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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1162902 Composed by Joey Tempest. Arranged by Paul Broadhurst. 20th Century,Contemporary,Pop,Rock,Wedding. Individual part. 6 pages. Molto rubato #763254. Published by Molto rubato (A0.1162902). This striking arrangement is a hugely rewarding piece to play on a large organ with a big Tuba or other solo reed!  This is truly epic music which can be lifted to a whole extra dimension in a large cathedral or concert hall.  The arrangement is both engaging and playable - even the central toccata section sits nicely under the fingers of the average player.  The concept behind this particular arrangement is a rocket being charged for lift-off and then finally breaking free of the lauchpad and heading skywards.  So the piece eventually ends in a striking succession of exuberant, gravity-defeating chords.  A hugely uplifting piece to play as a concert opener or closer, or even as a striking final voluntary after a service to supercharge your emerging congregation!
The Final Countdown
Orgue

$8.99 7.64 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration.  I hope that you enjoy this work.
Sonata In C For Organ (Finale) By Thomas R. Schadl
Orgue

$10.99 9.34 € Orgue PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1453398 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets of Organ Playing #1032627. Published by Secrets of Organ Playing (A0.1453398). This is my original meditation on the beloved hymn tune FINLANDIA, often sung to the text Be Still, My Soul in the key of Eb major. The hymn tune is played in the right hand part with the reed registration while the left hand and pedal parts play colourful ostinato patterns around it. Dedicated to my husband Vidas Pinkevicius. This composition will be very effective in liturgical organ playing and concert programs whenever contemplative music is desired.
Meditation on Finlandia, Op. 25 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
Orgue

$4.99 4.24 € Orgue PDF SheetMusicPlus

Organ - intermediate to advanced - Digital Download SKU: S9.Q6231 Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6231. Published by Schott Music - Digital (S9.Q6231). 'Präludium, Arie und Finale' steht auf tonalem Boden und ist formal einfach gebaut. Im Präludium wechseln sich Pedalsoli, fundamentale Akkordik und motorische Spielfiguren ab. Eine wirkungsvolle Coda im 9/8-Takt bildet den Abschluss. Es folgt ein sehr ausdrucksvoller 2. Satz in ruhigen Vierteln (espressivo-dolcissimo) mit einer obligaten Solostimme. Wegen seiner ruhigen, in einer Tonart verbleibenden Anlage kann er auch für sich allein gespielt werden. Im letzten Satz wählt Genzmer ein Fugato ohne Pedal. Das Thema beginnt mit einem Quintmotiv, das das ganze Stück beherrscht. Nach der Exposition führt ein aus dem Thema entwickelter Seitengedankte, beginnend im Pedal und mit Triolen umspielt, zu einer kanonischen Durchführung des Hauptthemas, die in eine rauschende Coda mündet, das Thema noch einmal aufgreift und schließlich im dreifachen Fortissimo endet. Dieses Stück wird sowohl den Interpreten als auch den Hörer gleichermaßen begeistern.
Prelude, Aria and Finale
Orgue

$18.99 16.14 € Orgue PDF SheetMusicPlus


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