Organ - Level 3 - Digital Download SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #870380. Published by Aaron Shows (A0.1278816). Originally included in the Postludes, Vol I set by the same composer, this has become an often-requested piece to perform in concerts and in church services alike. This firey piece sounds much more difficult than it actually is to play, so basically less work and more reward! Written in the French toccata style of the Romantic period, this piece is sure to excite and energize audiences anywhere (as it already has done so in organ concerts around the world)!Funny fact: this piece was once announced in an organ program before it was played, and someone in the audience misheard it as the Wildflower Toccata, soon becoming very confused when it did not sound like beautiful wildflowers in any way. Needless to say, after the concert they had to ask the performer for clafication that it was indeed meant to be the Wildfire Toccata.

Organ - Level 4 - Digital Download SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. Published by Thomas R. Schadl (A0.912466). Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public.

Organ - Level 4 - Digital Download SKU: A0.947304 Composed by John Sinopoulo-Wilson. 20th Century,Concert,Contemporary,New Age. Score. 8 pages. John Sinopoulo-Wilson #3006707. Published by John Sinopoulo-Wilson (A0.947304). Ancient Processional #7. Ancient text to be read before performing. In the beginning, before the sun was lit, the maze of the Universe was expressed in dance.  deep within us lies forgotten strains of it. In the heart of burning midnight with thrilling strings and hollow flutes, we remember, and the proud heritage of splendid moving things descends on us and the old powers return

Organ - Level 2 - Digital Download SKU: A0.1188927 Composed by Karen Beaumont. Christian,Classical,Contemporary. Score. 6 pages. Karen Beaumont #788540. Published by Karen Beaumont (A0.1188927). Organ prelude on the tune Beauty,a tune newly composed for the 19th century hymn text Worship the Lord in the Beauty of Holiness. Hymn included with the score.Text:1 O worship the Lord in the beauty of holiness,bow down before him, his glory proclaim;with gold of obedience and incense of lowliness,kneel and adore him the Lord is his name.2 Low at his feet lay your burden of carefulness,high on his heart he will bear it for you,comfort your sorrows and answer your prayerfulness,guiding your steps in the way that is true.3 Fear not to enter his courts in the slendernessof the poor wealth you would count as your own;truth in its beauty and love in its tendernessthese are the offerings to bring to his throne.4 These, though we bring them in trembling and fearfulness,he will accept for the name that is dear;mornings of joy give for evenings of tearfulness,trust for our trembling and hope for our fear.5 O worship the Lord in the beauty of holiness,bow down before him, his glory proclaim;with gold of obedience and incense of lowliness,kneel and adore him the Lord is his name.

Organ - Level 3 - Digital Download SKU: A0.909308 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3560007. Published by Vidas Pinkevicius (A0.909308). This morning I created Tollite portas, Op. 61 for solo organ. It is dedicated to my friend composer Ad Wammes from the Netherlands.This piece a free paraphrase of the Gregorian chant Gradual for the Monday before Christmas.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between the Cornet, Krummhorn and the pedal stops on your organ.PDF score. 6 pages. Duration - 6.5 minutes. Intermediate level.When you create, miracles happen!

Organ - Level 3 - Digital Download SKU: A0.1487533 By Jacob Hershberger. By Jacob Hershberger. Arranged by Jacob Hershberger. Children,Christian,Easter,Religious,Spiritual. Score. 6 pages. Jasberger Music #1063748. Published by Jasberger Music (A0.1487533). Celebrate Easter with the uplifting and joyous Fanfare on the Hymn Christ the Lord is Risen Today. This organ fanfare is perfect for opening your Easter worship service, whether you're leading a choir or inviting the congregation to sing along.A Joyous Celebration of the Resurrection:The Fanfare on the Hymn Christ the Lord is Risen Today beautifully captures the spirit of Easter, celebrating Jesus Christ's resurrection on the third day after His atoning sacrifice. This piece is designed to elevate your worship experience, helping everyone feel the joy and triumph of Christ's victory over death.Perfect for Worship Services: Ideal Opener: Start your Easter service with this powerful fanfare. Imagine the majestic sounds filling the church as the procession begins or just before the opening prayer, welcoming everyone to celebrate the risen Lord. Versatile and Flexible: This fanfare can be easily adapted to fit your service. Whether performed with a choir or sung by the congregation, the arrangement is flexible, allowing you to extend it based on the number of verses you wish to sing. Easy for Congregations: The melody is simple and accessible, making it easy for everyone to join in and sing along, enhancing the communal worship experience. Why Choose This Fanfare: Rich and Full Harmonies: Experience the depth and beauty of rich harmonies that bring the hymn to life, adding a special resonance to your worship. Emotional and Moving: The stirring melodies and powerful chords evoke a sense of awe and reverence, perfectly capturing the essence of Easter. Bring the joy of Easter to your worship service with the Fanfare on the Hymn Christ the Lord is Risen Today. This organ fanfare is not just a musical masterpiece but a heartfelt expression of faith and celebration. Its flexibility, ease of use, and emotional impact make it a wonderful addition to your Easter service. Order your copy today and let the spirit of Easter fill your church.

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.

Organ - Level 3 - Digital Download SKU: A0.909306 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 2 pages. Vidas Pinkevicius #3558315. Published by Vidas Pinkevicius (A0.909306). This morning I created Prope es tu Domine, Op. 59 for solo organ. It is dedicated to concert organist and pianist Thierry Mechler.This piece a free paraphrase of the Gregorian chant Introit for the Monday before Christmas.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between the Vox Humana and the pedal stops on your organ.PDF score. 2 pages. Duration - 2 minutes. Basic level.When you create, miracles happen!

Organ - Level 5 - Digital Download SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.

Organ - Level 3 - Digital Download SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!

Organ - Level 1 - Digital Download SKU: A0.1297674 By Markus Dreja. By Ludwig Bohrmann. Arranged by Markus Dreja. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 3 pages. Markus Dreja #887648. Published by Markus Dreja (A0.1297674). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral HERR MEIN LEBEN, ES SEI DEIN --------------------Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale TAKE MY LIFE AND LET IT BE..

Organ - Level 2 - Digital Download SKU: A0.1297643 By Markus Dreja. By Sir Arthur Seymour Sullivan. Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 2 pages. Markus Dreja #887645. Published by Markus Dreja (A0.1297643). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral DER TAG, MEIN GOTT, IST NUN VERGANGEN.------------------------Since this prelude is very independent, you can also use it in a variety of other suitable chorales. Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale THE DAY THOU GAVEST, LORD IS ENDED..

Organ - Level 2 - Digital Download SKU: A0.909310 Composed by Vidas Pinkevicius. Christmas,Contemporary,Sacred. Score. 2 pages. Vidas Pinkevicius #6858509. Published by Vidas Pinkevicius (A0.909310). This piece is a free paraphrase of the Gregorian chant Offertory for the Monday before Christmas.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between Unda Maris and the pedal stops on your organ.2 pages. Basic level.

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.