Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.492620 Composed by John Williams. This edition: scorch. E-Z Play Today. Film/TV. Score. 2 pages. Published by Hal Leonard - Digital (HX.492620). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

Instrumental Solo,Organ - Digital Download SKU: A0.1402521 Composed by Chris Kovarik. 21st Century,Classical,Praise & Worship,Sacred. Individual part. 13 pages. Chris Kovarik #985742. Published by Chris Kovarik (A0.1402521). Prelude and fugue on Morning Song (composed 2019, duration ca. 6’ 30�) is an expansive, if formally straight-forward prelude and fugue. The text ‘O holy city, seen of John,’ is commonly associated with this tune. The text contrasts the grim realities of early 20th Century cities with the idyllic Holy City, described by John in the Book of Revelation. The darkness of this vision is well-captured by the minor mode and relentless 4/4 rhythm of the original tune. These features are amplified in this prelude and fugue, particularly the inherently chromatic nature of the minor mode. This is an unrelentingly dark work that builds to an immense climax.Technical note: this is a demanding work that requires superior technical ability.

Organ - Medium - Digital Download Composed by David Howard Pettit, Dennis R. Johnson, Donald P. Moore, Kathyrn Sparks White, Antonio Vivaldi (1678-1741), Johannes Brahms (1833-1897), Gabriel Faure (1845-1924), George Frideric Handel (1685-1759), and Wilbur Held (1914-). 28 pages. MorningStar Music Publishers #10-798-E. Published by MorningStar Music Publishers

Organ - Digital Download SKU: A0.976973 Composed by John Edward Frantz. Christian,Contemporary,Sacred. Score. 2 pages. Frantz #3581895. Published by Frantz (A0.976973). This was meant to compliment the Wedding Processional for my daughter's wedding.

Organ - Digital Download SKU: A0.976974 Composed by John Edward Frantz. Christian,Contemporary,Sacred. Score. 7 pages. Frantz #3582691. Published by Frantz (A0.976974). A great processional in which it contains the entrance music for the attendants, and after a brief introduction to the entrance music for the Bride. The nice thing about it is that it can shortened after every eight bars to move to the Bride's entrance. The organ piece was meant to be the processional for its partner recessional that has just been published.    It can also be used for General Worship.

Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1399319 Composed by Robert A. Howard. 21st Century,Christian,Easter,Lent,Sacred. Individual part. 7 pages. Robert A. Howard #982587. Published by Robert A. Howard (A0.1399319). 'Postlude in Glory' was specifically written for John Hosking and the first Blackburn Cathedral Composition Competition in 2023. The brief was to compose a Postlude to be played at the end of the Easter Day service, and to use a well known Easter melody. The piece begins with an introduction based on piling fourths, around the opening three notes of the ensuing theme upon which the work is based: 'Melchoir Vulpius' (1609), otherwise known as the hymn tune 'The Strife is O'er'. There follows a set of variations on this theme; initially featuring an Alberti bass, then a variant with the melody in canon in the pedals, then followed by a tonic minor key version, and then a 'scherzando' variation using 5/8 metre in the subdominant. After a return of the introductory build-up, a final 'brillante' version of the theme is stated, complete with fanfares, followed by a victorious coda. The work is highly accessible and can be performed by higher-grade students and professional players.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Organ - Level 4 - Digital Download SKU: A0.1143528 By RnR Fusion: Rick Land & Russ Tapp. By Melody: John Francis Wade and Words: John Francis Wade. Arranged by Rick Land. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 12 pages. RnR Fusion: Rick Land & Russ Tapp #743844. Published by RnR Fusion: Rick Land & Russ Tapp (A0.1143528). ADVENT & CHRISTMAS HYMN HARMONIZATIONS, PRELUDES & POSTLUDES FOR ORGAN BY RICK LAND Breathe new life into your organ accompaniments of traditional Advent & Christmas Hymns, Preludes & Postludes with Rick Land's inspiring and soaring Introductions, Interludes and Re-harmonizations for organ. EACH SCORE IS DESIGNED & CREATED WITH THE CHURCH ORGANIST IN MIND THERE ARE 10 UNIQUE FEATURES OF EVERY DIGITAL SCORE DOWNLOAD There is no longer the need to juggle a printed Introduction score, a hymnal, a printed interlude score and a final verse reharmonization score. Each Hymn Harmonization Score is complete and self contained. Each Score Includes: ** Player Friendly Layout - NO AWKWARD Page Turns ** Hymnal & Hymn # Referenced for Score ** Suggested Registration ** An Introduction ** Traditional Harmonization For Beginning Verses ** Lyrics to ALL VERSES ** An Interlude with Pseudo Modulation ** Final Verse Free Harmonization ** Helpful Tips and Techniques ** Hi-Def MP3 & WAV Audio Performance Demos

