Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850). The Liturgical Organbook, Volume 2 - ContentsDundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn 3: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2: Free harmonization a3In Babilone: InterludeIn Babilone 3: Fugato a3The Liturgical Organbook Volume 2 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Dundee, from the CL Psalmes of David (1615)fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)Easter Hymn, from Lyra Davidica (1708)Erhalt uns, Herr, from Geistliche Lieder (1543)Gopsal, George Frideric Handel (1685-1759)In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).

Organ - Level 3 - Digital Download SKU: A0.1152887 Composed by Felix Mendelssohn (1809=1847). Arranged by Waldemar Scholtes. Christian,Praise & Worship,Religious,Romantic Period. Score. 5 pages. SCHOLTES EDITIONS #753128. Published by SCHOLTES EDITIONS (A0.1152887). This wonderful aria for tenor solo from Mendelssohn’s Elijah is suitable for the church service. It is transcribed for organ (2 manuals and pedal) from the original version and is simplified for wider accessibility. In addition to performing it as an organ solo, it includes the text for use as a vocal solo, in which case it could be played on a piano with the left hand playing the pedal part. This version is transposed to C Major (from Eb) for performance by a lower voice (mezzo-soprano or baritone), again to make it more accessible. An Eb version of this arrangement—for tenor or soprano voice—is also available on this site. Included is a registration suggestion.

Organ - Level 3 - Digital Download SKU: A0.1428149 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Praise & Worship,Religious. Score. 6 pages. John Burkett #1008974. Published by John Burkett (A0.1428149). My Prelude on the Christmas carol tune Stille Nacht (Silent Night) was created with a 3-manual organ in mind, though it might be possible to play it on a 2-manual instrument, depending on the stop list.  The three different settings of the tune are intended to be played as a unit, though the cadence that concludes the second setting allows the performer the option of omitting the final setting.  The tune appears first in the left hand, then in the pedals, and finally in the soprano voice.  The middle setting, in the dominant key, is harder to play than the outer sections, primarily because of the trio texture and quicker rhythmic movement.  As one might expect, the three settings are distinguished from one another primarily by their accompanimental styles and suggested registrations.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music DIrect website for other hymn arrangements of mine, some for organ and others for piano.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).

Organ - Level 3 - Digital Download SKU: A0.1152862 Composed by Felix Mendelssohn (1809-1947). Arranged by Waldemar Scholtes. Christian,Praise & Worship,Religious,Romantic Period. Score. 5 pages. SCHOLTES EDITIONS #753088. Published by SCHOLTES EDITIONS (A0.1152862). This wonderful aria for tenor solo from Mendelssohn’s Elijah is suitable for the church service. It is transcribed for organ (2 manuals and pedal) from the original version and simplified for wider accessibility. In addition to performing it as an organ solo, it includes the text for use as a vocal solo, in which case it could be played on a piano with the left hand playing the pedal part. This original Eb Major version is intended for a high voice (tenor or soprano); and a lower version is available at this site in C Major for performance by a mezzo-soprano or baritone. Included is a registration suggestion.

Organ - Level 2 - Digital Download SKU: A0.909353 Composed by Vidas Pinkevicius. Contemporary,Multicultural,Patriotic,World. Score. 3 pages. Vidas Pinkevicius #6869441. Published by Vidas Pinkevicius (A0.909353). This meditation on Ukrainian Folk Song Rumble, Rumble, Rumble in the Oak Forest is written to spread awareness about the terrible war in Ukraine. In Ukrainian this song is known as Гомін, гомін, гомін по діброві (Homin, homin, homin po dibrovi). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. The song melody alternates between the pedals and solo voice in the soprano. In the pedals the tune is presented in augmentation. This composition will work very well for meditative music during liturgy and/or concert setting.

Organ - Level 2 - Digital Download SKU: A0.1355908 Composed by Traditional. Arranged by Roger Müller. Classical,Folk,Romantic Period,Traditional. Score. 7 pages. Althorn-music #940631. Published by althorn-music (A0.1355908). For Voice (Soprano), Horn (F/Eb or Bb) and Organ.

Composed by Hans-Andre Stamm (1958-). For Organ. Post-Romantic,Folk,Celtic. Intermediate. Score. 5 pages. Published by SMP Press