Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q3031. Published by Schott Music - Digital

Instrumental Solo,Organ - Level 3 - Interactive Download SKU: A0.1124457 By Steven Monrotus. By Steven Monrotus. This edition: Interactive Download. Classical. Individual part. 17 pages. Duration 496. Steven Monrotus #7WlIXwCkZTQKs2bh4fTvC3. Published by Steven Monrotus (A0.1124457). Key: C major.To the memory of my friend Don Baker.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850). The Liturgical Organbook, Volume 2 - ContentsDundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn 3: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2: Free harmonization a3In Babilone: InterludeIn Babilone 3: Fugato a3The Liturgical Organbook Volume 2 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Dundee, from the CL Psalmes of David (1615)fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)Easter Hymn, from Lyra Davidica (1708)Erhalt uns, Herr, from Geistliche Lieder (1543)Gopsal, George Frideric Handel (1685-1759)In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).

Organ - Level 2 - Digital Download SKU: A0.1182113 By Markus Dreja. By Johann Abraham Peter Schulz. Arranged by Markus Dreja. Christian,Contemporary,Religious,Sacred,Traditional. Score. 4 pages. Markus Dreja #781875. Published by Markus Dreja (A0.1182113). This organ-arrangement (Partita) is about the song Der Mond ist aufgegangen. First you hear a mystical chorale playing with fifths, then a cantus firmus in alto register, a cantus firmus in tenor register and finally the well-known chorale slightly improvised. The evening song is a poem by Matthias Claudius, which is one of the most famous works of German literature and is known as a Christian song under the title of the first verse Der Mond ist aufgegangen (Behold the moon has risen) in the setting by Johann Abraham Peter Schulz. Dieses Orgel-Arrangement (Partita) habe ich über das Lied Der Mond ist aufgegangen geschrieben. Zuerst hört ihr ein Quinten-Choralspiel, dann einen Cantus firmus in Alt Lage, einen Cantus firmus in Tenorlage und zum Schluss den bekannten Choral leicht improvisiert. Das Abendlied ist ein Gedicht von Matthias Claudius, das zu den bekanntesten Werken der deutschen Literatur gehört und unter dem Titel des ersten Verses Der Mond ist aufgegangen in der Vertonung von Johann Abraham Peter Schulz als christliches Lied bekannt ist.

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.

Instrumental Solo,Organ - Level 2 - Digital Download SKU: A0.1305173 Composed by James M. Guthrie. Chamber,Contemporary,Contest,Festival,Historic,Instructional. Individual part. 4 pages. Jmsgu3 #894609. Published by jmsgu3 (A0.1305173). I performed the 2005 world premiere of Daniel Pinkham's St. Luke Organ Book, and composed/performed this piece as a prelude. In Nomine (aka the Little Time Machine) is based on the traditional tune In Nomine as a cantus prius factus. The little time machine moves through 600 years of musical style in 3 minutes. It begins as a 12th Century treatment, and morphs - period by historical period - all the way to the 20th Century. The premiere occurred at the Historic St. Luke's Organ Benefit Concert in 2005.

Organ - Level 2 - Digital Download SKU: A0.1451902 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Christian,Contemporary,Praise & Worship,Spiritual. Score. 2 pages. Rien Schalkwijk #1031215. Published by Rien Schalkwijk (A0.1451902). “Old Hundredth” probably is one of the most beloved and well known hymns. It’s heard in churches throughout the whole world. Of course there are many compositions written on this tune. A short while ago, my friend Ausra created a beautiful Toccata over it. You can listen to that one here. But, there is never enough music in the world, so I tried to create my own version. I deliberately choice for contrasting harmonies in both hands to create some tension and excitement. The Cantus Firmus is played with the pedals. I hope you like it!

Organ - Medium - Digital Download SKU: MQ.10-431-5E Composed by David Schelat. Ascension, Easter. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-431-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-431-5E). David Schelat always has a fresh approach (stylistically, rhythmically, or harmonically) to the tunes he uses, and this collection is no exception. If you think, Oh, not THAT tune again, you need to take another look because he will surprise you. EASTER HYMN is set to a lilting waltz, LANCASHIRE as an imitative trio, GAUDEAMUS PARITER as a lively dance, GELOBT SEI GOTT as a fugal setting with a cantus firmus in the pedal, and CHRIST IST ERSTANDEN as a baroque slow movement with a solo for cornet registration. Interesting and rewarding to play and hear.

Organ - Level 5 - Digital Download SKU: A0.960273 Composed by Stephen Smith. Christian,Contemporary,Holiday,Sacred. Score. 4 pages. Stephen Smith #6424975. Published by Stephen Smith (A0.960273). In this brief but boisterous organ postlude on the chorale Mit Freuden zart (subtitled ...renn zum Ausfahrt!), the manuals play a dense jumble of imitated motives from the chorale, while the pedals thunder out the cantus firmus in long notes. The c.f. has been modernized a little by occasionally sharpening the 4th degree and flattening the 6th and 7th! Also contributing to the modern flavour of the piece are the frequent 2-against-3 cross-rhythms, which result from the tripling of the eighth-note values in the triple-time chorale melody.

Organ - Medium - Digital Download SKU: MQ.10-431-2E Composed by David Schelat. Easter. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-431-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-431-2E). David Schelat always has a fresh approach (stylistically, rhythmically, or harmonically) to the tunes he uses, and this collection is no exception. If you think, Oh, not THAT tune again, you need to take another look because he will surprise you. EASTER HYMN is set to a lilting waltz, LANCASHIRE as an imitative trio, GAUDEAMUS PARITER as a lively dance, GELOBT SEI GOTT as a fugal setting with a cantus firmus in the pedal, and CHRIST IST ERSTANDEN as a baroque slow movement with a solo for cornet registration. Interesting and rewarding to play and hear.

Organ - Medium - Digital Download SKU: MQ.10-431-1E Composed by David Schelat. Easter. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-431-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-431-1E). David Schelat always has a fresh approach (stylistically, rhythmically, or harmonically) to the tunes he uses, and this collection is no exception. If you think, Oh, not THAT tune again, you need to take another look because he will surprise you. EASTER HYMN is set to a lilting waltz, LANCASHIRE as an imitative trio, GAUDEAMUS PARITER as a lively dance, GELOBT SEI GOTT as a fugal setting with a cantus firmus in the pedal, and CHRIST IST ERSTANDEN as a baroque slow movement with a solo for cornet registration. Interesting and rewarding to play and hear.

Organ - Level 2 - Digital Download SKU: A0.1292429 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Christian,Contemporary,Praise & Worship,Religious. Score. 3 pages. Rien Schalkwijk #883001. Published by Rien Schalkwijk (A0.1292429). Written on September 15, 2023, this is a warm and gentle meditation over Nearer, God, to Thee. The piece, written in E flat major, starts with a short introduction with strings, followed by a rythmic ostinato with a Flute 8'. After that, the Cantus Firmus arises played with the pedals, while the right hand keeps the E flat the whole time (Drone). The piece concludes with the ostinato part. the piece is useful for any lithurgical or any other occasion. The original choral is used in the hit movie Titanic..