nicaragu?ense y adema?s Patrimonio Oral e Inmaterial de la Humanidad. En dicha obra, el Gu?egu?ense convence al Gobernador Tastuanes (padre de la Suche Malinche) para que case a la muchacha con uno de sus hijos (Don Forcico). El Preludio de la Suche Malinche surge de la necesidad de empoderar a esta mujer, cuya funcio?n en El Gu?egu?ense es la de ser un instrumento para acceder al poder. Ni su voz ni su voluntad existen. Es por eso que en la pieza, La Suche (representada por la violinista) empieza a cuestionarse por su silencio, y le reza a Guacha?n (San Sebastia?n, santo patrono de Carazo); pero en vez del santo, se le aparece Quetzalco?atl, quien le da valor y fuerza. Poco a poco ella siente co?mo surge su voz, alternada con vocales y sonidos reiterados, que se mezclan con un violi?n impetuoso, hasta que en ella se construye el habla y termina diciendo : “Ya neme nequi nitipampa” (Yo estoy aqui?, defendiendo mi causa). ----------------------------------------------This piece is inspired by Suche Malinche, one of the characters of “El Gu?egu?ense o Macho Rato?n”, a Nicaraguan play and also Oral and Intangible Heritage of Humanity. In this play, the Gu?egu?ense convinces Governor Tastuanes (Suche Malinche’s father) to marry the girl to one of his sons (Don Forcico). The Suche Malinche Prelude arises from the need to empower this woman, whose function in El Gu?egu?ense is to be an instrument to gain access to power. Neither her voice nor her will exist. That is why in the piece, La Suche (represented by the violinist) begins to question her silence, and prays to Guacha?n (San Sebastia?n, patron saint of Carazo); but instead of the saint, Quetzalco?atl appears to her, giving her courage and strength. Little by little she feels how her voice emerges, alternating with vowels and reiterated sounds, which are mixed with an impetuous violin, until she builds her speech and ends up saying: “Ya neme nequi nitipampa” (I am here, defending my cause.).