Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Organ - Level 3 - Digital Download SKU: A0.949919 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tommy Johansson, Lars Hagström. Rock. Score. 5 pages. Tommy Johansson, Hjo #6036539. Published by Tommy Johansson, Hjo (A0.949919). A Beatles song in a rhythm and blues-inspired style, released in 1968.Challenging pedal work for the organist -but well worth the effort!Four pages. Duration: 2.30.Lars Hagström Graduated organist, educated at the Royal Academy of Music in Stockholm. Concert tours in Sweden and Europe, A number of recordings on both LP and CD. In addition to concerts, he is devoted to teach the upcoming generation of organists. He is also deeply involved in the development of the Suzuki organ playing method. Tommy Johansson, Hjo Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and teacher. Many more Beatles songs from these arrangers are to be found at sheetmusicplus.com

Organ,Trumpet - Digital Download SKU: A0.1051585 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 78. Exultet Music #2859. Published by Exultet Music (A0.1051585). Reverent Mass setting which can be used at anytime throughout the year which is scored for Bb-Trumpet, Cantor, Congregation, and Organ.  A Full score and a Choir/Vocal Score of the Mass of Our Lady of Mercy can be found on this site.  .

Organ - Digital Download SKU: A0.1051583 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 120. Exultet Music #2763. Published by Exultet Music (A0.1051583). Reverent Mass setting which can be used at anytime throughout the year which is scored for Cantor, Congregation, and Organ.  A Full score and a Choir/Vocal Score of the Mass of Our Lady of Mercy can be found on this site. .

Organ - Level 3 - Digital Download SKU: A0.1468282 Composed by Thomas Hastings (1784-1872). Arranged by Mark Rippe. Christian,Religious,Sacred,Traditional. Score. 3 pages. Mark Rippe #1046595. Published by Mark Rippe (A0.1468282). StA OV00207.  Short variation for organ appropriate for a postlude.  Companion to hymn final stanza setting StA H00178.  Both are part of the St. Andrew's Collection.

Organ - Level 3 - Digital Download SKU: A0.1450433 Composed by Thomas Hastings (1784-1872). Arranged by Mark Rippe. Christian,Religious,Sacred,Traditional. Score. 4 pages. Mark Rippe #1030164. Published by Mark Rippe (A0.1450433). StA H00178.  Hymn final stanza setting with optional short and long interludes.  Part of the St. Andrew's Collection.

Organ - Level 2 - Digital Download SKU: A0.1041268 By Christina Aguilera, Lil' Kim, Mya & Pink. By Kenny Nolan and Robert Crew. Arranged by Michael Storeton-West. Pop. Score. 3 pages. Kicker Productions Ltd. #646004. Published by Kicker Productions Ltd. (A0.1041268). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.

Organ - Level 3 - Digital Download SKU: A0.1260448 Composed by Ennio Morricone. Arranged by Marcus Martin. 20th Century,Film/TV,Praise & Worship. Score. 2 pages. Cornelius Edition (uk) #853613. Published by Cornelius Edition (uk) (A0.1260448). La califfa (English: Lady Caliph) is a 1970 Franco-Italian social drama film written and directed by Alberto Bevilacqua. It was entered into the 1971 Cannes Film Festival.  The score is by E. Morricone and this arrangement for 2 manual church organ is suitable for many occasions such as quiet voluntaries, weddings and funerals.