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Viola Solo - Level 3 - Digital Download

SKU: A0.1196755

By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #795917. Published by Samuel Sequeira (A0.1196755).

When I Get There - Pink - Viola
Play it at home, with friends, on class, for your teacher or student
Play it on a public presentation.

This arrangement of When I Get There by Pink for viola with chords features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful viola techniques, making it a joy to play for intermediate and advanced players. The guitar chords provide a deeper understanding of the underlying harmony, creating a beautiful and engaging musical experience. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this viola arrangement with chords in the key of D Major.

You can find me on:

Instagram:
@Samuelseq

YouTube: @SamuelSeq

More arrangements on: Sam'S arrangements

Thanks for listening, and happy playing!

When I Get There Alto seul
Pink
$4.99 4.63 € Alto seul PDF SheetMusicPlus

Viola Solo - Level 3 - Digital Download

SKU: A0.1047947

By Paul Stookey. By Paul Stookey. Arranged by Sherry Lewis. Contemporary,Folk,Pop,Spiritual,Wedding. Individual part. 5 pages. Sherry Lewis Publishing #652399. Published by Sherry Lewis Publishing (A0.1047947).

There Is Love, Wedding Song VIOLA SOLO, Intermediate Level Score: Yes Parts: 2 pages Time: 3:51 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Wedding Song (there Is Love)
Alto seul
Paul Stookey
$4.99 4.63 € Alto seul PDF SheetMusicPlus

Traditionnel : A Rose There Bloomed Alto seul
Téléchargez la partition Alto A Rose There Bloomed de Traditionnel. Partitio…
1.99 € Alto seul PDF Tomplay

Viola Solo - Level 5 - Digital Download

SKU: A0.1018938

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
Alto seul

$3.50 3.25 € Alto seul PDF SheetMusicPlus

Viola Solo - Level 4 - Digital Download

SKU: A0.1160860

Composed by Nick Norton. Chamber,Classical,Contemporary. Individual part. 3 pages. Bathysphere Music #761171. Published by Bathysphere Music (A0.1160860).

I wrote Elegy II almost immediately after the Isla Vista shootings in 2014. Many of my students and friends at UCSB were deeply affected, and some came quite close to being in the line of fire.

The piece reuses some melodic material from my first elegy, which I had written for my grandmother’s funeral a few years earlier. Both end on a picardy third. For the first elegy, I considered that a way of embracing a future influenced by the love for and memories of her. For this one, I’m not so sure. At best, it feels like an honest wish for healing. In the face of the daily murder of innocent people, it feels like a hollow gesture. In any case, if the piece brings someone some comfort, I am glad for that.

Elegy II was premiered by the violist Jordan Warmath at a concert at UCSB in memory of the victims. A violin version followed shortly thereafter, and then a video and recording performed by my friend Jonathan Morgan.

Elegy II
Alto seul

$10.00 9.28 € Alto seul PDF SheetMusicPlus

Viola Solo - Level 2 - Digital Download

SKU: A0.1462252

By SZA. By Carlos Munoz, Carter Lang, Christopher Ruelas, Jacob Collier, and Solána Rowe. Arranged by Milanov. R & B,Soul. Individual part. 3 pages. Milanov #1041004. Published by Milanov (A0.1462252).

SZA - Good Days by Jacob Collier, Solana I. Rowe for viola. Lyrics. Intermediate

SZA - Good Days is a soulful and introspective R&B track that reflects on personal growth, self-discovery, and emotional healing. The song is characterized by its dreamy production, featuring ethereal melodies and a hypnotic beat. SZA's vocals are soulful and heartfelt, as she explores themes of resilience and finding peace amidst inner turmoil. The lyrics delve into the complexities of relationships, self-worth, and the journey towards finding happiness. Overall, Good Days encapsulates a sense of optimism and empowerment, offering a soothing and contemplative listening experience.

Good Days
Alto seul
SZA
$5.99 5.56 € Alto seul PDF SheetMusicPlus

Viola Solo - Level 3 - Digital Download

SKU: A0.1240089

Composed by Claude Debussy. Arranged by Rodrigo Faleiros. 19th Century,20th Century,Chamber,Romantic Period,Wedding. Individual part. 2 pages. Rodrigo Faleiros #835455. Published by Rodrigo Faleiros (A0.1240089).

Introducing a captivating new music arrangement of Debussy's timeless masterpiece, Clair de Lune, specially crafted for intermediate level viola players. This arrangement expertly captures the delicate beauty and ethereal essence of the original composition while providing an accessible challenge for aspiring musicians. With carefully arranged harmonies and thoughtfully simplified passages, this version allows intermediate players to experience the enchanting melodies and evocative atmosphere of Clair de Lune with confidence and grace.

This arrangement is transposed half-tone up to the key of D major, is notated with chords and simplifies the time signature from 9/8 to 3/4, making the reading easier.

Clair de Lune
Alto seul

$1.99 1.85 € Alto seul PDF SheetMusicPlus


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