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Organ - Level 5 - Digital Download

SKU: A0.912504

Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504).

The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.

This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration.  

I hope that you enjoy this work.


Sonata In C For Organ (Finale) By Thomas R. Schadl
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$10.99 10.41 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download

SKU: A0.912505

Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505).

Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.

Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders.

Each variation explores moods and the work is organized this way:

Main Theme: m 1-6           TRSCH is stated in the bass.

Variation I:     m 7-22         Fugato

Variation II     m 23-50       Mystical quality and lyrical

Variation III   m 51-88       Scherzo, lyrical section, scherzo

Variation IV   m 89-116     Toccata

Variation V     m 117-224   Mystical mood, scherzo, mystical mood

Variation VI   m 225-297   Toccata, brief lyrical section, toccata

Variation VII   m 298-317   Variation I but at a slower speed.



Forward                           Reverse

A# D D# C     B             F   F # A G# E

F# A# B   G# G             C# D   F   E   C

F   A   A# G   F#            C   C# E D#   B

G# C   C# A# A             D# E   G F#   D

A   C# D   B   A#            E   F   G# G   D#


Theme And Variations On TRSCH For Organ
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