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Organ - Level 4 - Digital Download SKU: A0.1423377 Composed by Edvard Grieg. Arranged by John Burkett. 19th Century,Romantic Period. Score. 6 pages. John Burkett #1004692. Published by John Burkett (A0.1423377). Grieg did not write any music for the organ, but some of his short compositions for piano in his multi-opus series of Lyric Pieces can be successfully adapted for performance on the pipe organ.  I have arranged several of them, employing 3-stave scores, along with indications for what manuals to play on, and suggestions for registration changes.  My arrangements reveal, I think,that Grieg's piano pieces take on new dimensions with the organ's variety of timbres and wide dynamic range.  They all would serve well on a recital program and some could be used in church services as well.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other arrangements for organ in my Grieg Transcription Series.  You may also be interested in my many hymn tune arrangements, some for organ and others for piano.
Notturno from Lyric Pieces
Orgue

$8.00 6.82 € Orgue PDF SheetMusicPlus

Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in Čelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St Martín. According to Dlabacž, he studied organ under Bohuslav Matěj Černohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St Martín, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
Jan Zach - Fugue in C Minor
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz He visited Italy in 1746 and, briefly, Bohemia in 1747
$4.99 4.26 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration.  I hope that you enjoy this work.
Sonata In C For Organ (Finale) By Thomas R. Schadl
Orgue

$10.99 9.37 € Orgue PDF SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q6973 For organ. Composed by John Casken. This edition: Sheet music. Sacrificium ist ein anspruchsvolles Werk, das die Interpreten mit einer Fülle von kontrastierendem Material fordert, aber gleichzeitig Raum für individuelle Interpretation lässt. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6973. Published by Schott Music - Digital (S9.Q6973). Sacrificium was commissioned by the St Albans International Organ Festival for what has become one of the most influential organ competitions in the world. It is a demanding 8 minute work that will challenge performers with an abundance of contrasting material whilst still leaving space for individual interpretation. Casken refers to the story of Alban who sacrificed his life to save another Christian thereby becoming the first British Martyr in his programme note and more specifically the act of exchanging cloaks and deception which led to Alban's execution. This idea of taking on a new appearance is apparent in the music as recurring themes undergo transformations, gradually becoming absorbed into new musical textures.
Sacrificium
Orgue

$19.99 17.05 € Orgue PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. G. Ouseley, W.B. Gilbert, J.A. Stevenson etc. Arranged by Enoch Kwasi Boahen. Sacred. Score. 93 pages. Enoch Kwasi Boahen #644686. Published by Enoch Kwasi Boahen (A0.1039842). TUNES & APPROPRIATE HYMNS Pater Omnium O God, what offering shall I give, Contemplation When all Thy mercies, O my God, Maidstone Pleasant are Thy court above, Dublin See Israel's gentle Shepherd stand, St Luke O Thou, whom once they flocked to hear, Abridge O for heart to praise my God, Celeste This is the God we adore, Everton They who tread the path of labour, All souls Lead us, O Father, in the paths of peace, Beautitudo Fill Thou my life, O Lord my God, Antwerp Forth in Thy name, O Lord, I go, Something for Thee Saviour, Thy dying love, Dundee(French) I to the hills will lift my eyes, St. Cyril O King of mercy, from Thy throne on high, Ruth Summer sure are glowing, Wiltshire Through all the changing scenes of life, Darwall's 148th Lord of the worlds above, Morecambe O God of our Father, who dost make us one, Vigilate Christian, seek not yet repose, Northampton Hark, my soul! It is the Lord, My Jesus, I love Thee My Jesus, I love Thee, Kensington new Lead us, heavenly Father, lead us, Ramsey Lord, it belongs not my care, Warrington Now that the day light fills the sky, Hopeville Give me the wings of faith to rise, Wonderful love Come let sing of the wonderful love, Prince of peace Come, Holy Ghost, our hearts inspire, Harrow All people that on earth do well, Franconia Our day of praise is done, Aurelia The Church's one foundation, Ellers Saviour, again Thy dear name we raise, Cloisters Lord of our life and God of our salvation Barton Light of the world, Ely Lord, I was blind! I could not see, Gainsworth Just as I am, Misericordia Just as l am, Monks gate Who would true valour see, Old 23rd Where shall my wondering soul begin?, Spetisbury Be gone, unbelief; Stamford Father of everlasting grace.
Heavenly Hymns Varied Harmonies Volume 4
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$42.00 35.82 € Orgue PDF SheetMusicPlus

Organ - Digital Download SKU: A0.909272 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 7 pages. Vidas Pinkevicius #3540613. Published by Vidas Pinkevicius (A0.909272). I improvised this gentle piece first for the Communion of the memorial service of Lithuanian journalist Rokas Zilinskas on June 10, 2017 at Vilnius University St John's church .hen I came back home and started to transcribe it to the Sibelius notation software from this video. Although the tempo is rather slow, the process was painstakingly difficult. So I decided to improvise it fresh, this time straight to the Sibelius.What came out was a shorter version (ca. 5 minutes of duration) gentle piece suitable for Communion or recital. I dedicate it to Dr. Pamela Ruiter-Feenstra, organist, improviser, composer, pedagogue, mentor, friend.The soft strings remind me of Angels flapping their wings. The dialogue between two flutes is like two Seraphims talking to each other in thought. The dark 16' and 8' chord combination give a glimpse of mysteries invisible above the clouds in the dusk.7 pages. PDF score. Intermediate level.Let me know if you'll enjoy playing it!
Angelic Music, Op. 40
Orgue

$6.99 5.96 € Orgue PDF SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.
Orpheus
Orgue

$15.99 13.64 € Orgue PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1423348 Composed by Edvard Grieg. Arranged by John Burkett. 19th Century,Romantic Period. Score. 4 pages. John Burkett #1004661. Published by John Burkett (A0.1423348). Grieg did not write any music for the organ, but some of his short compositions for piano in his multi-opus series of Lyric Pieces can be successfully adapted for performance on the pipe organ.  I have arranged several of them, employing 3-stave scores, along with indications for what manuals to play on, and suggestions for registration changes.  My arrangements reveal, I think, that Grieg's piano pieces take on new dimensions with the organ's variety of timbres and wide dynamic range.  They all would serve well on a recital program and some could be used in church services as well.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other arrangements for organ in my Grieg Transcription Series.  You may also be interested in my many humn tune arrangements, some for organ and others for piano.
At the Cradle from Lyric Pieces
Orgue

$7.00 5.97 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.1423375 Composed by Edvard Grieg. Arranged by John Burkett. 19th Century,Romantic Period. Score. 9 pages. John Burkett #1004688. Published by John Burkett (A0.1423375). Grieg did not write any music for the organ, but some of his short compositions for piano in his multi-opus series of Lyric Pieces can be successfully adapted for performance on the pipe organ.  I have arranged several of them, employing 3-stave scores, along  with indications for what manuals to play on, and suggestions for registration changes.  My arrangements reveal, I think, that Grieg's piano pieces take on new dimensions with the organ's variety of timbres and wide dynamic range.  They all would serve well on a recital program and some could be used in church services as well.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other arrangements for organ in my Grieg Transcription Series.  You may also be interested in my many hymn tune arrangements, some for organ and others for piano.
March of the Dwarfs from Lyric Pieces
Orgue

$11.00 9.38 € Orgue PDF SheetMusicPlus






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