SKU: A0.1295053

Baritone Saxophone and Piano Sheet Music with Chord Notations: Christina Perri's 'A Thousand Years'

Embark on a musical journey with our exclusive baritone saxophone and piano sheet music arrangement of Christina Perri's A Thousand Years, complete with chord notations. This arrangement is available for purchase on leading online sheet music platforms, offering a unique and captivating interpretation of the song.

Our sheet music includes clear and detailed notation for the baritone saxophone and piano, along with chord symbols for accompaniment. This comprehensive arrangement is suitable for both beginner and experienced musicians, ensuring an authentic and emotionally resonant performance.

By acquiring our A Thousand Years baritone saxophone and piano sheet music with chord notations, you gain access to a valuable resource to enrich your musical repertoire. This music is versatile, making it suitable for various occasions, including weddings, recitals, and special performances.

Stand out as a musician and captivate your audience with this timeless composition. Purchase our sheet music now to begin playing Christina Perri's A Thousand Years on the baritone saxophone and piano, enriched with chord notations, and embark on a musical journey that explores the emotional depth of this piece. Share your unique interpretation with the world.

Don't miss the opportunity to perform one of pop music's most beloved songs on the baritone saxophone, enhanced with chord notations. Get our sheet music today and let Christina Perri's A Thousand Years inspire your musical aspirations.

SKU: A0.1295054

Baritone Saxophone and Piano Sheet Music: Christina Perri's 'A Thousand Years'

Immerse yourself in the timeless beauty of Christina Perri's A Thousand Years with our exclusive baritone saxophone and piano sheet music arrangement. This arrangement is available for purchase on leading online sheet music platforms, offering a unique and captivating interpretation of the song.

Our sheet music includes clear and detailed notation for the baritone saxophone and piano. This comprehensive arrangement is suitable for both beginner and experienced musicians, ensuring an authentic and emotionally resonant performance.

By acquiring our A Thousand Years baritone saxophone and piano sheet music, you gain access to a valuable resource to enrich your musical repertoire. This music is versatile, making it suitable for various occasions, including weddings, recitals, and special performances.

Stand out as a musician and captivate your audience with this timeless composition. Purchase our sheet music now to begin playing Christina Perri's A Thousand Years on the baritone saxophone and piano and embark on a musical journey that explores the emotional depth of this piece. Share your unique interpretation with the world.

Don't miss the opportunity to perform one of pop music's most beloved songs on the baritone saxophone. Get our sheet music today and let Christina Perri's A Thousand Years inspire your musical aspirations.

SKU: A0.1251431

(A. Piazzolla) Years Of Solitude 

Trascrizione e Arrangiamento per Sassofono Baritono o Contralto e Pianoforte.

Riceverete la partitura e le parti staccate.

SKU: A0.1460039

A Thousand Years for Baritone Sax + Piano + Chords:

Key Features:
- Melodies and harmonies that capture the essence of the piece;
- Suitable for Easy Intermediate levels;
- Professionally arranged sheet music in PDF format;
- Genre: Classic Pop;

I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.

SKU: A0.1460038

A Thousand Years for Baritone Sax + Piano:

Key Features:
- Melodies and harmonies that capture the essence of the piece;
- Suitable for Easy Intermediate levels;
- Professionally arranged sheet music in PDF format;
- Genre: Classic Pop;

I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.

SKU: A0.548670

Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.

Cantique de Noël

The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  

Adolphe Adam

In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856.

Placide Cappeau

The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful.

Theology

In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  

SKU: A0.549445

Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.

School Years

First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary.

Study Abroad

During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest.

Association with Gilbert

It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers.

Lost Chord

The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently.

The Lost Chord

Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.