Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com  1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford.  [Chorus]  I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee!  2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh.  3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain.  4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1499105 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Instructional,Renaissance. Individual part. 13 pages. Martin Ellis Music #1075154. Published by Martin Ellis Music (A0.1499105). These two contrasting pieces were written for a composers project spearheaded by Carson Cooman.  Writers were asked to give their own interpretation of two dance forms found in the Renaissance period: the stately Pavane and the jaunting Galliard.  This two movement work is suitable for recital or concert and is written in a Neo-Romantic style with 21st Century overtones. (Both recordings are on my You Tube channel)

Instrumental Solo,Organ - Digital Download SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #958719. Published by Chris Kovarik (A0.1374145). Chorale Prelude on Rockingham (composed 2018, duration ca. 4’ 10�). The text most commonly associated with this tune (When I survey the wondrous cross) is reflective, and inward looking. In it the writer marvels at the depth of God’s love for us, and is humbled by the vastness of our challenge in reciprocating it. We can only stand in awe at the impossibility of our task. Likewise the task of the arranger who tries to capture, in music, a fraction of these feelings. The piece begins very simply and grows more complex, with each statement of the hymn tune more elaborate than the last. Flowing triplets keep the motion going, and the rich harmonic palette is accentuated by several unexpected modulations. The mood is serene, though not always quiet, and often with uncertainty bubbling right under the surface.

Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. It’s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever I’m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon! - Anna Lapwood

Organ - Level 3 - Digital Download SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #870380. Published by Aaron Shows (A0.1278816). Originally included in the Postludes, Vol I set by the same composer, this has become an often-requested piece to perform in concerts and in church services alike. This firey piece sounds much more difficult than it actually is to play, so basically less work and more reward! Written in the French toccata style of the Romantic period, this piece is sure to excite and energize audiences anywhere (as it already has done so in organ concerts around the world)!Funny fact: this piece was once announced in an organ program before it was played, and someone in the audience misheard it as the Wildflower Toccata, soon becoming very confused when it did not sound like beautiful wildflowers in any way. Needless to say, after the concert they had to ask the performer for clafication that it was indeed meant to be the Wildfire Toccata.

Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.

Organ - Level 5 - Digital Download SKU: A0.1305103 Composed by Charles E. Askew. 21st Century,Baroque. Score. 5 pages. Askew Music Productions #894527. Published by Askew Music Productions (A0.1305103). Prelude and Fuga â 5 voci in B mol was a project I was inspired to create by my former piano teacher Joyce W. Berg who was working as a church organist, and of course, J.S. Bach. This piece was also created in the beginnings of my ongoing intense dive into Counterpoint. Written in my favorite key, I hope this provides not only a challenge for the avid organist, but also enjoyment in great triumph.*I highly recommend printing this piece Landscape on 11x17 paper*.

Organ - Level 3 - Digital Download SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by Studio at the Post (A0.1124417). Duration: 8 - 16 minutes, 8 pp. Description: The graphic nature of this set of short pieces is designed to elicit cooperative creativity from the performer. With the exception of the last piece — the Chorale — the unorthodox notation is negotiable and open to alteration in consideration of the performer’s inclination and the instrument’s possibilities. The performer may take a highly faithful approach to realizing the score, or consider the Études as models for improvisation. Études II and IV, for example, ask the performer to continue to improvise in like manner, yet map out a clear design for the music. The degree of freedom is considerably more constrained as regards the final Chorale. The pitches, rhythm, length, form are much more specific in this case, although the performer does have great latitude (within suggested guidelines) in choosing registration. The music is generally scored on only two staves. Nonetheless, three manuals are requested for the realization of the Chorale. Pedal keyboard is recommended but not essential. The Pedal is particularly useful in realizing Études I and IV. Wedges and/or weights are necessary for Études III, and may be a useful substitute for the Pedal in Études I and IV. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!