Organ SKU: HL.8738380 For All Organs. Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. General Worship, Sacred. 144 pages. Fred Bock Music Company #BG0605. Published by Fred Bock Music Company (HL.8738380). ISBN 9781934596319. UPC: 073999239201. 9.3x12.0x0.496 inches.This volume includes 43 of the best-loved gospel songs - all arranged in the sought-after stylings of Fred Bock. It contains such tunes as: Blessed Assurance * Happiness Is the Lord * Ivory Palaces * The Love of God * and many more. Spiral bound.

Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com  1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford.  [Chorus]  I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee!  2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh.  3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain.  4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Organ - Medium - Digital Download SKU: MQ.10-365-3E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-3E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Medium - Digital Download SKU: MQ.10-365-7E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-7E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-7E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Medium - Digital Download SKU: MQ.10-365-5E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-5E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Medium - Digital Download SKU: MQ.10-365-9E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 1 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-9E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-9E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Medium - Digital Download SKU: MQ.10-365-8E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-8E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-8E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Medium - Digital Download SKU: MQ.10-365-4E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-4E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easy�, and the hymn is “Go to Dark Gethsemane.� The improvisation alternates between the theme from the chorus “His yoke is easy� from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.�-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.

Organ - Level 3 - Digital Download SKU: A0.804643 Composed by Isaac Watts. Arranged by Juliano Music. Classical,Instructional,Romantic Period,Sacred,Standards. Score. 3 pages. Juliano Alessandro Molteni #6217143. Published by Juliano Alessandro Molteni (A0.804643). MY EASY ARRANGEMENT OF THE HYMN SING TO THE LORD JEHOVAH’S NAME BY I. WATTS.VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE.---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!

Organ - Medium - Digital Download SKU: MQ.10-040-E Composed by Raymond H Haan. Lent. 11 pages. MorningStar Music Publishers - Digital Sheet Music #10-040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-040-E). Raymond Haan has written reflective settings of Sometimes I Feel Like a Motherless Child, Jesus, Savior, Pilot Me, and Jerusalem the Golden. The music is not difficult, but due to the opportunities for colorful registration and the composer's care and specificity, there are some spots to work out. The result is sometimes lush and sometimes grand, and we think you'll like the result.

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.618680 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 2 pages. Hal Leonard - Digital #513380. Published by Hal Leonard - Digital (HX.618680). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

Organ - Level 2 - Digital Download SKU: A0.1315041 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Christian,Christmas,Holiday,Sacred,Traditional. Score. 5 pages. Phil Lehenbauer #903793. Published by Phil Lehenbauer (A0.1315041). This peaceful setting of Away In a Manger uses the tune Cradle Song, and is arranged for manuals only.  While recorded on a two manual organ, it will work on one manual as well.  Away in a manger is very popular for Christmas Eve and children's services, and I hope this simple setting will add beauty to those events!

Instrumental Solo,Organ - Digital Download SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #958719. Published by Chris Kovarik (A0.1374145). Chorale Prelude on Rockingham (composed 2018, duration ca. 4’ 10�). The text most commonly associated with this tune (When I survey the wondrous cross) is reflective, and inward looking. In it the writer marvels at the depth of God’s love for us, and is humbled by the vastness of our challenge in reciprocating it. We can only stand in awe at the impossibility of our task. Likewise the task of the arranger who tries to capture, in music, a fraction of these feelings. The piece begins very simply and grows more complex, with each statement of the hymn tune more elaborate than the last. Flowing triplets keep the motion going, and the rich harmonic palette is accentuated by several unexpected modulations. The mood is serene, though not always quiet, and often with uncertainty bubbling right under the surface.