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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.   Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 31.45 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.587869 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037719. Published by David McKeown (A0.587869). 16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Baritone Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Creatures of Our God and King, (Lasst Uns Erfreuen)·     All Hail the Power of Jesus Name, (Coronation)·     Before the Throne of God Above, (Before the Throne)·     Blessed Assurance, (Blessed Assurance)·     Christ the Lord is Risen Today, (Easter Hymn)·     Crown Him with Many Crowns, (Diademata)·     The Day of Resurrection, (Ellacombe)·     Just as I Am, (Woodworth)·     I Know that My Redeemer Lives, (Bradford)·     It is Well with My Soul, (Ville du Havre)·     A Mighty Fortress is Our God, (Ein Feste Burg)·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)·     There is a Green Hill Far Away, (The Green Hill)·     Thine Be the Glory, (Judas Maccabeus)·     Were You There? (Were You There?)·     When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano
Saxophone Baryton, Piano

$7.60 7.25 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.1500226 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger Wallace #1076301. Published by Roger Wallace (A0.1500226). Baritone Sax/Eb Bass Solo with Piano Accompaniment. Can also be played by Trombone/Tuba/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax and Horn in F.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Tuba solo.Full and Piano Accompaniment demonstrations (in MP3) of a Cello solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Cello solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
Lo! How a Rose E'er Blooming (Baritone Sax/Eb Bass & Piano)
Saxophone Baryton, Piano

$5.99 5.72 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471754 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049078. Published by Rodrigo Faleiros (A0.1471754). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Simple Piano Accompaniment?? Check out my other arrangements clicking here! ??'---'---'---'---'---'---'---'---'---'---'---'---'---'.
Choral from the Cantata BWV 77 (Solo Baritone Sax with Simple Piano Accompaniment)
Saxophone Baryton, Piano

$3.99 3.81 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471751 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049074. Published by Rodrigo Faleiros (A0.1471751). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Chord Symbols- With Piano Accompaniment?? Check out my other arrangements clicking here! ??'---'---'---'---'---'---'---'---'---'---'---'---'---'.
Choral from the Cantata BWV 77 (Solo Baritone Sax with Piano Accompaniment)
Saxophone Baryton, Piano

$3.99 3.81 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471753 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049077. Published by Rodrigo Faleiros (A0.1471753). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Chord Symbols- With Simple Piano Accompaniment?? Check out my other arrangements clicking here! ??'---'---'---'---'---'---'---'---'---'---'---'---'---'.
Choral from the Cantata BWV 77 (Solo Baritone Sax with Simple Piano Accompaniment)
Saxophone Baryton, Piano

$3.99 3.81 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471752 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049075. Published by Rodrigo Faleiros (A0.1471752). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Piano Accompaniment?? Check out my other arrangements clicking here! ??'---'---'---'---'---'---'---'---'---'---'---'---'---'.
Choral from the Cantata BWV 77 (Solo Baritone Sax with Piano Accompaniment)
Saxophone Baryton, Piano

$3.99 3.81 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 31.45 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1404516 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987588. Published by pfkaorimusic (A0.1404516). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Gdur (Sax inE♭) Orchestration: baritone sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition..In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Desdur→.
"Valse op.64-1" (Gdur) baritone sax & piano, 2nd edition
Saxophone Baryton, Piano
F Chopin
$6.50 6.2 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1404515 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987586. Published by pfkaorimusic (A0.1404515). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Desdur (Sax inE♭) Orchestration: baritone sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition..In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Gdur→.
"Valse op.64-1" (Desdur) baritone sax & piano, 2nd edition
Saxophone Baryton, Piano
F Chopin
$6.50 6.2 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.967676 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189289. Published by Lawrence H Underwood (A0.967676). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
Jingle Bells for Solo Bari Saxophone
Saxophone Baryton, Piano

$5.99 5.72 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano

$26.95 25.72 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano

$1.99 1.9 € Saxophone Baryton, Piano PDF SheetMusicPlus


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