SKU: A0.912488

Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.

SKU: A0.930581

This sensational pedal solo begins with a dramatic minor theme, followed by a distorted, minor version the melody of Amazing Grace. Modeled after the German Romantic chorale fantasia, this tempestuous beginning gives way to an ethereal, lyrical presentation of the melody, followed by a joyful toccata and triumphant close.  Pedal Fantasia on Amazing Grace is an exciting showpiece of pedal technique suitable for a recital or postlude. 

3 pages; duration 4:30.

SKU: A0.771747

In Nomine - Fantasia and Ricercar was commissioned by the virtuoso organist Jackson Osborn, and will be premiered in Houston in Spring 2016. The subtitle of the work is Homage a Jean Titelouse. Titelouse was a great contrapuntist - organ composer of the mid 17th century. This work in in homage to him, and employs some of his contrapuntal language. The work is cast in three main parts -I, a fantasia, based on two broadly contrasting themes, II a ricercar, using the them of In Nomine and III, a final quiet statement, which is a quote of the In Nomine of John Taverner.

SKU: A0.1116561

Have you ever wished J.S. Bach had created a fugue to be played with Fantasia in C Major, BWV 570 for organ solo? I have and decided to create one. I hope you will enjoy my fugue in C Major which is based on the opening pedal motive of Fantasia in C Major. Dedicated to Rien Schalkwijk .

SKU: A0.912445

Are you looking for an organ piece that's going to bring joy into your heart? The Festive Fantasia In D Major starts with a toccata-like passage that is interspersed with fanfare sections. The middle part of the work is lyrical in nature and is played at a slower speed. The fantasia embraces both lyricism and rhythmic vitality that will ring out to everyone, whether in concert halls, churches and other venues. You'll love it.

SKU: A0.1138989

Fantasia super: Veni, veni, Emmanuel für Orgel zu vier Händen Fantasia super: Veni, veni, Emmanuel for organ duet.

SKU: A0.945900

Postlude Hymn to The Messiah for solo organ by Mark Andersen is suitable for service playing and recital work.

SKU: A0.1072246

Rejoice greatly, O daughter of Zion Aria from Handel's Messiah - Organ Accompaniment.

SKU: A0.1040246

StA OV00122. Short variation for organ of the hymn tune Russia (God The Omnipotent) appropriate for a postlude. A hymn final stanza setting with optional short and long interludes is also available (StA H00138). All part of the St. Andrew's Collection.