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Organ - Level 4 - Digital Download

SKU: A0.898548

Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Sacred. Score. 7 pages. Matthew Alan Edwards #3563365. Published by Matthew Alan Edwards (A0.898548).

Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-2 !

From Heaven above to Earth I come is an poetic interpretation of Luke 2:8-18, when an angel comes to the shepherds to announce the good news of the birth of Jesus Christ. The three partita follow the Biblical story. An angel comes down (Partita I: Fantasia) bringing good news (Partita II: Fughette). A multitude of angels joins, singing Gloria! (Partita III: Canon). Finally, the angels leave and all who have heard the news are filled with wonder (last page).

Duration: 4:10.

Op. 2 Partita "Vom Himmel hoch"
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Organ - Level 3 - Digital Download

SKU: A0.898551

Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551).

Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !

Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II).

This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page.

The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.

Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!

Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Organ - Level 3 - Digital Download

SKU: A0.898550

Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. 20th Century,Concert,Contemporary,Sacred. Score. 9 pages. Matthew Alan Edwards #4266089. Published by Matthew Alan Edwards (A0.898550).

Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-3 !

Immortal, invisible, God only wise describes God’s omnipresence and omniscience, with His hand present in all things on earth in all aspects of life. The four variations follow the four verses of text written by Walter Chalmers Smith (1824-1908) as found in the Hymnal 1982. I leave it to your artistic imagination to interpret how the melodies and harmonies of each variation paint the text.

Much like my Opus 2 (Partita Vom Himmel hoch), this set of variations was initially conceived as an improvisation. As such, some rubato should be employed in performance. Registration suggestions are indicated in the score though are by no means binding. To maintain the atmosphere of wonderment established by the first variation, the tempo of the final variation should not be too fast.

Op. 3 Variations on "St. Denio"
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