Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1124991 Composed by Frederick Frahm. 20th Century. Individual part. 22 pages. Frederick Frahm #725763. Published by Frederick Frahm (A0.1124991). Music composed for a small instrument. In particular, the 1 manual, 7 stop 1868 JH & CS Odell organ at St. Thomas of Canterbury Episcopal Church in Albuquerque, NM. Movement titles: Altar Flowers: – Yellow Rose – Purple Peony – Red Sunflower Toccata per organo Offertory Frankincense Deo Gratias.

Organ - Digital Download SKU: A0.846372 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 6 pages. Christopher Evans #5775239. Published by Christopher Evans (A0.846372). The first movement, a passacaglia, is a set of variations on a theme. The second movement is a lyrical melody for the solo trumpet stop influenced by the theme of the passacaglia. It is suitable for the bridal procession at the start of a wedding ceremony. The indicated registration is only a guide. Both movements can easily be played on a small two manual instrument, e.g.in the absence of a trumpet stop the solo can be played on Gt 8 4 (22/3) 2 diapasons accompanied by Sw 8 & 4 diapasons and Ped 16 coupled to Sw.

Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1250976 By Audra Telksnytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 4 pages. Nacionaline vargonininku asociacija #845268. Published by Nacionaline vargonininku asociacija (A0.1250976). In July 2019, Lithuanian organist Paulius Grigonis discovered a previously unpublished composition by Juozas Naujalis, entitled Communio “Jesus, Jesus, Come to Me�, which was preserved at the Lithuanian Theater, Music and Film Museum. The very end of the manuscript bears the inscription of the place and time of its creation: Šven�ionėliai, October 30, 1914. The newly discovered piece was premiered on August 22, 2019, at the Vilnius Cathedral.Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929. A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

Instrumental Solo,Organ,Piano - Level 2 - Digital Download SKU: A0.904179 Arranged by J. Martin Alexander. Christian,Sacred. Score and individual part. 22 pages. James Martin Alexander #4763423. Published by James Martin Alexander (A0.904179). Original introductions, modulations, and alternate harmonizations for congregational singing with organ (or piano) - plus a postlude. Contents:For Organ

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).

Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1287748 By Robert Carl Horton. By Johann Sebastian Bach. Arranged by Robert Carl Horton. Baroque,Classical,Early Music,Historic. Individual part. 22 pages. Robert Carl Horton #878814. Published by Robert Carl Horton (A0.1287748). Bach's sixth Brandenburg Concerto, transposed and arranged as an organ solo. The first two movements are arranged as trios for two keyboards and pedal, the final movement is arranged for full organ with double pedal. Intended for advanced performers.

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1125454 By Leonardo Antonio Di Chiara. By Leonardo Antonio Di Chiara. Arranged by Leonardo Antonio Di Chiara. 20th Century,Contemporary,Instructional,New Age,Religious. Individual part. 39 pages. LEONARDO ANTONIO DI CHIARA #726218. Published by LEONARDO ANTONIO DI CHIARA (A0.1125454). Nel comporre la musica ho tenuto conto della suddivisione data da Dante alla Cantica, pertanto è presente l’Antipurgatorio, il Purgatorio con le sette cornici ed il Paradiso terrestre. Rispetto alla prima Cantica, il Purgatorio presenta un'atmosfera decisamente meno cupa, più rilassata e serena che si manifesta fin dal primo Canto, all'arrivo di Dante e Virgilio sulla spiaggia nei minuti che precedono l'alba, la mattina della domenica di Pasqua. Se nel comporre la musica dell'Inferno lo stile era spesso aspro e duro, adeguato alla rappresentazione del regno del dolore, quello della seconda Cantica è di tono più leggero ed elegiaco, ovviamente questa leggerezza non è sinonimo di facilità di linguaggio o di esecuzione. Nella terza, quarta, quinta e sesta cornice ho usato gli stessi temi dell’Inferno riferiti alle omologhe pene, ma rielaborandoli con armonie e strutture diverse rendendoli meno scuri e più rasserenanti. Mentre per le restanti parti lo sviluppo tematico è stato concepito completamente con idee nuove. Unica eccezione riguarda l’ultimo brano, il Paradiso terrestre, dove oltre al tema concepito, verso la conclusione del brano e precisamente nelle ultime cinque battute, ho introdotto il tema di un noto corale protestante utilizzato anche dalla chiesa latina dal titolo: “Noi canteremo Gloria a Te�. Nella partitura ho indicato anche la scelta dei registri e la dinamica la quale indicazione o suggerimento non risulta vincolante. Pertanto ciò non vieta che l’esecutore attraverso il suo buon gusto possa apportare delle modifiche nella scelta dei registri in considerazione anche dell’organo dove andrà ad eseguire la composizione. La gestazione dell’intera Cantica è durata all’incirca 7 mesi. Le prime battute le ho scritte il 13 marzo del 2022 mentre la fine della composizione ha visto la luce il 22 novembre dello stesso anno. Il Purgatorio chiude il ciclo compositivo organistico dedicato alla Divina Commedia dantesca, iniziato nel 2020 con il Paradiso per poi proseguire nel 2021 con la stesura dell’Inferno. Tre anni di intenso lavoro cercando di poter far “parlare� i brani all’ascoltatore in maniera diretta, curandone il suono che anteponendosi alla tecnica alimentano l’anima. Si tratta di musica autenticamente semplice, ma non banale, in quanto penso che la comunicazione diretta con l’ascoltatore si ottiene solo con la semplicità che è molto più “spinosa� del tecnicamente difficile e veloce. Ma soprattutto, in questa semplicità “spinosa� io ci metto il cuore e la mia mente.

Organ - Level 3 - Digital Download SKU: A0.1167863 By Christina Grimmie. By Imogen Heap. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). A Cappella,Contemporary,Folk. Score. 7 pages. Jonny Music #766981. Published by Jonny Music (A0.1167863). Hide And Seek by Imogen Heap, arranged for the King of Instruments (Organ). Duration: 4:22 This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in). Arranger Contact Info and Social Media YouTube: https://goo.gl/vu9ifu Facebook: https://goo.gl/dBz3Tw Twitter: https://goo.gl/2PxpzV Instagram: https://goo.gl/q1dqJF Website: https://goo.gl/zyYa8t