Organ - Level 4 - Digital Download SKU: A0.1259036 Composed by Charles H. Gabriel. Arranged by David Christensen. Sacred,Traditional. Score. 4 pages. David Christensen #852299. Published by David Christensen (A0.1259036). This is a powerful arrangement for organ of the hymn Higher Ground by Charles H. Gabriel found in many hymnals.  Very useful for a postlude.

Instrumental Duet Instrumental Duet,Marimba,Organ - Level 3 - Digital Download SKU: A0.998648 Composed by Robert Edward Smith. Christmas. Score and parts. 12 pages. ROBERT EDWARD SMITH MUSIC #4747557. Published by ROBERT EDWARD SMITH MUSIC (A0.998648). A lively arrangement of a traditional Christmas carol. The arrangement is fairly easy to play and is very accessible to the audience. It lasts about a minute and a half.

Organ - Digital Download SKU: A0.728980 Composed by Traditional. Arranged by James Gilbert. Christmas. Score. 5 pages. James Gilbert Music #3546663. Published by James Gilbert Music (A0.728980). For Solo Organ.

Organ - Level 2 - Digital Download SKU: A0.729061 Composed by Traditional. Arranged by James Gilbert Music. Sacred. Score. 1 pages. James Gilbert Music #4852047. Published by James Gilbert Music (A0.729061). Organ Alternate Harmonization

Organ - Level 3 - Digital Download SKU: A0.1016958 Composed by Erma Lee Wai Shan. Contemporary,Standards,Traditional,World. Score. 2 pages. ESLWS #6520737. Published by ESLWS (A0.1016958). This pipe organ piece is the first movement of  3 Images of Disappeared Old Hong KongThe Old Peak Tower was a landmark of Hong Kong. A Cantonese children's folk tune was used.

Organ - Level 3 - Digital Download SKU: A0.1278797 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Traditional,Wedding. Score. 36 pages. Aaron Shows #870340. Published by Aaron Shows (A0.1278797). Originally composed as joyous postludes for a church service to keep the congregation engaged and in their seats, rather than rushing to coffee hour or Sunday brunch, these pieces will have them sticking around to listen. So many organists complain of practicing long hours on music to find out only heard by a handful of listeners (or none at all!) stayed behind to hear it, but with this music you will be rewarded for your practice (and the great secret is, these pieces don't require much practice at all!).Whether you are looking for a rousing closer in a church service, concert, or music program of any kind -- these will do the trick! Additionally, since they are all based on original tunes (rather than hymns or other familiar sacred music), they can be easily and effectively used in both sacred and secular settings.Contents: March for a Celebration Wildfire Toccata Impressions of Americana Mountains and Valleys Fanfare of Festive Colors Traditions Old and New

Organ - Level 1 - Digital Download SKU: A0.1133927 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734052. Published by Phil Beaman (A0.1133927). Music Box Minuet is a delightful Organ Solo for manuals/hands (no pedal part). It is in the Key of C and both hands are in the Treble Clef. The RH has the melody of mostly quarter notes (crotchets) played on a Flute stop. The LH has mostly 2 note chords, one chord per bar, played on Strings. It is in traditional Rounded Binary Form, with the A Theme in 4/4 and the B Theme in 3/4. Each Theme is repeated. In other words, this is a very accessible piece for any organist; perfect for your organ offertory repertoire that can be pulled out at the last minute, but charming enough for concert or recital. 1 page, 1 minute This piece is also in the booklet 3 Pieces for Beginning Organist which contains a prelude, offertory, and postlude; also available on this site.

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

Organ - Digital Download SKU: A0.962064 Composed by Carson Cooman. Contemporary. Score. 3 pages. Carson Cooman #6639431. Published by Carson Cooman (A0.962064). Pastorella rustica (2021) is in the manner of a traditional pastorale. Gentle outer sections that feature a dialogue between a reed and flute surround a more energetic, brief middle.

Organ - Level 1 - Digital Download SKU: A0.829015 Composed by David Neff, William Billings. Arranged by David Neff. Classical,Folk,Religious,Sacred,Traditional. Score. 2 pages. David Neff #3431629. Published by David Neff (A0.829015). Babylon is a tune by William Billings which can be sung as a round or canon. Billings (1746-1800) was an influential leader of the singing school movement in early America and is considered the first American choral composer. David Neff's arrangement for organ solo captures the mournful mood of Billing's tune, which was sung to the text of Psalm 137:1 (By the waters of Babylon, we lay down and wept for thee, Zion. We remember thee, Zion.).

Organ - Level 3 - Digital Download SKU: A0.1258772 By Lorrie Morgan. By Oscar Hammerstein and Richard Rodgers. Arranged by Marianne Kim. Broadway,Musical/Show,Pop. Score. 10 pages. Marianne Kim #795521. Published by Marianne Kim (A0.1258772). Organ Solo - 3 StaffMarianne Kim took on the task of arranging My Favorite Things from the iconic Sound of Music. Her arrangement seamlessly weaves together classical and jazz elements, embracing both traditional and contemporary harmonies. With a classical background and jazz experience, Kim imbues the arrangement with elaborate melodies and intricate harmonies, adding layers of richness and complexity.CONNECT WITH MARIANNE KIM ► Website: https://www.mariannekimmusic.com ► Facebook: https://www.facebook.com/mariannekimmusic/ ► Instagram: https://www.instagram.com/kim.marianne/ ► Twitter: https://twitter.com/kim_marianne ► LinkedIn: https://www.linkedin.com/in/mariannekimmusic/ ► YouTube Piano: https://www.youtube.com/c/MarianneKimMusicTV ► YouTube Organ: https://www.youtube.com/c/MarianneKimOrgan ► 카카오톡: http://pf.kakao.com/_xnxmpexb.

Organ - Level 4 - Digital Download SKU: A0.1089064 By Jubal's Lyre Music. By Martin Dicke. Christian,Religious,Sacred,Traditional. Score. 4 pages. Jubal's Lyre Music Publishers #693285. Published by Jubal's Lyre Music Publishers (A0.1089064). Featuring the principal stops on the organ, this Chorale Prelude provides a quiet but moving setting of the hymn Jesus, Priceless Treasure (JESU, MEINE FREUDE) by Johann Crüger (1598-1662). Its beautiful melodies, distinctive harmonic progressions, and cascading suspensions and resolutions provide a wonderfully heart-rending background for the statement of the chorale melody in the lower register. This setting may be used to introduce the hymn, as a Prelude or Postlude for a worship service, or as as a stand-alone, hymn-based work on an organ concert. For more music and information, visit www.jubalslyre.com/music.

Organ - Level 2 - Digital Download SKU: A0.1397353 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Lent,Sacred. Score. 45 pages. Vidas Pinkevicius #980671. Published by Vidas Pinkevicius (A0.1397353). This cycle follows a traditional order of Stations of the Cross or Via Crucis with additional prelude at the beginning and a postlude at the end. It consists of 16 meditations contemplating Jesus' suffering and death at the cross. Musical language is colorful but not too dissonant. Each meditation is around 1.5-2 minutes of duration. Difficulty level is Easy Intermediate. This cycle will be very effective in musical devotations around the time of the Holy Week. Dedicated to James Flores.

Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.