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Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable.  Three placements had failed because the young female was too afraid of the people.  Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia.  Austin had reluctantly agreed to look at the small spoodle.  He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss.  Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart.  It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years.  She was gracious and never intrusive with the visitors.  Small children were able to approach Lili without fear.  She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's:  The Blessing of the Animals.  Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church.  The animals in the church yard scoff at her.  She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi.  Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated.  Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer.  A week before she died, she made a personal appearance at a local elementary school.  As always, she was gracious and gentle, even though later it was apparent that she was deathly ill.  A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her.  This elegy was commissioned for performance at the annual Blessing service.
Guthrie: Elegy for Lili
Orgue

$32.95 31.81 € Orgue PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.978417 Composed by Leonardo Antonio Di Chiara. 20th Century,Contemporary. Score. 4 pages. LEONARDO ANTONIO DI CHIARA #6304561. Published by LEONARDO ANTONIO DI CHIARA (A0.978417). Elegy n.2 si sviluppa principalmente su un salto di quarta aumentata discendente al basso e su di esso poggia una semplice melodia sia dal punto di vista melodico che ritmico. L'armonia utilizzata è prevalentemente tonale, anche se non in alcuni passaggi esploro armonie dissonanti e lontane, ma sempre con l'obiettivo di non disturbare troppo l'orecchio dell'ascoltatore.   Le indicazioni dei registri sulla partitura sono puramente indicative, pertanto l'organista non deve sentirsi vincolato da quanto indicato, ma può comunque utilizzare la sua fantasia nella scelta dei registri. Se decidi di suonare il brano al pianoforte, tieni presente che non è necessario andare oltre le sonorità del forte, ma destreggiarsi secondo la propria ispirazione tra il pianoforte, il mezzoforte e il forte. Ovviamente, anche l'uso del pedale damper rientra nella scelta dell'esecutore.
Elegia n.2 per strumenti a tastiera
Orgue

$2.00 1.93 € Orgue PDF SheetMusicPlus

Organ - Digital Download SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413731. Published by LEONARDO ANTONIO DI CHIARA (A0.978420). The melody cell of the first part of Elegy n.3 is mainly made up of a fifth and fourth descending leap supported by voices that proceed in descending chromatisms, amplifying the tension. The second part is formed by a chordal section with overlapping fifths and fourths that leads to a melody line with the same rhythmic sequence but supported by a vigorous chromatism. The third part uses the initial theme again only that it is treated in the opposite direction. I deliberately avoided indicating the choice of stops to use if the piece is played on the organ, thus leaving the performer free to choose. Despite this, it seemed appropriate to indicate the dynamics signs only as a point of reference, but obviously the performer is free to file the sound dynamics of the piece at will. Obviously, playing on the piano also requires the use of the resonance pedal that the performer will use at will.
Elegia n.3 per strumenti a tastiera
Orgue

$2.00 1.93 € Orgue PDF SheetMusicPlus






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