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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
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$7.99 6.86 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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$12.95 11.11 € Orgue PDF SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
Concerto in Eb (Dumbarton Oaks)
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$25.99 22.3 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.782812 Composed by Wolfgang Amadeus Mozart (Sussmayr). Arranged by Nicholas Palmer. Classical,Contemporary,Sacred. Score. 31 pages. Nicholas D Palmer #5205041. Published by Nicholas D Palmer (A0.782812). REVISED EDITION! Mozart's Requiem is often performed with piano or organ only, with less than satisfying results for some of the faster, more elaborate string passages.  This organ reduction is useful for smaller choirs who wish to use a small string ensemble with organ only to accompany the work. Performance notes and arranger contact are included at the end of the score.If you spot any errors, please notify me so I can get you a revised score. I'm easy to find online.
Requiem (Organ reduction of ww and brass parts)
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$15.00 12.87 € Orgue PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.1242556 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,21st Century,Classical,Contemporary,Easter. Score. 4 pages. James M Stevens Music ASCAP #837689. Published by James M Stevens Music ASCAP (A0.1242556). Written June 1, 2023, this is an original organ composition in a dissonant and modern style with somewhat of an atonal feel. It uses an internal drone of a B and F which holds continuously to the very end with keyboard weights to be placed on the keys freeing both hands to play around it. It also uses many dissonant and parallel intervals such as tritones, 4ths and 5ths, some whole tone passages, yet somewhat built on a tritone substitution using a D flat 13 chord which substitutes for the dominant chord of C major with the last chord resolving to C using a C major 13(#11). The YouTube performance is by Carson Cooman who is performing this piece on a concert at Harvard University on July 19, 2023. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.
Broken Shimmers, Tragic Night - Organ Solo
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James Michael Stevens
$4.99 4.28 € Orgue PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.724985 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Easter,Patriotic,Sacred,Wedding. Score. 5 pages. James M Stevens Music ASCAP #333312. Published by James M Stevens Music ASCAP (A0.724985). Written March 17, 2022, this is an original organ composition in a bright and joyful style in the key of D major and the final piece in my “Spring Preludes for Organ, Nos. 1-5†and also the third installment of “Seasons†group of organ pieces. “Summer†will be written as the summer of 2022 approaches. James Michael Stevens is a prolific composer residing in Nashville, TN whose organ works are performed around the world.
Spring Prelude No. 5 for Organ
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James Michael Stevens
$4.99 4.28 € Orgue PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.632059 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Jazz,Pop,Standards. Score and parts. 2 pages. F & N Enterprise #1911625. Published by F & N Enterprise (A0.632059). Piano piece from Volume 1 of famous Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged and composed by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
Jazz Ballad
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$1.99 1.71 € Orgue PDF SheetMusicPlus






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