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Organ - Level 3 - Digital Download SKU: A0.1494477 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 9 pages. Melody Mills #1071062. Published by Melody Mills (A0.1494477). Sacred solo for church service. Lyric sheet included as last page. The listener is encouraged to receive God's grace and accept God's love, right now. Whatever you have done, Whatever you have thought, It is never too late to turn to God.See MelodyMills.com for full lyrics or listen to the Piano/Alto audio sample.Lyrics include:Give it all to God,Seek a higher view;Let yourself be loved,For God loves you.[chorus]Accept God's love, allow yourself to feelTender comfort deep inside;Receive God's grace, acknowledge love is real,And an ever-present guide;Accept God's love, soon you will see you are free!
Accept God's Love (2024 version) (Organ/Soprano)
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Organ - Level 2 - Digital Download SKU: A0.1188927 Composed by Karen Beaumont. Christian,Classical,Contemporary. Score. 6 pages. Karen Beaumont #788540. Published by Karen Beaumont (A0.1188927). Organ prelude on the tune Beauty,a tune newly composed for the 19th century hymn text Worship the Lord in the Beauty of Holiness. Hymn included with the score.Text:1 O worship the Lord in the beauty of holiness,bow down before him, his glory proclaim;with gold of obedience and incense of lowliness,kneel and adore him the Lord is his name.2 Low at his feet lay your burden of carefulness,high on his heart he will bear it for you,comfort your sorrows and answer your prayerfulness,guiding your steps in the way that is true.3 Fear not to enter his courts in the slendernessof the poor wealth you would count as your own;truth in its beauty and love in its tendernessthese are the offerings to bring to his throne.4 These, though we bring them in trembling and fearfulness,he will accept for the name that is dear;mornings of joy give for evenings of tearfulness,trust for our trembling and hope for our fear.5 O worship the Lord in the beauty of holiness,bow down before him, his glory proclaim;with gold of obedience and incense of lowliness,kneel and adore him the Lord is his name.
Worship the Lord in the Beauty of Holiness: prelude and hymn
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Organ - Level 3 - Digital Download SKU: A0.1139947 Composed by Phil Beaman. New Age,Spiritual. Score. 4 pages. Phil Beaman #740213. Published by Phil Beaman (A0.1139947). This is a unique Organ Meditation. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord ostinato which is in 2 voices, the upper voice being an offbeat descending mantra. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 4 pages; 3:40 minutes.
Ave Maria - organ solo
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Organ: 3-staff - Intermediate SKU: LO.70-1496S A Tribute to Dale Wood. Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1496S. Published by Sacred Music Press (LO.70-1496S). UPC: 000308099904.Previous volumes of these hymn harmonizations have met with wide acceptance, and we are pleased to now offer-in tribute to a great American composer, organist and editor for the earlier volumes, Dale Wood-an additional 23 new settings in Volume 4. The accompaniments avoid extreme departures from the traditional harmonizations, and instead provide pleasing alterations which enhance the vitality of congregational song. Each setting is playable on one or two manuals, allowing the organist to play the melody on a solo register when desired. A master index of all volumes is included.
Creative Hymn Accompaniments for Organ, Vol. 4
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Organ: 3-staff - Intermediate SKU: LO.70-1054 Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1054. Published by Sacred Music Press (LO.70-1054). UPC: 000308023831.The first volume of Creative Hymn Accompaniments by Gerhard Krapf met with wide acceptance, and The Sacred Music Press is pleased to offer this companion collection of 31 well-known hymn tunes for general and seasonal use. The organ accompaniments included here avoid extreme departures from traditional harmonies, and instead provide solid and refreshing alterations which will add interest and variety. Use of these accompaniments need not be restricted to a final stanza. Since each accompaniment is playable on one or two manuals, the organ introduction or a selected stanza may feature the tune played on a solo stop or combination. A contrasting stanza may then be played on one manual with principals and mixtures which support the congregational singing. Slight rhythmic adjustments may be necessary in some hymns to fit the variants which exist among different hymnals. Not difficult, and a handy master index for both volumes is provided.
Creative Hymn Accompaniments for Organ, Vol. 2
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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