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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.
Guthrie: The Liturgical Organbook Complete
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850). The Liturgical Organbook, Volume 2 - ContentsDundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn 3: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2: Free harmonization a3In Babilone: InterludeIn Babilone 3: Fugato a3The Liturgical Organbook Volume 2 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Dundee, from the CL Psalmes of David (1615)fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)Easter Hymn, from Lyra Davidica (1708)Erhalt uns, Herr, from Geistliche Lieder (1543)Gopsal, George Frideric Handel (1685-1759)In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).
Guthrie: The Liturgical Organbook, Volume 2
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
Guthrie: The Liturgical Organbook, Volume 1
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1317428 Composed by Felix Bräuer. Advent,Christian,Contemporary,Religious,Traditional. Individual part. 32 pages. Felix Bräuer #906092. Published by Felix Bräuer (A0.1317428). Felix Bräuer: Orgelwerke zum Advent - Advent-Collection1. Festliches Vor- oder Nachspiel über „Wachet auf, ruft uns die Stimme“, 2. Trio-Fanfare „Wachet auf, ruft uns die Stimme“, 3. Fanfare: „Macht hoch die Tür“, 4. Choralvorspiel über „Kündet allen in der Not“ („Morgenglanz der Ewigkeit“), 5. Zwei Miniaturen über „Nun komm, der Heiden Heiland“, 6. Trio über „Maria durch ein Dornwald ging“, 7. Barockes Bicinium (Aria) über „Mit Ernst, o Menschenkinder“, 8. Toccatina brillante über „Tochter, Zion, freue dich“, 9. Fantasia „Conditor alme siderum“, 10. Veni, veni, Emmanuel (Consolation X)., 11. Choralfantasie: „Und unser lieben Frauen“, 12. Concertino über „Der Morgenstern ist aufgedrungen“ von Michael Praetorius.
Orgelwerke zum Advent - Advent-Collection
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Organ - intermediate - Digital Download SKU: S9.Q2398 Partita for Organ. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 13 minutes. Schott Music - Digital #Q2398. Published by Schott Music - Digital (S9.Q2398). Hermann Schroeder (1904–1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.
Veni creator Spiritus
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Organ - Level 4 - Digital Download SKU: A0.835930 Composed by Johann Cruger 1598-1662. Arranged by Gary R. Smoke. Baroque,Contemporary,Sacred,Standards. Score. 14 pages. Gary Smoke #2343117. Published by Gary Smoke (A0.835930). Seven variations on Johann Cruger's tune 'Jesu, meine Freude': 1) soft, four part setting with tune in soprano; 2) bicinium, two manuals, melody in right hand with florid bass; 3) one manual, highly ornamented melody and syncopated accompaniment; 4) two manuals and pedal, melody in left hand, florid right hand, syncopated pedal line; 5) one manual, soft, 12/8, melody in tenor; 6) two manuals and pedal, melody in canon between pedal and right hand. Rapid figures in left hand. An alternate version of this variation included in score; 7) one manual and pedal, full organ. ca. 8:30Useful for concert, worship, and teaching.A recording of this work (and other works by Gary R. Smoke (BMI) available at Sheet Music Plus) may be found at the Youtube channel: highmeadowmusic
Variations on 'Jesu, meine Freude'
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Organ - intermediate - Digital Download SKU: S9.Q555044 On Freu dich sehr, o meine Seele. Composed by Naji Hakim. Downloadable. Duration 11 minutes. Schott Music - Digital #Q555044. Published by Schott Music - Digital (S9.Q555044). English • German.These variations are based on the choral “Freu dich sehr, o meine Seele”. Variation I, Maestoso, presents a solemn, canonic statement of the theme enveloped by dense, closely-knit harmonies. Variation II, Allegro, is clothed in polyphonic lines reminiscent of Bach’s “Orgelbüchlein” chorales. Variation III, Vivace, is a playful bicinium with the cantus firmus featured in the soprano line, as the bass bounces along in a staccato duet. Variation IV, Adagio, displays rich chromatic harmonies which form a lush backdrop for the pedal solo. Variation V, Vivace, features the chorale in detached left hand notes while the right hand and pedal provide a playful accompaniment. In Variation VI, Andante, the melody vacillates between minor and major keys as syncopated left hand chords and pizzicato bass accompany the cantilena. In the concluding Variation VII, Presto, the left hand proclaims the theme in block chords as the right hand provides an exuberant garland of sixteenth notes while the pedal provides rhythmic drive with tympanic accents.
Variations
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