Organ - Level 4 - Digital Download SKU: A0.1143517 By RnR Fusion: Rick Land & Russ Tapp. By Music: German carol, 14th Century and Words: John Mason Neale. Arranged by Rick Land. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 10 pages. RnR Fusion: Rick Land & Russ Tapp #743833. Published by RnR Fusion: Rick Land & Russ Tapp (A0.1143517). ADVENT & CHRISTMAS HYMN HARMONIZATIONS, PRELUDES & POSTLUDES FOR ORGAN BY RICK LAND Breathe new life into your organ accompaniments of traditional Advent & Christmas Hymns, Preludes & Postludes with Rick Land's inspiring and soaring Introductions, Interludes and Re-harmonizations for organ. EACH SCORE IS DESIGNED & CREATED WITH THE CHURCH ORGANIST IN MIND THERE ARE 10 UNIQUE FEATURES OF EVERY DIGITAL SCORE DOWNLOAD There is no longer the need to juggle a printed Introduction score, a hymnal, a printed interlude score and a final verse reharmonization score. Each Hymn Harmonization Score is complete and self contained. Each Score Includes: ** Player Friendly Layout - NO AWKWARD Page Turns ** Hymnal & Hymn # Referenced for Score ** Suggested Registration ** An Introduction ** Traditional Harmonization For Beginning Verses ** Lyrics to ALL VERSES ** An Interlude with Pseudo Modulation ** Final Verse Free Harmonization ** Helpful Tips and Techniques ** Hi-Def MP3 & WAV Audio Performance Demos

Organ - Level 4 - Digital Download SKU: A0.1366923 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 16 pages. John Burkett #951258. Published by John Burkett (A0.1366923). My Variations on St. Christopher (Beneath the Cross of Jesus) require a wide range of technical prowess from relatively easy (Variation II) to advanced (Variation VII).  The Theme presents the unadorned hymn tune with an original 4-part harmonization.  Variation I is another 4-part setting but with a more rhythmically active acompaniment in the lower voices.  Variation II, a duo for the hands alone, is in the dominant key where the tune is accompanied by an unrelenting stream of triplets.  Variation III is a 3-voice canon in which the tenor and pedal bass imitate the soprano, though with a certain amount of intervallic freedom.  Variation IV is a trio in which the middle voice presents an ornamented version of the hymn tune.  Variation V is a brief fughetta, while Variation VI presents the tune in the pedals against quietly undulating triplets in the hands.  The final variation (entitled Introduction and Fugal Fantasy) is by far the most challenging and employs considerable chromaticism toward the end.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangememts of mine, some for organ and others for piano.

Organ - Level 4 - Digital Download SKU: A0.1346808 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 8 pages. John Burkett #931590. Published by John Burkett (A0.1346808). The Fantasia on CWM Rhondda is structured as a long crescendo, building incrementally from a piano dynamic to forte fortissimo.  Along the way several key changes contribute to the sense of growth, beginning in G major and ending in E-flat major.  Imitative processes increase the perception of forward motion, culminating in a grandiose harmonization of the second half of the hymn tune, accompanied by a rhythmic ostinato played by the feet.  I have provided a full-length reording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.

Organ - Level 4 - Digital Download SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune.  An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords.  An interlude ensues, which is a rhythmically intensified reworking of the initial introduction.  Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands.  Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune.  Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence.  The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody.  The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1194818 By Funkadelic. By Bryant Edwards, David Lee Spradley, Fred Wesley, Garry Marshall Shider, George Jr. Clinton, James Brown, John Starks, Michael Bell, Stephen Sam, and William Nelson. Arranged by Lef Germenlis. Funk. Individual part. 1 pages. Lef Germenlis #794030. Published by Lef Germenlis (A0.1194818).

Organ - Level 3 - Digital Download SKU: A0.1395798 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,Religious. Score. 4 pages. Cornelius Edition (uk) #979172. Published by Cornelius Edition (uk) (A0.1395798). This is a little known, but attractive short work from Elgar's late period written for solo piano in 1932. Not to be confused with his earlier 'Sernade for Strings'.   It makes an attractive short  organ solo for recital or religious service use.  It was dedicated to John Austin a friend and editor of Elgar's music.