Organ - intermediate - Digital Download SKU: S9.Q11650 Arranged for the organ on the basis of the original string orchestra version. Composed by Hubert Parry. Arranged by Wolfgang Stockmeier. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q11650. Published by Schott Music - Digital (S9.Q11650). The composer, pianist, choir director and teacher Sir Charles Hubert Parry (1848-1918) was one of the most remarkable figures of the British music scene at the turn of the century. Among his most charming compositions are two suites for string orchestra. The well-known organist and composer Wolfgang Stockmeier has arranged 'English Suite' for the organ while keeping close to the original. The arrangement can be performed on the organ with brilliant effect, transferring the atmosphere of the English late Romantic era onto the organ.Sir Charles Hubert Parry (1848-1918) fut l’une des figures les plus remarquables de la vie musicale anglaise au tournant du siècle. Wolfgang Stockmeier a arrangé pour l’orgue l’�English Suite� tout en restant proche de l’original pour orchestre à cordes. L’arrangement apporte à l’instrument l’atmosphère du romantisme tardif anglais.

Instrumental Duet English Horn,Instrumental Duet,Organ - Digital Download SKU: A0.772040 Composed by Gregory Hamilton. Christian,Contemporary,Sacred,Spiritual. Score and parts. 3 pages. Dr. Gregory Hamilton #4330161. Published by Dr. Gregory Hamilton (A0.772040). Salve Regina for English Horn and OrganThis work is based on the ancient chant Salve Reginawww.gregoryhamilton.org

Instrumental Duet English Horn,Instrumental Duet,Organ - Digital Download SKU: A0.771901 Composed by Gregory Hamilton. 20th Century,Contemporary. Score and parts. 4 pages. Dr. Gregory Hamilton #3489183. Published by Dr. Gregory Hamilton (A0.771901). November Canticle for English Horn and Organwww.gregoryhamilton.org

Instrumental Duet English Horn,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534367 Composed by Paul Wehage. Concert,Contemporary,Sacred,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #3395425. Published by Musik Fabrik Music Publishing (A0.534367). A work in three movements which uses an extended tonal vocabulary in a virutoso manner.

Composed by Traditional English. Arranged by Aubrey Tucker. Country, Folk, Patriotic, Traditional. Score. 3 pages. Aubrey Tucker #695115. Published by Aubrey Tucker

Digital Download SKU: OX.9780193568297 Composed by William Walton. Arranged by Tom Winpenny. The Oxford Organ Library. Score. 11 pages. Oxford University Press Digital #9780193568297. Published by Oxford University Press Digital (OX.9780193568297). ISBN 9780193568297.For Solo organ. This exciting piece was composed as a television theme in 1959. Like an Elgar Pomp and Circumstance march, it alternates punchy fanfare textures with a warm and supremely 'English' melody. In the hands of skilled arranger Tom Winpenny, the piece comes alive as an impressive voluntary or a dashing recital-closer.

A Christmas Fantasia on Old English Carols. Composed by William Thomas Best. Classical. Part. 28 pages. Alfred Music - Digital Sheet Music #00-PC-0005498. Published by Alfred Music - Digital Sheet Music

Organ - Level 3 - Digital Download SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce (A0.836716). For many years I have enjoyed playing the simpler manualiter chorale preludes of Zachau and J. G. Walter in the old Peters edition many organists will be familiar with. Then there are the delightful little preludes of Ernst Pepping which I first heard as a teenager in a recording by E. Power Biggs. I had something of a cross between these two influences in mind for this new set of English preludes. There are some finger-twisting moments here and there, but by and large these manuals-only pieces are meant to be shorter, more direct, and simpler (in concept, if not execution!) than my larger sets of preludes. The hymns dealt with here represent a useful mix of liturgical purposes and include Holy, Holy, Holy!, Come, Thou Almighty King, When Morning Gilds the Skies, Lift Up Your Heads, Ye Mighty Gates, All Things Bright and Beautiful, Beneath the Cross of Jesus, The Church’s One Foundation, and Christ the Lord is Risen Today. As always, sources and timings are included and the score prints in landscape format.

Composed by Orlando Gibbons (1583-1625). Arranged by Aubrey Tucker. 158, A Cappella, Baroque, Classical, Renaissance. Score. 2 pages. Aubrey Tucker #701546. Published by Aubrey Tucker

Composed by Eric Choate. Advent, Christmas. 16 pages. MorningStar Music Publishers #10-064-E. Published by MorningStar Music Publishers

Organ - Digital Download SKU: S9.Q2340 This edition: Sheet music. Liber Organi. Downloadable. Op. 10. Schott Music - Digital #Q2340. Published by Schott Music - Digital (S9.Q2340).

Instrumental Duet Handbell,Instrumental Duet,Organ - Digital Download SKU: A0.945863 Composed by Mark Andersen. Christian,Contemporary,Sacred. Score and parts. 19 pages. International Artists Foundation #6080085. Published by International Artists Foundation (A0.945863). Carillon brings to play the famous change ringing of Westminster with a crafted organ accompaniment in the French style.  The handbell part may be played using from 1 to 4 ringers. If by 1 ringer than traditional 4IH would be used.

Composed by Max Reger (1873- 1916). Score. 7 pages. Oxford University Press Digital #9780193547025. Published by Oxford University Press Digital

Composed by Johann Sebastian Bach (1685-1750). Arranged by Martin Setchell. Score. 3 pages. Oxford University Press Digital #9780193549654. Published by Oxford University Press Digital

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.