Organ - Level 3 - Digital Download SKU: A0.853080 Composed by Hans-Andre Stamm. 20th Century,Christian,Praise & Worship. Score. 6 pages. Hans-Andre Stamm #3452227. Published by Hans-Andre Stamm (A0.853080). Written in the early Romantic organ style of Mendelssohn this little Toccata on the famous German choral by J. S. Bach (engl. Whoever Solely Lets Our Dear God Reign), well suited for services.Listen on youtube: www.youtube.com/watch?v=zdLiplGtmRY

Organ - Level 3 - Digital Download SKU: A0.853224 Composed by Hans-Andre Stamm. 20th Century,Multicultural,Praise & Worship,World. Score. 6 pages. Hans-Andre Stamm #6066649. Published by Hans-Andre Stamm (A0.853224). a piece in a quasi baroque style with the choral melody (c. f.) in the tenor. duration ca. 2 min.

Composed by Hans-Andre Stamm (1958-). Post-Romantic, Christian, Funeral. Score. 4 pages. Published by Hans-Andre Stamm (S0.130965). - Score - Post-Romantic,Christian,Funeral - Hans-Andre Stamm

Composed by Engelbert Humperdinck (1854-1921). Arranged by Aubrey Tucker. 20th Century, Concert, Contemporary, Romantic Period, Sacred. Score. 3 pages. Aubrey Tucker #6411985. Published by Aubrey Tucker

Organ - Advanced Intermediate - Digital Download Composed by Hans-Andre Stamm (1958-). Score. 68 pages. Published by Hans-Andre Stamm

Organ - Advanced Intermediate - Digital Download Composed by Hans-Andre Stamm (1958-). Score. 160 pages. Published by Hans-Andre Stamm

Advanced Intermediate - Digital Download Composed by Hans-Andre Stamm (1958-). Score. 68 pages. Published by Hans-Andre Stamm

Abends will ich schlafen gehn. Composed by Engelbert Humperdinck. Arranged by Edwin H. Lemare. Hansel and gretel - fairy tale opera - organ. Downloadable. Schott Music - Digital #Q584415. Published by Schott Music - Digital

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).

Organ - Digital Download SKU: S9.Q1745 Für den praktischen Gebrauch bezeichnet und herausgegeben von Hans Klotz. This edition: Sheet music. Liber Organi. Downloadable. Op. 8. Schott Music - Digital #Q1745. Published by Schott Music - Digital (S9.Q1745).

Organ - intermediate to advanced - Digital Download SKU: S9.Q16993 Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q16993. Published by Schott Music - Digital (S9.Q16993). In commissioning this work, Hans-Georg Vleugels invited me to pay tribute to history's legendary churches, such as the Hagia Sofia of Istanbul and the Schlosskirche of Chemnitz. The Schlosskirche, a former Benedictine abbey, was the catalyst for the foundation of the city of Chemnitz. The composition, Hagia Sofia (Holy Wisdom), is based on the medieval antiphon Crucem sanctam subiit, which was suggested by my son Jean-Paul due to its likely links with the Templar Knights, who had a very active role in defending Christianity in the Middle East. It is articulated in four harmonic and ornamental variations (Maestoso, Andante, Maestoso, Allegro) and is framed by a solemn organum setting of the medieval theme. (Naji Hakim).