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Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
Variations on Adeste fideles, Op. 21
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$7.99 6.92 € Orgue PDF SheetMusicPlus

Organ - intermediate - Digital Download SKU: S9.Q2779 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q2779. Published by Schott Music - Digital (S9.Q2779). Hermann Schroeder (1904–1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale which Schroeder appreciated very much. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. Among the church modes, the 'tonus peregrinus' is the most interesting because it has two alternating reciting tones and therefore does not fit into the common pattern of the eight church modes. Since it 'modulates', it is a stranger, a 'peregrinus', among the tones – and therefore of special interest to composers. It forms the basis of the old Gregorian Magnificat, Bach used it in his Magnificat, Mozart in the introit of his requiem. Schroeder used the tonus peregrinus to achieve interesting harmonic and tonal effects, thus creating a virtuoso cycle of ten effective and colourful variations. A rewarding piece for church services and concerts.
Variations über den Tonus peregrinus
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$15.99 13.84 € Orgue PDF SheetMusicPlus

Organ - intermediate - Digital Download SKU: S9.Q2398 Partita for Organ. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 13 minutes. Schott Music - Digital #Q2398. Published by Schott Music - Digital (S9.Q2398). Hermann Schroeder (1904–1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.
Veni creator Spiritus
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$13.99 12.11 € Orgue PDF SheetMusicPlus

Organ - Digital Download SKU: S9.Q49648 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q49648. Published by Schott Music - Digital (S9.Q49648). German.This method of organ playing presupposes a certain technical skill on the piano. The pedal exercises at the beginning are fundamental and should be practiced in all keys with gradually increasing tempo. The structure of this method is based on the increasing polyphony: two-part pieces are followed by three-and multi-part pieces. Studying the strict structure of the polyphonic compositions, getting a feel of the liveliness of these parts, their coming, going and returning, all this, with the knowledge of harmonic form and architectonic values, provides the essential background for the correct interpretation of polyphonic music, especially of the fugue. The most important musical forms have been used to illustrate the various possibilities of registration and its relationship to style (colourful, solo and smooth playing).Progress within this method is made in a winding pattern, i.e. by falling frequently back on earlier aspects, through the juxtaposition of special stylistic and formal features, in order to consolidate them or add to variety. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music over the centuries and thus be prepared for a really artistic performance and interpretation of old and new works on his instrument, especially for the incomparable art of our great Johann Sebastian Bach.Wer nach dieser Schule das Orgelspiel erlernen will, muss schon eine gewisse technische Fertigkeit auf dem Klavier besitzen. Die Pedalübungen zu Anfang sind grundlegend. Sie sind in allen angegebenen Tonarten und in allmählich beschleunigtem Zeitmaß auszuführen.
Organ Method
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$21.99 19.03 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
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$7.99 6.92 € Orgue PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.932723 Composed by Attr. William Croft. Arranged by Terry M. Forsyth. Christian,Instructional,Sacred. Score. 1 pages. Forsyth Publishing #6486887. Published by Forsyth Publishing (A0.932723). The accompaniment is a 3-voice fugue with the whole hymn presented in segments in the pedal. Exposition begins on V so fourth entry is melody in tonic.  Structure is exposition, first hymn phrase, fugue development episode, second hymn phrase, second fugal development episode, third hymn phrase, stretto, long pedal tone on V, subject restated, final hymn segment twice at tempo then final at the end is augmented.  Time is 2:50.  Not technically challenging.  Good for general use as prelude, offertory or postlude.  Tune name:  St. Anne.
"O God Our Help in Ages Past" 3-voice fugal, full hymn in pedal
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$5.00 4.33 € Orgue PDF SheetMusicPlus






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