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Organ - Level 3 - Digital Download SKU: C7.CGB609 Composed by Antonio Vivaldi and Gary Jungkeit. Arranged by Antonio Vivaldi and Gary Jungkeit. Christmas, General. With Organ. Full score. 8 pages. Chorister's Guild - Digital #CGB609. Published by Chorister's Guild - Digital (C7.CGB609). UPC: 749193014431.Levels 1 and 2 * After the Prelude, Year C is the second release in the three-year, lectionary-based worship resource series for handbell directors. As with the previous volume, the original purchaser is granted permission to reproduce the music as needed for ringers and other instrumentalists. Congregational parts also include permission to duplicate and are provided in both PDF and TIFF formats in the Digital Version. The Digital Version includes a CD-ROM containing PDFs of the music, and the Printed Version includes loose-leaf pages for easy photocopying. Both editions contain an audio CD and indexes for worship planning. After the Prelude provides resources for specific days in the church year, as well as additional music for general use. Also included in this volume are resources for weddings, memorial services, and handbell dedications.
Gloria - Full Score
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$9.95 8.54 € Orgue PDF SheetMusicPlus

Organ: 3-staff - Intermediate SKU: LO.70-1491S Composed by Gilbert M. Martin. Sacred, All Saints' Day, Evangelism, General, Holy Communion, Missions, Reformation, Thanksgiving. Sacred Music Press #70/1491S. Published by Sacred Music Press (LO.70-1491S). UPC: 000308102154.A part of a multi-volume series dedicated to providing music for those festivals and holy days not generally represented in other compilations, this Autumn edition offers glorious music leading up to the beginning of Advent: the celebrations of All Saints' Day, Reformation Sunday, Worldwide Communion, Sundays involving Missions or Evangelism, and of course, Thanksgiving. For assistance in planning, timings are provided along with indices organized alphabetically, by page number, and by the church year. We are confident that you will applaud the labor and love incorporated in this series, and so will your congregations!
The Organist in Season: Autumn
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$33.00 28.33 € Orgue PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.534671 Composed by Claude Debussy/Robert Orledge. Concert,Contemporary,Standards. Score. 5 pages. Musik Fabrik Music Publishing #5775633. Published by Musik Fabrik Music Publishing (A0.534671). Noes by Robert Orledge: Debussy planned to compose seven pieces of incidental music for André Antoine’s production of Shakespeare’s King Lear (Le Roi Lear) in 1904 at the time of his elopement to Jersey with Emma Bardac. However, he never completed the project due to Antoine’s frequent postponements and unwillingness to provide the ‘30 musicians’ Debussy required to avoid ‘a feeble little sound like fleas rubbing their legs together!’ On the verso of the Fanfare manuscript from Debussy’s sketches, I discovered the start of an extremely moving little piece in a modal D minor, which could only be for ‘La Mort de Cordélia’ in Act 5, scene 3. I thought this would be best suited to a binary movement in which most of the first half, the striking chromatic introduction and the elegiac theme are all by Debussy. This pencil sketch turned up in 2000 in thecollection of Mrs Jayne Ericourt (wife of the pianist Daniel Ericourt) in Greensboro, North Carolina, USA.
Claude Debussy: La Mort de Cordélia, from "King Lear" for organ
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$9.10 7.81 € Orgue PDF SheetMusicPlus

Organ - intermediate to advanced - Digital Download SKU: S9.Q50149 Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Composed by Robert Schumann. This edition: separate part. Downloadable, Individual part. Op. 93. Schott Music - Digital #Q50149. Published by Schott Music - Digital (S9.Q50149). German.At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's choral society St. Pauli in Leipzig. He wrote the organ version specifically for this performance for he had originally planned an orchestral accompaniment. That, however, could only be completed later and was eventually premiered in 1853. In a letter to Schumann, Herrmann Langer, the conductor of both world premieres, mentioned 'the wonderful effect which the same has produced' and that, to him, 'the motet was one of the most stimulating and inspiring creations in male-voice literature'.
Despair not in this vale of pain
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$17.99 15.44 € Orgue PDF SheetMusicPlus

Organ: 3-staff - Intermediate SKU: LO.70-1551S Composed by Gilbert M. Martin. Sacred, Ascension, Eastertide, General, Holy Week, Pentecost, Palm/Palm-Passion Sunday. Sacred Music Press #70/1551S. Published by Sacred Music Press (LO.70-1551S). UPC: 000308105995.Continuing our multi-volume collection from the wide and varied organ library of The Sacred Music Press, we proudly present our Spring volume--from Christ's glorious entry into Jerusalem, through the drama of Holy Week, the glory of the Resurrection, the promise of the Ascension, and the exaltation of Pentecost. For support and assistance in planning, all timings are accurate and the indices are organized alphabetically, by page number and by the church year. A splendid collection to add to our remarkable first seasonal compilation of Autumn. (Durations included for each selection.).
The Organist in Season: Spring
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$33.00 28.33 € Orgue PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
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$7.99 6.86 € Orgue PDF SheetMusicPlus






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