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Organ - Level 3 - Digital Download SKU: A0.1250208 Composed by Felicity Mazur-Park. 21st Century,Chamber,Christian,Classical,Sacred. Score. 11 pages. Felicity Mazur-Park #844541. Published by Felicity Mazur-Park (A0.1250208). The chorale prelude begins with the chorale (Jesu, du mein liebstes Leben) harmonized in four-parts. I changed the harmonization, so it differs from J.S. Bach’s chorale setting. My harmonization resists modulating to major keys (B flat major and F major) and instead uses chromatic chords for dramatic effect. This harmonic landscape results in an overall darker mood.  The middle section and heart of the composition features a gigue-like motive which begins in G minor but gradually transitions into chromaticism. At the height of the chromaticism, there are pedal solos interrupted by loud, accented chords in the manuals. As the chromaticism and dissonance build the music moves away from the G tonal center. The return of “G” is delayed until the final statement of the chorale. At the end, the chorale returns combined with the gigue-like motive. The return is dramatic and flamboyant. The chorale prelude finishes with a dramatic pedal solo followed by a subdued penultimate phrase. The loudest registration of the work is reserved for the final phrase.
Jesu, du mein liebstes Leben
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$5.99 5.1 € Orgue PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. Published by Thomas R. Schadl (A0.912466). Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public.
Fantasia And Chorale In E
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$10.99 9.35 € Orgue PDF SheetMusicPlus






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