Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1499105 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Instructional,Renaissance. Individual part. 13 pages. Martin Ellis Music #1075154. Published by Martin Ellis Music (A0.1499105). These two contrasting pieces were written for a composers project spearheaded by Carson Cooman.  Writers were asked to give their own interpretation of two dance forms found in the Renaissance period: the stately Pavane and the jaunting Galliard.  This two movement work is suitable for recital or concert and is written in a Neo-Romantic style with 21st Century overtones. (Both recordings are on my You Tube channel)

Instrumental Solo,Organ - Digital Download SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #958719. Published by Chris Kovarik (A0.1374145). Chorale Prelude on Rockingham (composed 2018, duration ca. 4’ 10�). The text most commonly associated with this tune (When I survey the wondrous cross) is reflective, and inward looking. In it the writer marvels at the depth of God’s love for us, and is humbled by the vastness of our challenge in reciprocating it. We can only stand in awe at the impossibility of our task. Likewise the task of the arranger who tries to capture, in music, a fraction of these feelings. The piece begins very simply and grows more complex, with each statement of the hymn tune more elaborate than the last. Flowing triplets keep the motion going, and the rich harmonic palette is accentuated by several unexpected modulations. The mood is serene, though not always quiet, and often with uncertainty bubbling right under the surface.

Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. It’s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever I’m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon! - Anna Lapwood

Organ - Level 3 - Digital Download SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by Studio at the Post (A0.1124417). Duration: 8 - 16 minutes, 8 pp. Description: The graphic nature of this set of short pieces is designed to elicit cooperative creativity from the performer. With the exception of the last piece — the Chorale — the unorthodox notation is negotiable and open to alteration in consideration of the performer’s inclination and the instrument’s possibilities. The performer may take a highly faithful approach to realizing the score, or consider the Études as models for improvisation. Études II and IV, for example, ask the performer to continue to improvise in like manner, yet map out a clear design for the music. The degree of freedom is considerably more constrained as regards the final Chorale. The pitches, rhythm, length, form are much more specific in this case, although the performer does have great latitude (within suggested guidelines) in choosing registration. The music is generally scored on only two staves. Nonetheless, three manuals are requested for the realization of the Chorale. Pedal keyboard is recommended but not essential. The Pedal is particularly useful in realizing Études I and IV. Wedges and/or weights are necessary for Études III, and may be a useful substitute for the Pedal in Études I and IV. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!