Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).

Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).

Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).

Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site)  The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird.  3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men  To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M

Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).

Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations.  The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment.  The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand.  By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood.  The next variation set in 5/8 meter is somewhat like a scherzo.  Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic character  The fifth and final variation is a toccata in the French style that requires panache and bravura.  The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.

Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable.  Three placements had failed because the young female was too afraid of the people.  Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia.  Austin had reluctantly agreed to look at the small spoodle.  He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss.  Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart.  It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years.  She was gracious and never intrusive with the visitors.  Small children were able to approach Lili without fear.  She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's:  The Blessing of the Animals.  Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church.  The animals in the church yard scoff at her.  She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi.  Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated.  Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer.  A week before she died, she made a personal appearance at a local elementary school.  As always, she was gracious and gentle, even though later it was apparent that she was deathly ill.  A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her.  This elegy was commissioned for performance at the annual Blessing service.

Organ - Level 4 - Digital Download SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017. Published by Brenda Portman (A0.753197). A solo organ work composed in 2020.This piece was commissioned by Ethan Neal, a student at the University of Kentucky, for a new music project to raise money for cancer research, and dedicated to all those who have fought a battle with cancer. It was premiered on August 22, 2021 by Ethan Neal at The Episcopal Church of the Holy Trinity in Georgetown, KY.Solemn Fanfare has three main ideas or themes: the opening fanfare material and two hymns: Christ the Victorious (RUSSIAN HYMN) and Be Still, My Soul (FINLANDIA).  The piece is grandiose throughout and is meant to express the triumph of victory over cancer, whether in this life or the next.  The solo trumpet presents RUSSIAN HYMN in an embellished and rhythmically altered manner within the flourishes of the opening and closing sections.  In the middle section, FINLANDIA provides the strong chordal foundation above which the solo trumpet adds its triumphant yet sometimes dissonant fanfares, recalling the struggle and the pain that are part of the journey.

Organ - Level 2 - Digital Download SKU: A0.1398405 By William W Phelps. By Henry Tucker. Arranged by Jacob Hershberger. Christian,Praise & Worship,Religious,Soul,Spiritual. Score. 3 pages. Jasberger Music #981666. Published by Jasberger Music (A0.1398405). Imagine diving into the soulful melodies of “Now Let Us Rejoice� with my easy-breezy arrangement. It’s like a musical playground where you can explore different styles and voicings, adding your own flair to the classic hymn.Don’t worry if you’re just starting out – this arrangement is tailor-made for beginners. It’s like a gentle breeze that guides you through the keys, making it perfect for preludes, postludes, or even your next recital.I’m Jacob Hershberger, and I cooked up this arrangement just for you under Jasberger Music. It’s not just about playing notes; it’s about sharing joy through music.You’ll find this gem on sheet music and your favorite digital platforms. So, let’s spread some musical cheer together!

Organ - Level 2 - Digital Download SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published by John Burkett (A0.1347300). This arrangement of the hymn tune St. Agnes (Jesus, the Very Thought of Thee) is a relatively simple setting that requires only a two-manual organ and modest playing ability.  A 12-bar introduction sets the mood.  Each phrase of the tune then appears, each separated from the next by a brief interlude.  Just as the piece seems to reach its conclusion, the final cadence is evaded and a second rendition of the melody is heard in another key.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.

Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1113608 Composed by William H. Doane. Arranged by Adam Burnette. Contemporary,Sacred,Traditional. Individual part. 7 pages. James Adam Burnette #715509. Published by James Adam Burnette (A0.1113608). Since my childhood, this tune has never been far from my ear. This arrangement is a serene setting with lush, extended harmonies with transparent pools of cluster chords and yearning minor second dissonances, flowing steadily to an imminent and truly ecstatic moment at the apex of the narrative, then wafting back to the plaintive, humble tune I learned sitting next to my aunt on the second pew on Sunday as a very young boy.

Organ - Level 4 - Digital Download SKU: A0.1502362 By Jubal's Lyre Music. By Martin Dicke. Christian,Easter,Religious,Wedding. Score. 16 pages. Jubal's Lyre Music Publishers #1078166. Published by Jubal's Lyre Music Publishers (A0.1502362). This Trumpet Tune was composed as a processional for a wedding that began with the hymn “A Hymn of Glory Let Us Sing” (LASST UNS ERFREUEN). It may be played alone or as an introduction to any hymn based on that hymn tune as the opening motive was derived from the first phrase of that hymn. Three keys are provided (Eb, D, and C) along with the Ralph Vaughan Williams harmonization of the tune in those keys with various voicings. Play this piece for your next wedding, during the Easter season, or for any festival worship service. For more music and information, visit www.jubalslyre.com/music.

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.

Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.

Organ - Level 3 - Digital Download SKU: A0.1197878 Composed by Lynn L. Petersen and Provençal Carol. Arranged by Lynn L. Petersen. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Lynn L. Petersen #797042. Published by Lynn L. Petersen (A0.1197878). An organ arrangement of the Provençal tune used with the Easter text Now Let the Heavens Be Joyful.  Suitable for worship or concert use during the Easter season.  May function as prelude, postlude, hymn introduction or hymn accompaniment.  Written on three staves with pedal; suitable for a 2-manual organ.The arrangement begins with an introduction based on tune motives, then three continuous variations of the tune follow, with an ending based on the refrain.  The arrangement employs abundant harmonic variety and builds in intensity and texture from one variation to the next.  In the first variation the melody is played in the right hand with left hand counterpoint and pedal accompaniment.  In the second variation the melody is played in the left hand with fanfare motives in the right hand, and pedal is added on the refrain.  The third variation employs full organ and thick chordal texture.  The refrain is repeated at a slower tempo and earlier fanfare motives reappear to end the piece.